Crabby Apple vs Silver Lake
Crabby Apple and Silver Lake come from the same Sherwin-Williams collection. Hue-wise, Crabby Apple belongs to the pink-red family and Silver Lake to the blue-grey family. The 46-point LRV gap — 53 for Silver Lake vs 7 for Crabby Apple — means Silver Lake will open up a space more effectively. Where Crabby Apple leans warm, Silver Lake reads cool — a distinction that shifts noticeably depending on the light source and surrounding finishes. A ΔE of 59.7 puts these firmly in different territory — two distinct design choices rather than close alternatives. Below you'll find 1 real-room photo comparison where both colors appear side by side, plus 5 simulated room previews.
Crabby Apple vs Silver Lake in Real Spaces
1 real room side by side. Seeing Crabby Apple and Silver Lake in actual rooms makes the difference concrete; browse the spaces below to get a feel for how each color lives on a wall.
Front Door
On a front door, the color is both the first and last thing you see — a context where even a modest tonal difference reads clearly. Silver Lake reflects noticeably more light off the walls, making the space read more open than Crabby Apple.
Color Details
Crabby Apple vs Silver Lake Simulated Comparison
5 simulated room previews — drag the slider on each to see Crabby Apple on one side and Silver Lake on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More Crabby Apple comparisons
See how Crabby Apple stacks up against other well-photographed colors across different brands and tones.
Ammonite reflects far more light (LRV 69 vs 7), opening up a space where Crabby Apple encloses it.
At LRV 83 vs 7, White Dove is decisively the brighter choice.
Their light reflectance is nearly identical (LRV 7 vs 6), so neither reads brighter in a room.
Purbeck Stone reflects far more light (LRV 52 vs 7), opening up a space where Crabby Apple encloses it.
Evergreen Fog reflects far more light (LRV 30 vs 7), opening up a space where Crabby Apple encloses it.
At LRV 52 vs 7, Mizzle is decisively the brighter choice.
Agreeable Gray reflects far more light (LRV 60 vs 7), opening up a space where Crabby Apple encloses it.
At LRV 58 vs 7, Accessible Beige is decisively the brighter choice.
At LRV 27 vs 7, Denim Drift is decisively the brighter choice.
French Gray reflects far more light (LRV 43 vs 7), opening up a space where Crabby Apple encloses it.
With LRVs of 7 and 4, the two reflect almost the same amount of light.
At LRV 55 vs 7, Tranquil Dawn is decisively the brighter choice.
A 7-point LRV gap (13 vs 7) makes Bancha the marginally brighter of the two.
At LRV 44 vs 7, Hardwick White is decisively the brighter choice.
Pure White reflects far more light (LRV 84 vs 7), opening up a space where Crabby Apple encloses it.
Artichoke reflects far more light (LRV 21 vs 7), opening up a space where Crabby Apple encloses it.
At LRV 66 vs 7, Balboa Mist is decisively the brighter choice.
At LRV 74 vs 7, Shoji White is decisively the brighter choice.
At LRV 83 vs 7, Snowbound is decisively the brighter choice.
Pigeon reflects far more light (LRV 51 vs 7), opening up a space where Crabby Apple encloses it.
A 5-point LRV gap (12 vs 7) makes Pewter Green the marginally brighter of the two.
Their light reflectance is nearly identical (LRV 8 vs 7), so neither reads brighter in a room.
At LRV 68 vs 7, Skimming Stone is decisively the brighter choice.
Dix Blue reflects far more light (LRV 41 vs 7), opening up a space where Crabby Apple encloses it.
A 5-point LRV gap (12 vs 7) makes Vintage Vogue the marginally brighter of the two.
At LRV 45 vs 7, Saybrook Sage is decisively the brighter choice.
Pale Green reflects far more light (LRV 31 vs 7), opening up a space where Crabby Apple encloses it.