Afternoon vs Artichoke

AfternoonSherwin-WilliamsvsArtichokeSherwin-WilliamsΔE 46.9Very different colors

Afternoon and Artichoke come from the same Sherwin-Williams collection. Afternoon reads as beige, while Artichoke reads as grey — two distinct hue families, not close cousins. The 43-point LRV gap — 65 for Afternoon vs 21 for Artichoke — means Afternoon will open up a space more effectively. Where Afternoon leans warm, Artichoke reads neutral — a distinction that shifts noticeably depending on the light source and surrounding finishes. A ΔE of 46.9 puts these firmly in different territory — two distinct design choices rather than close alternatives. Below you'll find 6 real-room photo comparisons where both colors appear side by side, plus 5 simulated room previews.

Afternoon vs Artichoke in Real Spaces

6 real rooms side by side. Seeing Afternoon and Artichoke in actual rooms makes the difference concrete; browse the spaces below to get a feel for how each color lives on a wall.

Living Room

A living room wall sees more varied light than almost any other surface in the house, which makes the choice between these two more nuanced than a chip suggests. Afternoon reflects noticeably more light off the walls, making the space read more open than Artichoke.

AfternoonA cozy living room painted in Afternoon

@mybudgetrecipes

ArtichokeWarm green accent wall Sherwin Williams Artichoke SW 6179

@jess.esmith

Bedroom

Bedrooms are typically lit with warmer, lower light than the rest of the house — a condition that flatters warm tones and deepens cool ones. Afternoon returns significantly more light to the room — in a smaller or darker space, that difference in perceived brightness is hard to miss.

AfternoonA moody bedroom painted in Afternoon

@mybudgetrecipes

ArtichokeSherwin Williams SW 6179 bedroom paint

@pagemontfarmhouse

Bathroom

Small bathrooms intensify color. A shade that seems quiet in a larger room can feel immersive when you're surrounded by it on four walls. Afternoon returns significantly more light to the room — in a smaller or darker space, that difference in perceived brightness is hard to miss.

AfternoonAfternoon — modern luxury bathroom

@mybudgetrecipes

ArtichokeSherwin Williams Artichoke bathroom paint

@thelauralarkins

Home Office

Home office walls matter more than most — you're looking at them all day, and a color that reads fine at first can become tiring over time. Afternoon returns significantly more light to the room — in a smaller or darker space, that difference in perceived brightness is hard to miss.

AfternoonSherwin-Williams Afternoon in a unique home office

@mybudgetrecipes

ArtichokeSherwin Williams SW 6179 home office paint

@kellyketocarnivore

House

A full exterior is the most demanding test for a paint color — scale and outdoor light both amplify differences that seem small on a swatch. Afternoon returns significantly more light to the room — in a smaller or darker space, that difference in perceived brightness is hard to miss.

AfternoonAfternoon color — modern luxury house inspiration

@mybudgetrecipes

ArtichokeSherwin Williams SW 6179 house exterior paint

@kelisparkles

Front Door

On a front door, the color is both the first and last thing you see — a context where even a modest tonal difference reads clearly. Afternoon reflects noticeably more light off the walls, making the space read more open than Artichoke.

Afternoonstylish front door featuring Afternoon by Sherwin-Williams

@mybudgetrecipes

ArtichokeSherwin Williams SW 6179 front door paint

@rachel__serene

Color Details

Afternoon
Sherwin-Williams · 6675
Hex#FBCB78
LRV64.6
BrandSherwin-Williams
Number6675
Undertone
TemperatureWarm
BrightnessLight
Artichoke
Sherwin-Williams · 6179
Hex#7F8266
LRV21.4
BrandSherwin-Williams
Number6179
Undertone
TemperatureNeutral
BrightnessMedium

Afternoon vs Artichoke Simulated Comparison

5 simulated room previews — drag the slider on each to see Afternoon on one side and Artichoke on the other.

Bathroom
Bedroom
House
Kitchen Cabinets
Living Room

Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.

More Afternoon comparisons

See how Afternoon stacks up against other well-photographed colors across different brands and tones.

White Dove
Afternoon
White Dove
Afternoon
Sherwin-Williams
Afternoon
6675 · LRV 65

At LRV 83 vs 65, White Dove is decisively the brighter choice.

Ammonite
Afternoon
Ammonite
Afternoon
Farrow & Ball
Ammonite
LRV 69
Sherwin-Williams
Afternoon
6675 · LRV 65

Ammonite reads slightly lighter (LRV 69 vs 65), a gap that shows most in low-lit rooms.

Afternoon
Iron Ore
Afternoon
Iron Ore
Sherwin-Williams
Afternoon
6675 · LRV 65

At LRV 65 vs 6, Afternoon is decisively the brighter choice.

Purbeck Stone
Afternoon
Purbeck Stone
Afternoon
Sherwin-Williams
Afternoon
6675 · LRV 65

Afternoon reflects far more light (LRV 65 vs 52), opening up a space where Purbeck Stone encloses it.

Afternoon
Evergreen Fog
Afternoon
Evergreen Fog
Sherwin-Williams
Afternoon
6675 · LRV 65

Afternoon reflects far more light (LRV 65 vs 30), opening up a space where Evergreen Fog encloses it.

Mizzle
Afternoon
Mizzle
Afternoon
Farrow & Ball
Mizzle
LRV 52
Sherwin-Williams
Afternoon
6675 · LRV 65

At LRV 65 vs 52, Afternoon is decisively the brighter choice.

