Antique Red vs Iron Ore

Antique RedSherwin-WilliamsvsIron OreSherwin-WilliamsΔE 44.4Very different colors

Both from Sherwin-Williams's palette. Hue-wise, Antique Red belongs to the pink-red family and Iron Ore to the grey family. Antique Red (LRV 12) reflects noticeably more light than Iron Ore (LRV 6), a difference of 6 points that becomes especially apparent in rooms with limited natural light. Antique Red runs warm while Iron Ore is decidedly neutral, which means they'll respond very differently to warm vs cool light sources. With a ΔE of 44.4, the contrast is hard to miss. These aren't variations on a theme — they're two different answers to the same question. Below you'll find 10 real-room photo comparisons where both colors appear side by side, plus 5 simulated room previews.

Antique Red vs Iron Ore in Real Spaces

10 real rooms side by side. Seeing Antique Red and Iron Ore in actual rooms makes the difference concrete; browse the spaces below to get a feel for how each color lives on a wall.

Living Room

In a living room, color works across both daylight and evening light — the same wall can read very differently at noon and at 8pm. The brightness difference is modest but present — Antique Red gives the walls a little more lift.

Antique RedA organic modern living room painted in Antique Red

@mybudgetrecipes

Iron OreIron Ore SW 7069 living room

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Bedroom

The context that matters most in a bedroom is how a color reads under a bedside lamp at night, not under noon daylight. Antique Red reads slightly lighter here — a subtle but real difference in how open the space feels.

Antique RedA cozy bedroom painted in Antique Red

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Iron OreBedroom painted in Sherwin-Williams Iron Ore

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Kitchen

In a kitchen, colors are seen under bright task lighting that amplifies undertones — what reads neutral elsewhere can show its hand here. Antique Red reads slightly lighter here — a subtle but real difference in how open the space feels.

Antique RedAntique Red — minimalist kitchen

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Iron OreSherwin Williams Iron Ore kitchen cabinets

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Dining Room

A dining room lit by a dimmed pendant or candles is one of the most forgiving environments for paint — warm light softens almost everything. Antique Red has the edge in reflectance, which shows as a quiet sense of added space rather than an obvious contrast.

Antique RedAntique Red paint in a boho dining room

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Iron OreBlack walls in a dining room Sherwin Williams Iron Ore 7069

@cozywhitehouse

Bathroom

Bathrooms are one of the few spaces where you're genuinely enclosed by the paint color, which makes the choice between these two more consequential. Antique Red reads slightly lighter here — a subtle but real difference in how open the space feels.

Antique RedAntique Red — minimalist bathroom

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Iron OreGray bathroom in Iron Ore by Sherwin Williams

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Home Office

The test for a home office color isn't how it looks in a quick glance — it's whether it still feels right after a full day of work. Antique Red reads slightly lighter here — a subtle but real difference in how open the space feels.

Antique RedSherwin-Williams Antique Red in a mid century home office

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Iron OreSW 7069 home office inspiration

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Mudroom

Mudrooms are seen in passing, often under whatever light comes through the door — a context that favors colors with some depth. Antique Red has the edge in reflectance, which shows as a quiet sense of added space rather than an obvious contrast.

Antique RedAntique Red paint in a rustic modern mudroom

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Iron OreIron Ore Mudroom - High Contrast Command Center

@simplywalldecor

Patio

Outside, paint color competes with sky, landscaping, and direct sun — all of which shift how both of these read compared to an indoor chip. Antique Red has the edge in reflectance, which shows as a quiet sense of added space rather than an obvious contrast.

Antique Redwabi-sabi patio featuring Antique Red by Sherwin-Williams

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Iron OreIron Ore Patio - Modern Privacy Screen

@simplywalldecor

House

Seen across an entire facade, subtle tonal differences become pronounced. What reads as nearly the same on a chip often reads as clearly different at scale. Antique Red reads slightly lighter here — a subtle but real difference in how open the space feels.

