Bonsai Tint vs Plummy
Bonsai Tint and Plummy come from the same Sherwin-Williams collection. Bonsai Tint reads as green-yellow, while Plummy reads as grey — two distinct hue families, not close cousins. The 49-point LRV gap — 60 for Bonsai Tint vs 11 for Plummy — means Bonsai Tint will open up a space more effectively. Where Bonsai Tint leans neutral, Plummy reads cool — a distinction that shifts noticeably depending on the light source and surrounding finishes. A ΔE of 54.0 puts these firmly in different territory — two distinct design choices rather than close alternatives. Below, 5 simulated room previews show how each color reads at scale — real-room photos will be added as they become available.
Color Details
Bonsai Tint vs Plummy Simulated Comparison
5 simulated room previews — drag the slider on each to see Bonsai Tint on one side and Plummy on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More Bonsai Tint comparisons
See how Bonsai Tint stacks up against other well-photographed colors across different brands and tones.
At LRV 83 vs 60, White Dove is decisively the brighter choice.
Ammonite reads slightly lighter (LRV 69 vs 60), a gap that shows most in low-lit rooms.
At LRV 60 vs 6, Bonsai Tint is decisively the brighter choice.
Bonsai Tint reads slightly lighter (LRV 60 vs 52), a gap that shows most in low-lit rooms.
Bonsai Tint reflects far more light (LRV 60 vs 30), opening up a space where Evergreen Fog encloses it.
A 9-point LRV gap (60 vs 52) makes Bonsai Tint the marginally brighter of the two.
With LRVs of 60 and 60, the two reflect almost the same amount of light.
Their light reflectance is nearly identical (LRV 60 vs 58), so neither reads brighter in a room.
At LRV 60 vs 27, Bonsai Tint is decisively the brighter choice.
Bonsai Tint reflects far more light (LRV 60 vs 43), opening up a space where French Gray encloses it.
Bonsai Tint reflects far more light (LRV 60 vs 4), opening up a space where Naval encloses it.
A 5-point LRV gap (60 vs 55) makes Bonsai Tint the marginally brighter of the two.
At LRV 60 vs 13, Bonsai Tint is decisively the brighter choice.
At LRV 60 vs 44, Bonsai Tint is decisively the brighter choice.
Pure White reflects far more light (LRV 84 vs 60), opening up a space where Bonsai Tint encloses it.
Bonsai Tint reflects far more light (LRV 60 vs 21), opening up a space where Artichoke encloses it.
A 5-point LRV gap (66 vs 60) makes Balboa Mist the marginally brighter of the two.
At LRV 74 vs 60, Shoji White is decisively the brighter choice.
At LRV 83 vs 60, Snowbound is decisively the brighter choice.
At LRV 60 vs 12, Bonsai Tint is decisively the brighter choice.
A 8-point LRV gap (68 vs 60) makes Skimming Stone the marginally brighter of the two.
Bonsai Tint reflects far more light (LRV 60 vs 41), opening up a space where Dix Blue encloses it.
Calamine reads slightly lighter (LRV 68 vs 60), a gap that shows most in low-lit rooms.
Bonsai Tint reflects far more light (LRV 60 vs 25), opening up a space where Treron encloses it.
At LRV 60 vs 12, Bonsai Tint is decisively the brighter choice.
At LRV 60 vs 45, Bonsai Tint is decisively the brighter choice.
Bonsai Tint reflects far more light (LRV 60 vs 31), opening up a space where Pale Green encloses it.
Bonsai Tint reflects far more light (LRV 60 vs 7), opening up a space where Pine Needle encloses it.
Bonsai Tint reflects far more light (LRV 60 vs 24), opening up a space where Cement grey encloses it.
Bonsai Tint reads slightly lighter (LRV 60 vs 57), a gap that shows most in low-lit rooms.