Coming Up Roses vs Loveable
Coming Up Roses and Loveable come from the same Sherwin-Williams collection. These are both pink-reds, so the question isn't which hue to choose — it's where within pink-red to land. The 31-point LRV gap — 61 for Loveable vs 30 for Coming Up Roses — means Loveable will open up a space more effectively. Both share a warm character, which means they'll respond to light and surrounding materials in similar ways. A ΔE of 31.7 puts these firmly in different territory — two distinct design choices rather than close alternatives. Below, 5 simulated room previews show how each color reads at scale — real-room photos will be added as they become available.
Color Details
Coming Up Roses vs Loveable Simulated Comparison
5 simulated room previews — drag the slider on each to see Coming Up Roses on one side and Loveable on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More Coming Up Roses comparisons
See how Coming Up Roses stacks up against other well-photographed colors across different brands and tones.
At LRV 83 vs 30, White Dove is decisively the brighter choice.
Ammonite reflects far more light (LRV 69 vs 30), opening up a space where Coming Up Roses encloses it.
At LRV 30 vs 6, Coming Up Roses is decisively the brighter choice.
Purbeck Stone reflects far more light (LRV 52 vs 30), opening up a space where Coming Up Roses encloses it.
With LRVs of 30 and 30, the two reflect almost the same amount of light.
At LRV 52 vs 30, Mizzle is decisively the brighter choice.
Agreeable Gray reflects far more light (LRV 60 vs 30), opening up a space where Coming Up Roses encloses it.
At LRV 58 vs 30, Accessible Beige is decisively the brighter choice.
A 3-point LRV gap (30 vs 27) makes Coming Up Roses the marginally brighter of the two.
French Gray reflects far more light (LRV 43 vs 30), opening up a space where Coming Up Roses encloses it.
Coming Up Roses reflects far more light (LRV 30 vs 4), opening up a space where Naval encloses it.
At LRV 55 vs 30, Tranquil Dawn is decisively the brighter choice.
At LRV 30 vs 13, Coming Up Roses is decisively the brighter choice.
At LRV 44 vs 30, Hardwick White is decisively the brighter choice.
Pure White reflects far more light (LRV 84 vs 30), opening up a space where Coming Up Roses encloses it.
Coming Up Roses reads slightly lighter (LRV 30 vs 21), a gap that shows most in low-lit rooms.
At LRV 66 vs 30, Balboa Mist is decisively the brighter choice.
At LRV 74 vs 30, Shoji White is decisively the brighter choice.
At LRV 83 vs 30, Snowbound is decisively the brighter choice.
At LRV 30 vs 12, Coming Up Roses is decisively the brighter choice.
At LRV 68 vs 30, Skimming Stone is decisively the brighter choice.
Dix Blue reads slightly lighter (LRV 41 vs 30), a gap that shows most in low-lit rooms.
Calamine reflects far more light (LRV 68 vs 30), opening up a space where Coming Up Roses encloses it.
Coming Up Roses reads slightly lighter (LRV 30 vs 25), a gap that shows most in low-lit rooms.
At LRV 30 vs 12, Coming Up Roses is decisively the brighter choice.
At LRV 45 vs 30, Saybrook Sage is decisively the brighter choice.
With LRVs of 31 and 30, the two reflect almost the same amount of light.
Coming Up Roses reflects far more light (LRV 30 vs 7), opening up a space where Pine Needle encloses it.
Coming Up Roses reads slightly lighter (LRV 30 vs 24), a gap that shows most in low-lit rooms.
Guilford Green reflects far more light (LRV 57 vs 30), opening up a space where Coming Up Roses encloses it.