Antique RedAntique Red color — eclectic house inspiration

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Iron OreIron Ore house color review

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Front Door

A front door is a focal point — small color differences read clearly at this concentrated scale. The brightness difference is modest but present — Antique Red gives the walls a little more lift.

Antique Redbold front door featuring Antique Red by Sherwin-Williams

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Iron OreGray front door with Iron Ore SW 7069

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Color Details

Antique Red
Sherwin-Williams · 7587
Hex#9F4442
LRV11.9
BrandSherwin-Williams
Number7587
Undertone
TemperatureWarm
BrightnessDark
Iron Ore
Sherwin-Williams · 7069
Hex#434341
LRV5.5
BrandSherwin-Williams
Number7069
Undertone
TemperatureNeutral
BrightnessDark

Antique Red vs Iron Ore Simulated Comparison

5 simulated room previews — drag the slider on each to see Antique Red on one side and Iron Ore on the other.

Bathroom
Bedroom
House
Kitchen Cabinets
Living Room

Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.

More Antique Red comparisons

See how Antique Red stacks up against other well-photographed colors across different brands and tones.

White Dove
Antique Red
White Dove
Antique Red
Sherwin-Williams
Antique Red
7587 · LRV 12

White Dove reflects far more light (LRV 83 vs 12), opening up a space where Antique Red encloses it.

Ammonite
Antique Red
Ammonite
Antique Red
Farrow & Ball
Ammonite
LRV 69
Sherwin-Williams
Antique Red
7587 · LRV 12

At LRV 69 vs 12, Ammonite is decisively the brighter choice.

Purbeck Stone
Antique Red
Purbeck Stone
Antique Red
Sherwin-Williams
Antique Red
7587 · LRV 12

At LRV 52 vs 12, Purbeck Stone is decisively the brighter choice.

Antique Red
Evergreen Fog
Antique Red
Evergreen Fog
Sherwin-Williams
Antique Red
7587 · LRV 12

At LRV 30 vs 12, Evergreen Fog is decisively the brighter choice.

Mizzle
Antique Red
Mizzle
Antique Red
Farrow & Ball
Mizzle
LRV 52
Sherwin-Williams
Antique Red
7587 · LRV 12

Mizzle reflects far more light (LRV 52 vs 12), opening up a space where Antique Red encloses it.

Agreeable Gray
Antique Red
Agreeable Gray
Antique Red
Sherwin-Williams
Antique Red
7587 · LRV 12

At LRV 60 vs 12, Agreeable Gray is decisively the brighter choice.

Accessible Beige
Antique Red
Accessible Beige
Antique Red
Sherwin-Williams
Antique Red
7587 · LRV 12

Accessible Beige reflects far more light (LRV 58 vs 12), opening up a space where Antique Red encloses it.

Denim Drift
Antique Red
Denim Drift
Antique Red
Sherwin-Williams
Antique Red
7587 · LRV 12

Denim Drift reflects far more light (LRV 27 vs 12), opening up a space where Antique Red encloses it.

French Gray
Antique Red
French Gray
Antique Red
Sherwin-Williams
Antique Red
7587 · LRV 12

At LRV 43 vs 12, French Gray is decisively the brighter choice.

Antique Red
Naval
Antique Red
Naval
Sherwin-Williams
Antique Red
7587 · LRV 12
Sherwin-Williams
Naval
LRV 4

A 7-point LRV gap (12 vs 4) makes Antique Red the marginally brighter of the two.

Tranquil Dawn
Antique Red
Tranquil Dawn
Antique Red
Sherwin-Williams
Antique Red
7587 · LRV 12

Tranquil Dawn reflects far more light (LRV 55 vs 12), opening up a space where Antique Red encloses it.

Bancha
Antique Red
Bancha
Antique Red
Farrow & Ball
Bancha
LRV 13
Sherwin-Williams
Antique Red
7587 · LRV 12

With LRVs of 13 and 12, the two reflect almost the same amount of light.

Hardwick White
Antique Red
Hardwick White
Antique Red
Sherwin-Williams
Antique Red
7587 · LRV 12

Hardwick White reflects far more light (LRV 44 vs 12), opening up a space where Antique Red encloses it.

