RAL 180-M vs Made in the Shade
Where RAL 180-M belongs to RAL Effect's range, Made in the Shade is a Valspar color. RAL 180-M reads as blue-grey, while Made in the Shade reads as grey — two distinct hue families, not close cousins. RAL 180-M (LRV 35) reflects noticeably more light than Made in the Shade (LRV 33), a difference of 3 points that becomes especially apparent in rooms with limited natural light. The ΔE 4.5 gap is real but not dramatic — close enough to use together, distinct enough to matter as a choice. Below you'll find 2 real-room photo comparisons where both colors appear side by side, plus 5 simulated room previews.
RAL 180-M vs Made in the Shade in Real Spaces
2 real rooms side by side. RAL 180-M and Made in the Shade are close enough that the difference can be hard to judge from a chip alone — these photos show how each reads at scale, across different spaces and lighting conditions.
Living Room
In a living room, color works across both daylight and evening light — the same wall can read very differently at noon and at 8pm. Side by side like this, the difference is easy to read — which is exactly why seeing them in a real space is more useful than comparing chips.
Bedroom
The context that matters most in a bedroom is how a color reads under a bedside lamp at night, not under noon daylight. The distinction reads clearly at room scale, making the choice between them concrete.
Color Details
RAL 180-M vs Made in the Shade Simulated Comparison
5 simulated room previews — drag the slider on each to see RAL 180-M on one side and Made in the Shade on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More RAL 180-M comparisons
See how RAL 180-M stacks up against other well-photographed colors across different brands and tones.
