Connected Gray vs Soulful Blue
Both are Sherwin-Williams colors. Connected Gray reads as greige-grey, while Soulful Blue reads as blue-grey — two distinct hue families, not close cousins. At LRV 23 vs 20, Connected Gray will read as the brighter of the two — a 3-point gap that matters most in north-facing or low-light rooms. The tonal difference — Connected Gray's warm character against Soulful Blue's cool — becomes most visible against white trim or in morning light. At ΔE 22.5, these are genuinely distinct colors — a strong contrast if used together, or a meaningful choice between two different directions. Below you'll find 3 real-room photo comparisons where both colors appear side by side, plus 5 simulated room previews.
Connected Gray vs Soulful Blue in Real Spaces
3 real rooms side by side. Seeing Connected Gray and Soulful Blue in actual rooms makes the difference concrete; browse the spaces below to get a feel for how each color lives on a wall.
Bedroom
Bedroom walls are often seen under warm artificial light, a context that shifts both colors from how they look on a chip. The temperature contrast between Connected Gray and Soulful Blue is what sets these apart most in this context.
Bathroom
Bathrooms amplify color — the enclosed space and reflective surfaces make what reads subtle elsewhere feel more present here. The temperature contrast between Connected Gray and Soulful Blue is what sets these apart most in this context.
House
At full exterior scale, the difference between these two colors becomes much easier to judge than from a small chip. The temperature contrast between Connected Gray and Soulful Blue is what sets these apart most in this context.
Color Details
Connected Gray vs Soulful Blue Simulated Comparison
5 simulated room previews — drag the slider on each to see Connected Gray on one side and Soulful Blue on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More Connected Gray comparisons
See how Connected Gray stacks up against other well-photographed colors across different brands and tones.
White Dove reflects far more light (LRV 83 vs 23), opening up a space where Connected Gray encloses it.
At LRV 69 vs 23, Ammonite is decisively the brighter choice.
Connected Gray reflects far more light (LRV 23 vs 6), opening up a space where Iron Ore encloses it.
At LRV 52 vs 23, Purbeck Stone is decisively the brighter choice.
A 7-point LRV gap (30 vs 23) makes Evergreen Fog the marginally brighter of the two.
Mizzle reflects far more light (LRV 52 vs 23), opening up a space where Connected Gray encloses it.
At LRV 60 vs 23, Agreeable Gray is decisively the brighter choice.
Accessible Beige reflects far more light (LRV 58 vs 23), opening up a space where Connected Gray encloses it.
Denim Drift reads slightly lighter (LRV 27 vs 23), a gap that shows most in low-lit rooms.
At LRV 43 vs 23, French Gray is decisively the brighter choice.
At LRV 23 vs 4, Connected Gray is decisively the brighter choice.
Tranquil Dawn reflects far more light (LRV 55 vs 23), opening up a space where Connected Gray encloses it.
Connected Gray reads slightly lighter (LRV 23 vs 13), a gap that shows most in low-lit rooms.
Hardwick White reflects far more light (LRV 44 vs 23), opening up a space where Connected Gray encloses it.
At LRV 84 vs 23, Pure White is decisively the brighter choice.
Their light reflectance is nearly identical (LRV 23 vs 21), so neither reads brighter in a room.
Balboa Mist reflects far more light (LRV 66 vs 23), opening up a space where Connected Gray encloses it.
Shoji White reflects far more light (LRV 74 vs 23), opening up a space where Connected Gray encloses it.
Snowbound reflects far more light (LRV 83 vs 23), opening up a space where Connected Gray encloses it.
Connected Gray reads slightly lighter (LRV 23 vs 12), a gap that shows most in low-lit rooms.
Skimming Stone reflects far more light (LRV 68 vs 23), opening up a space where Connected Gray encloses it.
At LRV 41 vs 23, Dix Blue is decisively the brighter choice.
At LRV 68 vs 23, Calamine is decisively the brighter choice.
Their light reflectance is nearly identical (LRV 25 vs 23), so neither reads brighter in a room.
Connected Gray reads slightly lighter (LRV 23 vs 12), a gap that shows most in low-lit rooms.
Saybrook Sage reflects far more light (LRV 45 vs 23), opening up a space where Connected Gray encloses it.
A 8-point LRV gap (31 vs 23) makes Pale Green the marginally brighter of the two.
At LRV 23 vs 7, Connected Gray is decisively the brighter choice.
Their light reflectance is nearly identical (LRV 24 vs 23), so neither reads brighter in a room.
At LRV 57 vs 23, Guilford Green is decisively the brighter choice.