Armadillo vs Hammered Silver
Both from Sherwin-Williams's palette. These are both greige-greys, so the question isn't which hue to choose — it's where within greige-grey to land. Armadillo (LRV 29) reflects noticeably more light than Hammered Silver (LRV 26), a difference of 3 points that becomes especially apparent in rooms with limited natural light. Both lean warm, so they'll behave similarly in mixed or changing light conditions. The ΔE 3.4 gap is real but not dramatic — close enough to use together, distinct enough to matter as a choice. Below you'll find 10 real-room photo comparisons where both colors appear side by side, plus 5 simulated room previews.
Armadillo vs Hammered Silver in Real Spaces
10 real rooms side by side. Armadillo and Hammered Silver are close enough that the difference can be hard to judge from a chip alone — these photos show how each reads at scale, across different spaces and lighting conditions.
Living Room
In a living room, color works across both daylight and evening light — the same wall can read very differently at noon and at 8pm. Side by side like this, the difference is easy to read — which is exactly why seeing them in a real space is more useful than comparing chips.
Bedroom
The context that matters most in a bedroom is how a color reads under a bedside lamp at night, not under noon daylight. The distinction reads clearly at room scale, making the choice between them concrete.
Kitchen
In a kitchen, colors are seen under bright task lighting that amplifies undertones — what reads neutral elsewhere can show its hand here. The distinction reads clearly at room scale, making the choice between them concrete.
Dining Room
A dining room lit by a dimmed pendant or candles is one of the most forgiving environments for paint — warm light softens almost everything. At this scale, the choice between them becomes clear in a way that a swatch alone can't communicate.
Bathroom
Bathrooms are one of the few spaces where you're genuinely enclosed by the paint color, which makes the choice between these two more consequential. The distinction reads clearly at room scale, making the choice between them concrete.
Home Office
The test for a home office color isn't how it looks in a quick glance — it's whether it still feels right after a full day of work. The distinction reads clearly at room scale, making the choice between them concrete.
Mudroom
Mudrooms are seen in passing, often under whatever light comes through the door — a context that favors colors with some depth. At this scale, the choice between them becomes clear in a way that a swatch alone can't communicate.
Patio
Outside, paint color competes with sky, landscaping, and direct sun — all of which shift how both of these read compared to an indoor chip. At this scale, the choice between them becomes clear in a way that a swatch alone can't communicate.
House
Seen across an entire facade, subtle tonal differences become pronounced. What reads as nearly the same on a chip often reads as clearly different at scale. The distinction reads clearly at room scale, making the choice between them concrete.
Front Door
A front door is a focal point — small color differences read clearly at this concentrated scale. Side by side like this, the difference is easy to read — which is exactly why seeing them in a real space is more useful than comparing chips.
Color Details
Armadillo vs Hammered Silver Simulated Comparison
5 simulated room previews — drag the slider on each to see Armadillo on one side and Hammered Silver on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More Armadillo comparisons
See how Armadillo stacks up against other well-photographed colors across different brands and tones.
White Dove reflects far more light (LRV 83 vs 29), opening up a space where Armadillo encloses it.
At LRV 52 vs 29, Purbeck Stone is decisively the brighter choice.
Their light reflectance is nearly identical (LRV 30 vs 29), so neither reads brighter in a room.
At LRV 60 vs 29, Agreeable Gray is decisively the brighter choice.
Accessible Beige reflects far more light (LRV 58 vs 29), opening up a space where Armadillo encloses it.
With LRVs of 29 and 27, the two reflect almost the same amount of light.
At LRV 43 vs 29, French Gray is decisively the brighter choice.
Tranquil Dawn reflects far more light (LRV 55 vs 29), opening up a space where Armadillo encloses it.
Hardwick White reflects far more light (LRV 44 vs 29), opening up a space where Armadillo encloses it.
At LRV 84 vs 29, Pure White is decisively the brighter choice.
Balboa Mist reflects far more light (LRV 66 vs 29), opening up a space where Armadillo encloses it.
Shoji White reflects far more light (LRV 74 vs 29), opening up a space where Armadillo encloses it.
Armadillo reflects far more light (LRV 29 vs 12), opening up a space where Pewter Green encloses it.
Skimming Stone reflects far more light (LRV 68 vs 29), opening up a space where Armadillo encloses it.
Armadillo reflects far more light (LRV 29 vs 12), opening up a space where Vintage Vogue encloses it.
Saybrook Sage reflects far more light (LRV 45 vs 29), opening up a space where Armadillo encloses it.
Their light reflectance is nearly identical (LRV 31 vs 29), so neither reads brighter in a room.
At LRV 29 vs 7, Armadillo is decisively the brighter choice.
A 5-point LRV gap (29 vs 24) makes Armadillo the marginally brighter of the two.
At LRV 57 vs 29, Guilford Green is decisively the brighter choice.