Commodore vs Dress Blues
Both are Sherwin-Williams colors. Both sit in the blue family, which is useful context if you're narrowing within a single hue direction. With LRVs of 6 and 5, they'll behave almost identically in terms of how much light they reflect back into a room. They share a cool quality — useful to know if you're layering them in the same space. At ΔE 4.4, the difference is perceptible but not dramatic — the two can work harmoniously in the same space. Below you'll find 3 real-room photo comparisons where both colors appear side by side, plus 5 simulated room previews.
Commodore vs Dress Blues in Real Spaces
3 real rooms side by side. Commodore and Dress Blues are close enough that the difference can be hard to judge from a chip alone — these photos show how each reads at scale, across different spaces and lighting conditions.
Bedroom
Bedroom walls are often seen under warm artificial light, a context that shifts both colors from how they look on a chip. Side by side like this, the difference is easy to read — which is exactly why seeing them in a real space is more useful than comparing chips.
Bathroom
Bathrooms amplify color — the enclosed space and reflective surfaces make what reads subtle elsewhere feel more present here. Side by side like this, the difference is easy to read — which is exactly why seeing them in a real space is more useful than comparing chips.
Front Door
Front doors are seen in isolation against the rest of the facade, which makes them a high-stakes surface where even subtle differences matter. At this scale, the choice between them becomes clear in a way that a swatch alone can't communicate.
Color Details
Commodore vs Dress Blues Simulated Comparison
5 simulated room previews — drag the slider on each to see Commodore on one side and Dress Blues on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More Commodore comparisons
See how Commodore stacks up against other well-photographed colors across different brands and tones.
White Dove reflects far more light (LRV 83 vs 6), opening up a space where Commodore encloses it.
At LRV 52 vs 6, Purbeck Stone is decisively the brighter choice.
At LRV 30 vs 6, Evergreen Fog is decisively the brighter choice.
At LRV 60 vs 6, Agreeable Gray is decisively the brighter choice.
Accessible Beige reflects far more light (LRV 58 vs 6), opening up a space where Commodore encloses it.
Denim Drift reflects far more light (LRV 27 vs 6), opening up a space where Commodore encloses it.
At LRV 43 vs 6, French Gray is decisively the brighter choice.
Tranquil Dawn reflects far more light (LRV 55 vs 6), opening up a space where Commodore encloses it.
Hardwick White reflects far more light (LRV 44 vs 6), opening up a space where Commodore encloses it.
At LRV 84 vs 6, Pure White is decisively the brighter choice.
Balboa Mist reflects far more light (LRV 66 vs 6), opening up a space where Commodore encloses it.
Shoji White reflects far more light (LRV 74 vs 6), opening up a space where Commodore encloses it.
Pewter Green reads slightly lighter (LRV 12 vs 6), a gap that shows most in low-lit rooms.
Skimming Stone reflects far more light (LRV 68 vs 6), opening up a space where Commodore encloses it.
Vintage Vogue reads slightly lighter (LRV 12 vs 6), a gap that shows most in low-lit rooms.
Saybrook Sage reflects far more light (LRV 45 vs 6), opening up a space where Commodore encloses it.
At LRV 31 vs 6, Pale Green is decisively the brighter choice.
Their light reflectance is nearly identical (LRV 7 vs 6), so neither reads brighter in a room.
At LRV 24 vs 6, Cement grey is decisively the brighter choice.
At LRV 57 vs 6, Guilford Green is decisively the brighter choice.