RAL 240-5 vs Agreeable Gray
Where RAL 240-5 belongs to RAL Effect's range, Agreeable Gray is a Sherwin-Williams color. Hue-wise, RAL 240-5 belongs to the green-yellow family and Agreeable Gray to the greige-grey family. Agreeable Gray (LRV 60) reflects noticeably more light than RAL 240-5 (LRV 13), a difference of 48 points that becomes especially apparent in rooms with limited natural light. With a ΔE of 45.6, the contrast is hard to miss. These aren't variations on a theme — they're two different answers to the same question. Below you'll find 4 real-room photo comparisons where both colors appear side by side, plus 5 simulated room previews.
RAL 240-5 vs Agreeable Gray in Real Spaces
4 real rooms side by side. Seeing RAL 240-5 and Agreeable Gray in actual rooms makes the difference concrete; browse the spaces below to get a feel for how each color lives on a wall.
Living Room
In a living room, color works across both daylight and evening light — the same wall can read very differently at noon and at 8pm. The LRV gap is large enough that Agreeable Gray will make the room feel meaningfully brighter than RAL 240-5 would.
Bedroom
The context that matters most in a bedroom is how a color reads under a bedside lamp at night, not under noon daylight. Agreeable Gray reflects noticeably more light off the walls, making the space read more open than RAL 240-5.
Bathroom
Bathrooms are one of the few spaces where you're genuinely enclosed by the paint color, which makes the choice between these two more consequential. Agreeable Gray reflects noticeably more light off the walls, making the space read more open than RAL 240-5.
Kitchen Cabinets
Kitchen cabinets are constantly compared against adjacent materials, which means subtle differences between these two become much more visible. Agreeable Gray reflects noticeably more light off the walls, making the space read more open than RAL 240-5.
Color Details
RAL 240-5 vs Agreeable Gray Simulated Comparison
5 simulated room previews — drag the slider on each to see RAL 240-5 on one side and Agreeable Gray on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More RAL 240-5 comparisons
See how RAL 240-5 stacks up against other well-photographed colors across different brands and tones.
White Dove reflects far more light (LRV 83 vs 13), opening up a space where RAL 240-5 encloses it.
At LRV 52 vs 13, Purbeck Stone is decisively the brighter choice.
At LRV 30 vs 13, Evergreen Fog is decisively the brighter choice.
Accessible Beige reflects far more light (LRV 58 vs 13), opening up a space where RAL 240-5 encloses it.
Denim Drift reflects far more light (LRV 27 vs 13), opening up a space where RAL 240-5 encloses it.
At LRV 43 vs 13, French Gray is decisively the brighter choice.
Tranquil Dawn reflects far more light (LRV 55 vs 13), opening up a space where RAL 240-5 encloses it.
Hardwick White reflects far more light (LRV 44 vs 13), opening up a space where RAL 240-5 encloses it.
At LRV 84 vs 13, Pure White is decisively the brighter choice.
Balboa Mist reflects far more light (LRV 66 vs 13), opening up a space where RAL 240-5 encloses it.
Shoji White reflects far more light (LRV 74 vs 13), opening up a space where RAL 240-5 encloses it.
With LRVs of 13 and 12, the two reflect almost the same amount of light.
RAL 240-5 reads slightly lighter (LRV 13 vs 8), a gap that shows most in low-lit rooms.
Skimming Stone reflects far more light (LRV 68 vs 13), opening up a space where RAL 240-5 encloses it.
With LRVs of 13 and 12, the two reflect almost the same amount of light.
Saybrook Sage reflects far more light (LRV 45 vs 13), opening up a space where RAL 240-5 encloses it.
At LRV 31 vs 13, Pale Green is decisively the brighter choice.
A 6-point LRV gap (13 vs 7) makes RAL 240-5 the marginally brighter of the two.