RAL 260-3 vs Agreeable Gray
Where RAL 260-3 belongs to RAL Effect's range, Agreeable Gray is a Sherwin-Williams color. RAL 260-3 reads as beige-yellow, while Agreeable Gray reads as greige-grey — two distinct hue families, not close cousins. They have nearly identical light reflectance values (61 vs 60), so they'll read as similarly Light in most lighting conditions. With a ΔE of 64.9, the contrast is hard to miss. These aren't variations on a theme — they're two different answers to the same question. Below you'll find 6 real-room photo comparisons where both colors appear side by side, plus 5 simulated room previews.
RAL 260-3 vs Agreeable Gray in Real Spaces
6 real rooms side by side. Seeing RAL 260-3 and Agreeable Gray in actual rooms makes the difference concrete; browse the spaces below to get a feel for how each color lives on a wall.
Living Room
In a living room, color works across both daylight and evening light — the same wall can read very differently at noon and at 8pm. Side by side like this, the difference is easy to read — which is exactly why seeing them in a real space is more useful than comparing chips.
Bedroom
The context that matters most in a bedroom is how a color reads under a bedside lamp at night, not under noon daylight. The distinction reads clearly at room scale, making the choice between them concrete.
Kitchen
In a kitchen, colors are seen under bright task lighting that amplifies undertones — what reads neutral elsewhere can show its hand here. The distinction reads clearly at room scale, making the choice between them concrete.
Bathroom
Bathrooms are one of the few spaces where you're genuinely enclosed by the paint color, which makes the choice between these two more consequential. The distinction reads clearly at room scale, making the choice between them concrete.
House
Seen across an entire facade, subtle tonal differences become pronounced. What reads as nearly the same on a chip often reads as clearly different at scale. The distinction reads clearly at room scale, making the choice between them concrete.
Kitchen Cabinets
Kitchen cabinets are constantly compared against adjacent materials, which means subtle differences between these two become much more visible. The distinction reads clearly at room scale, making the choice between them concrete.
Color Details
RAL 260-3 vs Agreeable Gray Simulated Comparison
5 simulated room previews — drag the slider on each to see RAL 260-3 on one side and Agreeable Gray on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More RAL 260-3 comparisons
See how RAL 260-3 stacks up against other well-photographed colors across different brands and tones.
White Dove reflects far more light (LRV 83 vs 61), opening up a space where RAL 260-3 encloses it.
A 9-point LRV gap (61 vs 52) makes RAL 260-3 the marginally brighter of the two.
At LRV 61 vs 30, RAL 260-3 is decisively the brighter choice.
RAL 260-3 reads slightly lighter (LRV 61 vs 58), a gap that shows most in low-lit rooms.
RAL 260-3 reflects far more light (LRV 61 vs 27), opening up a space where Denim Drift encloses it.
At LRV 61 vs 43, RAL 260-3 is decisively the brighter choice.
RAL 260-3 reads slightly lighter (LRV 61 vs 55), a gap that shows most in low-lit rooms.
RAL 260-3 reflects far more light (LRV 61 vs 44), opening up a space where Hardwick White encloses it.
At LRV 84 vs 61, Pure White is decisively the brighter choice.
Balboa Mist reads slightly lighter (LRV 66 vs 61), a gap that shows most in low-lit rooms.
Shoji White reflects far more light (LRV 74 vs 61), opening up a space where RAL 260-3 encloses it.
RAL 260-3 reflects far more light (LRV 61 vs 12), opening up a space where Pewter Green encloses it.
RAL 260-3 reflects far more light (LRV 61 vs 8), opening up a space where Duck Green encloses it.
Skimming Stone reads slightly lighter (LRV 68 vs 61), a gap that shows most in low-lit rooms.
RAL 260-3 reflects far more light (LRV 61 vs 12), opening up a space where Vintage Vogue encloses it.
RAL 260-3 reflects far more light (LRV 61 vs 45), opening up a space where Saybrook Sage encloses it.
At LRV 61 vs 31, RAL 260-3 is decisively the brighter choice.
At LRV 61 vs 7, RAL 260-3 is decisively the brighter choice.