Coming Up Roses vs Faraway Blue
Both from Sherwin-Williams's palette. Hue-wise, Coming Up Roses belongs to the pink-red family and Faraway Blue to the blue family. Faraway Blue (LRV 84) reflects noticeably more light than Coming Up Roses (LRV 30), a difference of 54 points that becomes especially apparent in rooms with limited natural light. Coming Up Roses runs warm while Faraway Blue is decidedly cool, which means they'll respond very differently to warm vs cool light sources. With a ΔE of 55.3, the contrast is hard to miss. These aren't variations on a theme — they're two different answers to the same question. Below you'll find 10 real-room photo comparisons where both colors appear side by side, plus 5 simulated room previews.
Coming Up Roses vs Faraway Blue in Real Spaces
10 real rooms side by side. Seeing Coming Up Roses and Faraway Blue in actual rooms makes the difference concrete; browse the spaces below to get a feel for how each color lives on a wall.
Living Room
In a living room, color works across both daylight and evening light — the same wall can read very differently at noon and at 8pm. The LRV gap is large enough that Faraway Blue will make the room feel meaningfully brighter than Coming Up Roses would.
Bedroom
The context that matters most in a bedroom is how a color reads under a bedside lamp at night, not under noon daylight. Faraway Blue reflects noticeably more light off the walls, making the space read more open than Coming Up Roses.
Kitchen
In a kitchen, colors are seen under bright task lighting that amplifies undertones — what reads neutral elsewhere can show its hand here. Faraway Blue reflects noticeably more light off the walls, making the space read more open than Coming Up Roses.
Dining Room
A dining room lit by a dimmed pendant or candles is one of the most forgiving environments for paint — warm light softens almost everything. Faraway Blue returns significantly more light to the room — in a smaller or darker space, that difference in perceived brightness is hard to miss.
Bathroom
Bathrooms are one of the few spaces where you're genuinely enclosed by the paint color, which makes the choice between these two more consequential. Faraway Blue reflects noticeably more light off the walls, making the space read more open than Coming Up Roses.
Home Office
The test for a home office color isn't how it looks in a quick glance — it's whether it still feels right after a full day of work. Faraway Blue reflects noticeably more light off the walls, making the space read more open than Coming Up Roses.
Mudroom
Mudrooms are seen in passing, often under whatever light comes through the door — a context that favors colors with some depth. Faraway Blue returns significantly more light to the room — in a smaller or darker space, that difference in perceived brightness is hard to miss.
Patio
Outside, paint color competes with sky, landscaping, and direct sun — all of which shift how both of these read compared to an indoor chip. Faraway Blue returns significantly more light to the room — in a smaller or darker space, that difference in perceived brightness is hard to miss.
House
Seen across an entire facade, subtle tonal differences become pronounced. What reads as nearly the same on a chip often reads as clearly different at scale. Faraway Blue reflects noticeably more light off the walls, making the space read more open than Coming Up Roses.
Front Door
A front door is a focal point — small color differences read clearly at this concentrated scale. The LRV gap is large enough that Faraway Blue will make the room feel meaningfully brighter than Coming Up Roses would.
Color Details
Coming Up Roses vs Faraway Blue Simulated Comparison
5 simulated room previews — drag the slider on each to see Coming Up Roses on one side and Faraway Blue on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More Coming Up Roses comparisons
See how Coming Up Roses stacks up against other well-photographed colors across different brands and tones.
Ammonite reflects far more light (LRV 69 vs 30), opening up a space where Coming Up Roses encloses it.
At LRV 83 vs 30, White Dove is decisively the brighter choice.
At LRV 30 vs 6, Coming Up Roses is decisively the brighter choice.
Purbeck Stone reflects far more light (LRV 52 vs 30), opening up a space where Coming Up Roses encloses it.
With LRVs of 30 and 30, the two reflect almost the same amount of light.
At LRV 52 vs 30, Mizzle is decisively the brighter choice.
Agreeable Gray reflects far more light (LRV 60 vs 30), opening up a space where Coming Up Roses encloses it.
At LRV 58 vs 30, Accessible Beige is decisively the brighter choice.
A 3-point LRV gap (30 vs 27) makes Coming Up Roses the marginally brighter of the two.
French Gray reflects far more light (LRV 43 vs 30), opening up a space where Coming Up Roses encloses it.
Coming Up Roses reflects far more light (LRV 30 vs 4), opening up a space where Naval encloses it.
At LRV 55 vs 30, Tranquil Dawn is decisively the brighter choice.
At LRV 30 vs 13, Coming Up Roses is decisively the brighter choice.
At LRV 44 vs 30, Hardwick White is decisively the brighter choice.
Pure White reflects far more light (LRV 84 vs 30), opening up a space where Coming Up Roses encloses it.
Coming Up Roses reads slightly lighter (LRV 30 vs 21), a gap that shows most in low-lit rooms.
At LRV 66 vs 30, Balboa Mist is decisively the brighter choice.
At LRV 74 vs 30, Shoji White is decisively the brighter choice.
At LRV 83 vs 30, Snowbound is decisively the brighter choice.
Pigeon reflects far more light (LRV 51 vs 30), opening up a space where Coming Up Roses encloses it.
At LRV 30 vs 12, Coming Up Roses is decisively the brighter choice.
At LRV 30 vs 8, Coming Up Roses is decisively the brighter choice.
At LRV 68 vs 30, Skimming Stone is decisively the brighter choice.
Dix Blue reads slightly lighter (LRV 41 vs 30), a gap that shows most in low-lit rooms.
At LRV 30 vs 12, Coming Up Roses is decisively the brighter choice.
At LRV 45 vs 30, Saybrook Sage is decisively the brighter choice.
With LRVs of 31 and 30, the two reflect almost the same amount of light.