Afternoon
Agreeable Gray
Afternoon
Agreeable Gray
Sherwin-Williams
Afternoon
6675 · LRV 65

Afternoon reads slightly lighter (LRV 65 vs 60), a gap that shows most in low-lit rooms.

Accessible Beige
Afternoon
Accessible Beige
Afternoon
Sherwin-Williams
Afternoon
6675 · LRV 65

A 7-point LRV gap (65 vs 58) makes Afternoon the marginally brighter of the two.

Denim Drift
Afternoon
Denim Drift
Afternoon
Sherwin-Williams
Afternoon
6675 · LRV 65

At LRV 65 vs 27, Afternoon is decisively the brighter choice.

French Gray
Afternoon
French Gray
Afternoon
Sherwin-Williams
Afternoon
6675 · LRV 65

Afternoon reflects far more light (LRV 65 vs 43), opening up a space where French Gray encloses it.

Afternoon
Naval
Afternoon
Naval
Sherwin-Williams
Afternoon
6675 · LRV 65
Sherwin-Williams
Naval
LRV 4

Afternoon reflects far more light (LRV 65 vs 4), opening up a space where Naval encloses it.

Tranquil Dawn
Afternoon
Tranquil Dawn
Afternoon
Sherwin-Williams
Afternoon
6675 · LRV 65

A 10-point LRV gap (65 vs 55) makes Afternoon the marginally brighter of the two.

Bancha
Afternoon
Bancha
Afternoon
Farrow & Ball
Bancha
LRV 13
Sherwin-Williams
Afternoon
6675 · LRV 65

At LRV 65 vs 13, Afternoon is decisively the brighter choice.

Hardwick White
Afternoon
Hardwick White
Afternoon
Sherwin-Williams
Afternoon
6675 · LRV 65

At LRV 65 vs 44, Afternoon is decisively the brighter choice.

Afternoon
Pure White
Afternoon
Pure White
Sherwin-Williams
Afternoon
6675 · LRV 65

Pure White reflects far more light (LRV 84 vs 65), opening up a space where Afternoon encloses it.

Balboa Mist
Afternoon
Balboa Mist
Afternoon
Sherwin-Williams
Afternoon
6675 · LRV 65

Their light reflectance is nearly identical (LRV 66 vs 65), so neither reads brighter in a room.

Afternoon
Shoji White
Afternoon
Shoji White
Sherwin-Williams
Afternoon
6675 · LRV 65

A 10-point LRV gap (74 vs 65) makes Shoji White the marginally brighter of the two.

Afternoon
Snowbound
Afternoon
Snowbound
Sherwin-Williams
Afternoon
6675 · LRV 65
Sherwin-Williams
Snowbound
LRV 83

At LRV 83 vs 65, Snowbound is decisively the brighter choice.

Afternoon
Pewter Green
Afternoon
Pewter Green
Sherwin-Williams
Afternoon
6675 · LRV 65

At LRV 65 vs 12, Afternoon is decisively the brighter choice.

Skimming Stone
Afternoon
Skimming Stone
Afternoon
Sherwin-Williams
Afternoon
6675 · LRV 65

A 4-point LRV gap (68 vs 65) makes Skimming Stone the marginally brighter of the two.

Dix Blue
Afternoon
Dix Blue
Afternoon
Farrow & Ball
Dix Blue
LRV 41
Sherwin-Williams
Afternoon
6675 · LRV 65

Afternoon reflects far more light (LRV 65 vs 41), opening up a space where Dix Blue encloses it.

Calamine
Afternoon
Calamine
Afternoon
Farrow & Ball
Calamine
LRV 68
Sherwin-Williams
Afternoon
6675 · LRV 65

With LRVs of 68 and 65, the two reflect almost the same amount of light.

Treron
Afternoon
Treron
Afternoon
Farrow & Ball
Treron
LRV 25
Sherwin-Williams
Afternoon
6675 · LRV 65

Afternoon reflects far more light (LRV 65 vs 25), opening up a space where Treron encloses it.

Vintage Vogue
Afternoon
Vintage Vogue
Afternoon
Sherwin-Williams
Afternoon
6675 · LRV 65

At LRV 65 vs 12, Afternoon is decisively the brighter choice.

Saybrook Sage
Afternoon
Saybrook Sage
Afternoon
Sherwin-Williams
Afternoon
6675 · LRV 65

At LRV 65 vs 45, Afternoon is decisively the brighter choice.

Pale Green
Afternoon
Pale Green
Afternoon
RAL ClassicClassic
Pale Green
LRV 31
Sherwin-Williams
Afternoon
6675 · LRV 65

Afternoon reflects far more light (LRV 65 vs 31), opening up a space where Pale Green encloses it.

Pine Needle
Afternoon
Pine Needle
Afternoon
Sherwin-Williams
Afternoon
6675 · LRV 65

Afternoon reflects far more light (LRV 65 vs 7), opening up a space where Pine Needle encloses it.

Cement grey
Afternoon
Cement grey
Afternoon
RAL ClassicClassic
Cement grey
LRV 24
Sherwin-Williams
Afternoon
6675 · LRV 65

Afternoon reflects far more light (LRV 65 vs 24), opening up a space where Cement grey encloses it.

Guilford Green
Afternoon
Guilford Green
Afternoon
Sherwin-Williams
Afternoon
6675 · LRV 65

Afternoon reads slightly lighter (LRV 65 vs 57), a gap that shows most in low-lit rooms.

Just Walnut
Afternoon
Just Walnut
Afternoon
Sherwin-Williams
Afternoon
6675 · LRV 65

Just Walnut reads slightly lighter (LRV 72 vs 65), a gap that shows most in low-lit rooms.