Antiquarian Brown vs Carmel
Both are Sherwin-Williams colors. These are both beiges, so the question isn't which hue to choose — it's where within beige to land. At LRV NaN vs 16, Carmel will read as the brighter of the two — a NaN-point gap that matters most in north-facing or low-light rooms. They share a warm quality — useful to know if you're layering them in the same space. At ΔE 3.3, the difference is perceptible but not dramatic — the two can work harmoniously in the same space. Below you'll find 5 real-room photo comparisons where both colors appear side by side, plus 5 simulated room previews.
Antiquarian Brown vs Carmel in Real Spaces
5 real rooms side by side. Antiquarian Brown and Carmel are close enough that the difference can be hard to judge from a chip alone — these photos show how each reads at scale, across different spaces and lighting conditions.
Living Room
Living rooms test a color across a full range of conditions — morning sun, afternoon shade, and evening lamp light all shift how both of these read. At this scale, the choice between them becomes clear in a way that a swatch alone can't communicate.
Bedroom
Bedroom walls are often seen under warm artificial light, a context that shifts both colors from how they look on a chip. Side by side like this, the difference is easy to read — which is exactly why seeing them in a real space is more useful than comparing chips.
Bathroom
Bathrooms amplify color — the enclosed space and reflective surfaces make what reads subtle elsewhere feel more present here. Side by side like this, the difference is easy to read — which is exactly why seeing them in a real space is more useful than comparing chips.
House
At full exterior scale, the difference between these two colors becomes much easier to judge than from a small chip. Side by side like this, the difference is easy to read — which is exactly why seeing them in a real space is more useful than comparing chips.
Front Door
Front doors are seen in isolation against the rest of the facade, which makes them a high-stakes surface where even subtle differences matter. At this scale, the choice between them becomes clear in a way that a swatch alone can't communicate.
Color Details
Antiquarian Brown vs Carmel Simulated Comparison
5 simulated room previews — drag the slider on each to see Antiquarian Brown on one side and Carmel on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More Antiquarian Brown comparisons
See how Antiquarian Brown stacks up against other well-photographed colors across different brands and tones.
Ammonite reflects far more light (LRV 69 vs 16), opening up a space where Antiquarian Brown encloses it.
At LRV 83 vs 16, White Dove is decisively the brighter choice.
A 11-point LRV gap (16 vs 6) makes Antiquarian Brown the marginally brighter of the two.
Purbeck Stone reflects far more light (LRV 52 vs 16), opening up a space where Antiquarian Brown encloses it.
Evergreen Fog reflects far more light (LRV 30 vs 16), opening up a space where Antiquarian Brown encloses it.
At LRV 52 vs 16, Mizzle is decisively the brighter choice.
Agreeable Gray reflects far more light (LRV 60 vs 16), opening up a space where Antiquarian Brown encloses it.
At LRV 58 vs 16, Accessible Beige is decisively the brighter choice.
A 11-point LRV gap (27 vs 16) makes Denim Drift the marginally brighter of the two.
French Gray reflects far more light (LRV 43 vs 16), opening up a space where Antiquarian Brown encloses it.
Antiquarian Brown reads slightly lighter (LRV 16 vs 4), a gap that shows most in low-lit rooms.
At LRV 55 vs 16, Tranquil Dawn is decisively the brighter choice.
Their light reflectance is nearly identical (LRV 16 vs 13), so neither reads brighter in a room.
At LRV 44 vs 16, Hardwick White is decisively the brighter choice.
Pure White reflects far more light (LRV 84 vs 16), opening up a space where Antiquarian Brown encloses it.
Artichoke reads slightly lighter (LRV 21 vs 16), a gap that shows most in low-lit rooms.
At LRV 66 vs 16, Balboa Mist is decisively the brighter choice.
At LRV 74 vs 16, Shoji White is decisively the brighter choice.
At LRV 83 vs 16, Snowbound is decisively the brighter choice.
Pigeon reflects far more light (LRV 51 vs 16), opening up a space where Antiquarian Brown encloses it.
A 4-point LRV gap (16 vs 12) makes Antiquarian Brown the marginally brighter of the two.
A 8-point LRV gap (16 vs 8) makes Antiquarian Brown the marginally brighter of the two.
At LRV 68 vs 16, Skimming Stone is decisively the brighter choice.
Dix Blue reflects far more light (LRV 41 vs 16), opening up a space where Antiquarian Brown encloses it.
A 4-point LRV gap (16 vs 12) makes Antiquarian Brown the marginally brighter of the two.
At LRV 45 vs 16, Saybrook Sage is decisively the brighter choice.
Pale Green reflects far more light (LRV 31 vs 16), opening up a space where Antiquarian Brown encloses it.