Antique Red
Pure White
Antique Red
Pure White
Sherwin-Williams
Antique Red
7587 · LRV 12

At LRV 84 vs 12, Pure White is decisively the brighter choice.

Antique Red
Artichoke
Antique Red
Artichoke
Sherwin-Williams
Antique Red
7587 · LRV 12
Sherwin-Williams
Artichoke
LRV 21

A 10-point LRV gap (21 vs 12) makes Artichoke the marginally brighter of the two.

Balboa Mist
Antique Red
Balboa Mist
Antique Red
Sherwin-Williams
Antique Red
7587 · LRV 12

Balboa Mist reflects far more light (LRV 66 vs 12), opening up a space where Antique Red encloses it.

Antique Red
Shoji White
Antique Red
Shoji White
Sherwin-Williams
Antique Red
7587 · LRV 12

Shoji White reflects far more light (LRV 74 vs 12), opening up a space where Antique Red encloses it.

Antique Red
Snowbound
Antique Red
Snowbound
Sherwin-Williams
Antique Red
7587 · LRV 12
Sherwin-Williams
Snowbound
LRV 83

Snowbound reflects far more light (LRV 83 vs 12), opening up a space where Antique Red encloses it.

Antique Red
Pewter Green
Antique Red
Pewter Green
Sherwin-Williams
Antique Red
7587 · LRV 12

With LRVs of 12 and 12, the two reflect almost the same amount of light.

Skimming Stone
Antique Red
Skimming Stone
Antique Red
Sherwin-Williams
Antique Red
7587 · LRV 12

Skimming Stone reflects far more light (LRV 68 vs 12), opening up a space where Antique Red encloses it.

Dix Blue
Antique Red
Dix Blue
Antique Red
Farrow & Ball
Dix Blue
LRV 41
Sherwin-Williams
Antique Red
7587 · LRV 12

At LRV 41 vs 12, Dix Blue is decisively the brighter choice.

Calamine
Antique Red
Calamine
Antique Red
Farrow & Ball
Calamine
LRV 68
Sherwin-Williams
Antique Red
7587 · LRV 12

At LRV 68 vs 12, Calamine is decisively the brighter choice.

Treron
Antique Red
Treron
Antique Red
Farrow & Ball
Treron
LRV 25
Sherwin-Williams
Antique Red
7587 · LRV 12

At LRV 25 vs 12, Treron is decisively the brighter choice.

Vintage Vogue
Antique Red
Vintage Vogue
Antique Red
Sherwin-Williams
Antique Red
7587 · LRV 12

With LRVs of 12 and 12, the two reflect almost the same amount of light.

Saybrook Sage
Antique Red
Saybrook Sage
Antique Red
Sherwin-Williams
Antique Red
7587 · LRV 12

Saybrook Sage reflects far more light (LRV 45 vs 12), opening up a space where Antique Red encloses it.

Pale Green
Antique Red
Pale Green
Antique Red
RAL ClassicClassic
Pale Green
LRV 31
Sherwin-Williams
Antique Red
7587 · LRV 12

At LRV 31 vs 12, Pale Green is decisively the brighter choice.

Pine Needle
Antique Red
Pine Needle
Antique Red
Sherwin-Williams
Antique Red
7587 · LRV 12

A 5-point LRV gap (12 vs 7) makes Antique Red the marginally brighter of the two.

Cement grey
Antique Red
Cement grey
Antique Red
RAL ClassicClassic
Cement grey
LRV 24
Sherwin-Williams
Antique Red
7587 · LRV 12

At LRV 24 vs 12, Cement grey is decisively the brighter choice.

Guilford Green
Antique Red
Guilford Green
Antique Red
Sherwin-Williams
Antique Red
7587 · LRV 12

At LRV 57 vs 12, Guilford Green is decisively the brighter choice.

Just Walnut
Antique Red
Just Walnut
Antique Red
Sherwin-Williams
Antique Red
7587 · LRV 12

At LRV 72 vs 12, Just Walnut is decisively the brighter choice.