RAL 340-6 vs Pure White
RAL 340-6 (RAL Effect) and Pure White (Sherwin-Williams) come from different manufacturers. Hue-wise, RAL 340-6 belongs to the pink-red family and Pure White to the beige-greige family. The 79-point LRV gap — 84 for Pure White vs 5 for RAL 340-6 — means Pure White will open up a space more effectively. A ΔE of 73.3 puts these firmly in different territory — two distinct design choices rather than close alternatives. Below you'll find 5 real-room photo comparisons where both colors appear side by side, plus 5 simulated room previews.
RAL 340-6 vs Pure White in Real Spaces
5 real rooms side by side. Seeing RAL 340-6 and Pure White in actual rooms makes the difference concrete; browse the spaces below to get a feel for how each color lives on a wall.
Living Room
A living room wall sees more varied light than almost any other surface in the house, which makes the choice between these two more nuanced than a chip suggests. Pure White reflects noticeably more light off the walls, making the space read more open than RAL 340-6.
Bedroom
Bedrooms are typically lit with warmer, lower light than the rest of the house — a condition that flatters warm tones and deepens cool ones. Pure White returns significantly more light to the room — in a smaller or darker space, that difference in perceived brightness is hard to miss.
Kitchen
Kitchens often have the harshest, most revealing light in the house — under-cabinet LEDs and overhead fixtures that strip away subtlety. Pure White returns significantly more light to the room — in a smaller or darker space, that difference in perceived brightness is hard to miss.
Bathroom
Small bathrooms intensify color. A shade that seems quiet in a larger room can feel immersive when you're surrounded by it on four walls. Pure White returns significantly more light to the room — in a smaller or darker space, that difference in perceived brightness is hard to miss.
Kitchen Cabinets
Cabinet color is always seen in context — against countertops, backsplash, and hardware — which amplifies undertone differences that might disappear on a plain wall. Pure White returns significantly more light to the room — in a smaller or darker space, that difference in perceived brightness is hard to miss.
Color Details
RAL 340-6 vs Pure White Simulated Comparison
5 simulated room previews — drag the slider on each to see RAL 340-6 on one side and Pure White on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More RAL 340-6 comparisons
See how RAL 340-6 stacks up against other well-photographed colors across different brands and tones.
White Dove reflects far more light (LRV 83 vs 5), opening up a space where RAL 340-6 encloses it.
At LRV 52 vs 5, Purbeck Stone is decisively the brighter choice.
At LRV 30 vs 5, Evergreen Fog is decisively the brighter choice.
At LRV 60 vs 5, Agreeable Gray is decisively the brighter choice.
Accessible Beige reflects far more light (LRV 58 vs 5), opening up a space where RAL 340-6 encloses it.
Denim Drift reflects far more light (LRV 27 vs 5), opening up a space where RAL 340-6 encloses it.
At LRV 43 vs 5, French Gray is decisively the brighter choice.
Tranquil Dawn reflects far more light (LRV 55 vs 5), opening up a space where RAL 340-6 encloses it.
Hardwick White reflects far more light (LRV 44 vs 5), opening up a space where RAL 340-6 encloses it.
Balboa Mist reflects far more light (LRV 66 vs 5), opening up a space where RAL 340-6 encloses it.
Shoji White reflects far more light (LRV 74 vs 5), opening up a space where RAL 340-6 encloses it.
Pewter Green reads slightly lighter (LRV 12 vs 5), a gap that shows most in low-lit rooms.
Duck Green reads slightly lighter (LRV 8 vs 5), a gap that shows most in low-lit rooms.
Skimming Stone reflects far more light (LRV 68 vs 5), opening up a space where RAL 340-6 encloses it.
Vintage Vogue reads slightly lighter (LRV 12 vs 5), a gap that shows most in low-lit rooms.
Saybrook Sage reflects far more light (LRV 45 vs 5), opening up a space where RAL 340-6 encloses it.
At LRV 31 vs 5, Pale Green is decisively the brighter choice.
Their light reflectance is nearly identical (LRV 7 vs 5), so neither reads brighter in a room.