
Cruising vs Splashy
Both from Sherwin-Williams's palette. Both sit in the blue family, which is useful context if you're narrowing within a single hue direction. Splashy (LRV 21) reflects noticeably more light than Cruising (LRV 19), a difference of 3 points that becomes especially apparent in rooms with limited natural light. Both lean cool, so they'll behave similarly in mixed or changing light conditions. With a ΔE of 11.1, the contrast is hard to miss. These aren't variations on a theme — they're two different answers to the same question. Below you'll find 1 real-room photo comparison where both colors appear side by side, plus 5 simulated room previews.
Cruising vs Splashy in Real Spaces
1 real room side by side. Seeing Cruising and Splashy in actual rooms makes the difference concrete; browse the spaces below to get a feel for how each color lives on a wall.
Front Door
A front door is a focal point — small color differences read clearly at this concentrated scale. Side by side like this, the difference is easy to read — which is exactly why seeing them in a real space is more useful than comparing chips.
Color Details
Cruising vs Splashy Simulated Comparison
5 simulated room previews — drag the slider on each to see Cruising on one side and Splashy on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More Cruising comparisons
See how Cruising stacks up against other well-photographed colors across different brands and tones.


At LRV 83 vs 19, White Dove is decisively the brighter choice.


Purbeck Stone reflects far more light (LRV 52 vs 19), opening up a space where Cruising encloses it.


Evergreen Fog reads slightly lighter (LRV 30 vs 19), a gap that shows most in low-lit rooms.


Agreeable Gray reflects far more light (LRV 60 vs 19), opening up a space where Cruising encloses it.


At LRV 58 vs 19, Accessible Beige is decisively the brighter choice.


A 8-point LRV gap (27 vs 19) makes Denim Drift the marginally brighter of the two.


French Gray reflects far more light (LRV 43 vs 19), opening up a space where Cruising encloses it.


At LRV 55 vs 19, Tranquil Dawn is decisively the brighter choice.


At LRV 44 vs 19, Hardwick White is decisively the brighter choice.


Pure White reflects far more light (LRV 84 vs 19), opening up a space where Cruising encloses it.


At LRV 66 vs 19, Balboa Mist is decisively the brighter choice.


At LRV 74 vs 19, Shoji White is decisively the brighter choice.


A 7-point LRV gap (19 vs 12) makes Cruising the marginally brighter of the two.


At LRV 68 vs 19, Skimming Stone is decisively the brighter choice.


A 7-point LRV gap (19 vs 12) makes Cruising the marginally brighter of the two.


At LRV 45 vs 19, Saybrook Sage is decisively the brighter choice.


Pale Green reflects far more light (LRV 31 vs 19), opening up a space where Cruising encloses it.


Cruising reads slightly lighter (LRV 19 vs 7), a gap that shows most in low-lit rooms.


Cement grey reads slightly lighter (LRV 24 vs 19), a gap that shows most in low-lit rooms.


Guilford Green reflects far more light (LRV 57 vs 19), opening up a space where Cruising encloses it.





















