Stained Glass vs Luxe Blue
Stained Glass (PPG) and Luxe Blue (Sherwin-Williams) come from different manufacturers. These are both blues, so the question isn't which hue to choose — it's where within blue to land. Their light reflectance values are nearly the same — 13 vs 13 — so neither will read significantly brighter or darker than the other. A ΔE of 1.2 puts them in subtle territory — distinguishable in direct comparison, less so from across a room. Below, 5 simulated room previews show how each color reads at scale — real-room photos will be added as they become available.
Color Details
Stained Glass vs Luxe Blue Simulated Comparison
5 simulated room previews — drag the slider on each to see Stained Glass on one side and Luxe Blue on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More Stained Glass comparisons
See how Stained Glass stacks up against other well-photographed colors across different brands and tones.
Ammonite reflects far more light (LRV 69 vs 13), opening up a space where Stained Glass encloses it.
At LRV 83 vs 13, White Dove is decisively the brighter choice.
A 7-point LRV gap (13 vs 6) makes Stained Glass the marginally brighter of the two.
Purbeck Stone reflects far more light (LRV 52 vs 13), opening up a space where Stained Glass encloses it.
Evergreen Fog reflects far more light (LRV 30 vs 13), opening up a space where Stained Glass encloses it.
At LRV 52 vs 13, Mizzle is decisively the brighter choice.
Agreeable Gray reflects far more light (LRV 60 vs 13), opening up a space where Stained Glass encloses it.
At LRV 58 vs 13, Accessible Beige is decisively the brighter choice.
At LRV 27 vs 13, Denim Drift is decisively the brighter choice.
French Gray reflects far more light (LRV 43 vs 13), opening up a space where Stained Glass encloses it.
Stained Glass reads slightly lighter (LRV 13 vs 4), a gap that shows most in low-lit rooms.
At LRV 55 vs 13, Tranquil Dawn is decisively the brighter choice.
Their light reflectance is nearly identical (LRV 13 vs 13), so neither reads brighter in a room.
At LRV 44 vs 13, Hardwick White is decisively the brighter choice.
Pure White reflects far more light (LRV 84 vs 13), opening up a space where Stained Glass encloses it.
Artichoke reads slightly lighter (LRV 21 vs 13), a gap that shows most in low-lit rooms.
At LRV 66 vs 13, Balboa Mist is decisively the brighter choice.
At LRV 74 vs 13, Shoji White is decisively the brighter choice.
At LRV 83 vs 13, Snowbound is decisively the brighter choice.
Pigeon reflects far more light (LRV 51 vs 13), opening up a space where Stained Glass encloses it.
Their light reflectance is nearly identical (LRV 13 vs 12), so neither reads brighter in a room.
A 5-point LRV gap (13 vs 8) makes Stained Glass the marginally brighter of the two.
At LRV 68 vs 13, Skimming Stone is decisively the brighter choice.
Dix Blue reflects far more light (LRV 41 vs 13), opening up a space where Stained Glass encloses it.
Their light reflectance is nearly identical (LRV 13 vs 12), so neither reads brighter in a room.
At LRV 45 vs 13, Saybrook Sage is decisively the brighter choice.
Pale Green reflects far more light (LRV 31 vs 13), opening up a space where Stained Glass encloses it.