Butterscotch vs Vintage Gold
Both from Sherwin-Williams's palette. These are both beiges, so the question isn't which hue to choose — it's where within beige to land. Vintage Gold (LRV 41) reflects noticeably more light than Butterscotch (LRV 25), a difference of 16 points that becomes especially apparent in rooms with limited natural light. Both lean warm, so they'll behave similarly in mixed or changing light conditions. With a ΔE of 20.6, the contrast is hard to miss. These aren't variations on a theme — they're two different answers to the same question. Below, 5 simulated room previews show how each color reads at scale — real-room photos will be added as they become available.
Color Details
Butterscotch vs Vintage Gold Simulated Comparison
5 simulated room previews — drag the slider on each to see Butterscotch on one side and Vintage Gold on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More Butterscotch comparisons
See how Butterscotch stacks up against other well-photographed colors across different brands and tones.
At LRV 83 vs 25, White Dove is decisively the brighter choice.
Ammonite reflects far more light (LRV 69 vs 25), opening up a space where Butterscotch encloses it.
At LRV 25 vs 6, Butterscotch is decisively the brighter choice.
Purbeck Stone reflects far more light (LRV 52 vs 25), opening up a space where Butterscotch encloses it.
Evergreen Fog reads slightly lighter (LRV 30 vs 25), a gap that shows most in low-lit rooms.
At LRV 52 vs 25, Mizzle is decisively the brighter choice.
Agreeable Gray reflects far more light (LRV 60 vs 25), opening up a space where Butterscotch encloses it.
At LRV 58 vs 25, Accessible Beige is decisively the brighter choice.
Their light reflectance is nearly identical (LRV 27 vs 25), so neither reads brighter in a room.
French Gray reflects far more light (LRV 43 vs 25), opening up a space where Butterscotch encloses it.
Butterscotch reflects far more light (LRV 25 vs 4), opening up a space where Naval encloses it.
At LRV 55 vs 25, Tranquil Dawn is decisively the brighter choice.
A 12-point LRV gap (25 vs 13) makes Butterscotch the marginally brighter of the two.
At LRV 44 vs 25, Hardwick White is decisively the brighter choice.
Pure White reflects far more light (LRV 84 vs 25), opening up a space where Butterscotch encloses it.
Butterscotch reads slightly lighter (LRV 25 vs 21), a gap that shows most in low-lit rooms.
At LRV 66 vs 25, Balboa Mist is decisively the brighter choice.
At LRV 74 vs 25, Shoji White is decisively the brighter choice.
At LRV 83 vs 25, Snowbound is decisively the brighter choice.
At LRV 25 vs 12, Butterscotch is decisively the brighter choice.
At LRV 68 vs 25, Skimming Stone is decisively the brighter choice.
Dix Blue reflects far more light (LRV 41 vs 25), opening up a space where Butterscotch encloses it.
Calamine reflects far more light (LRV 68 vs 25), opening up a space where Butterscotch encloses it.
With LRVs of 25 and 25, the two reflect almost the same amount of light.
At LRV 25 vs 12, Butterscotch is decisively the brighter choice.
At LRV 45 vs 25, Saybrook Sage is decisively the brighter choice.
Pale Green reads slightly lighter (LRV 31 vs 25), a gap that shows most in low-lit rooms.
Butterscotch reflects far more light (LRV 25 vs 7), opening up a space where Pine Needle encloses it.
With LRVs of 25 and 24, the two reflect almost the same amount of light.
Guilford Green reflects far more light (LRV 57 vs 25), opening up a space where Butterscotch encloses it.