Cruising vs Great Falls
Cruising and Great Falls come from the same Sherwin-Williams collection. Both sit in the blue family, which is useful context if you're narrowing within a single hue direction. The 3-point LRV gap — 19 for Cruising vs 15 for Great Falls — means Cruising will open up a space more effectively. Both share a cool character, which means they'll respond to light and surrounding materials in similar ways. ΔE 6.6 means they're clearly different, but not dramatically so — they'd pair well in the same room. Below you'll find 10 real-room photo comparisons where both colors appear side by side, plus 5 simulated room previews.
Cruising vs Great Falls in Real Spaces
10 real rooms side by side. Cruising and Great Falls are close enough that the difference can be hard to judge from a chip alone — these photos show how each reads at scale, across different spaces and lighting conditions.
Living Room
A living room wall sees more varied light than almost any other surface in the house, which makes the choice between these two more nuanced than a chip suggests. Cruising reads slightly lighter here — a subtle but real difference in how open the space feels.
Bedroom
Bedrooms are typically lit with warmer, lower light than the rest of the house — a condition that flatters warm tones and deepens cool ones. Cruising has the edge in reflectance, which shows as a quiet sense of added space rather than an obvious contrast.
Kitchen
Kitchens often have the harshest, most revealing light in the house — under-cabinet LEDs and overhead fixtures that strip away subtlety. Cruising has the edge in reflectance, which shows as a quiet sense of added space rather than an obvious contrast.
Dining Room
Dining rooms often rely on warm incandescent or candlelight, which flatters warm undertones and mutes cool ones. The brightness difference is modest but present — Cruising gives the walls a little more lift.
Bathroom
Small bathrooms intensify color. A shade that seems quiet in a larger room can feel immersive when you're surrounded by it on four walls. Cruising has the edge in reflectance, which shows as a quiet sense of added space rather than an obvious contrast.
Home Office
Home office walls matter more than most — you're looking at them all day, and a color that reads fine at first can become tiring over time. Cruising has the edge in reflectance, which shows as a quiet sense of added space rather than an obvious contrast.
Mudroom
In a hardworking space like a mudroom, the depth and warmth of a color reads differently than in a quieter room. The brightness difference is modest but present — Cruising gives the walls a little more lift.
Patio
Exterior colors look different in open light — both tend to read lighter outside than on an interior swatch, and shadows read more strongly. The brightness difference is modest but present — Cruising gives the walls a little more lift.
House
A full exterior is the most demanding test for a paint color — scale and outdoor light both amplify differences that seem small on a swatch. Cruising has the edge in reflectance, which shows as a quiet sense of added space rather than an obvious contrast.
Front Door
On a front door, the color is both the first and last thing you see — a context where even a modest tonal difference reads clearly. Cruising reads slightly lighter here — a subtle but real difference in how open the space feels.
Color Details
Cruising vs Great Falls Simulated Comparison
5 simulated room previews — drag the slider on each to see Cruising on one side and Great Falls on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More Cruising comparisons
See how Cruising stacks up against other well-photographed colors across different brands and tones.
At LRV 83 vs 19, White Dove is decisively the brighter choice.
Purbeck Stone reflects far more light (LRV 52 vs 19), opening up a space where Cruising encloses it.
Evergreen Fog reads slightly lighter (LRV 30 vs 19), a gap that shows most in low-lit rooms.
Agreeable Gray reflects far more light (LRV 60 vs 19), opening up a space where Cruising encloses it.
At LRV 58 vs 19, Accessible Beige is decisively the brighter choice.
A 8-point LRV gap (27 vs 19) makes Denim Drift the marginally brighter of the two.
French Gray reflects far more light (LRV 43 vs 19), opening up a space where Cruising encloses it.
At LRV 55 vs 19, Tranquil Dawn is decisively the brighter choice.
At LRV 44 vs 19, Hardwick White is decisively the brighter choice.
Pure White reflects far more light (LRV 84 vs 19), opening up a space where Cruising encloses it.
At LRV 66 vs 19, Balboa Mist is decisively the brighter choice.
At LRV 74 vs 19, Shoji White is decisively the brighter choice.
A 7-point LRV gap (19 vs 12) makes Cruising the marginally brighter of the two.
At LRV 68 vs 19, Skimming Stone is decisively the brighter choice.
A 7-point LRV gap (19 vs 12) makes Cruising the marginally brighter of the two.
At LRV 45 vs 19, Saybrook Sage is decisively the brighter choice.
Pale Green reflects far more light (LRV 31 vs 19), opening up a space where Cruising encloses it.
Cruising reads slightly lighter (LRV 19 vs 7), a gap that shows most in low-lit rooms.
Cement grey reads slightly lighter (LRV 24 vs 19), a gap that shows most in low-lit rooms.
Guilford Green reflects far more light (LRV 57 vs 19), opening up a space where Cruising encloses it.