Crystalline vs Cloud
Crystalline (Sherwin-Williams) and Cloud (Tikkurila) come from different manufacturers. Both sit in the beige-greige family, which is useful context if you're narrowing within a single hue direction. Their light reflectance values are nearly the same — 77 vs 78 — so neither will read significantly brighter or darker than the other. A ΔE of 0.8 puts them in subtle territory — distinguishable in direct comparison, less so from across a room. Below you'll find 1 real-room photo comparison where both colors appear side by side, plus 5 simulated room previews.
Crystalline vs Cloud in Real Spaces
1 real room side by side. Crystalline and Cloud are close enough that the difference can be hard to judge from a chip alone — these photos show how each reads at scale, across different spaces and lighting conditions.
Bedroom
Bedrooms are typically lit with warmer, lower light than the rest of the house — a condition that flatters warm tones and deepens cool ones. In photos like these you're seeing the difference at its most direct. In a finished room, the distinction is there but not dramatic.
Color Details
Crystalline vs Cloud Simulated Comparison
5 simulated room previews — drag the slider on each to see Crystalline on one side and Cloud on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More Crystalline comparisons
See how Crystalline stacks up against other well-photographed colors across different brands and tones.
Crystalline reads slightly lighter (LRV 77 vs 69), a gap that shows most in low-lit rooms.
A 6-point LRV gap (83 vs 77) makes White Dove the marginally brighter of the two.
At LRV 77 vs 6, Crystalline is decisively the brighter choice.
Crystalline reflects far more light (LRV 77 vs 52), opening up a space where Purbeck Stone encloses it.
Crystalline reflects far more light (LRV 77 vs 30), opening up a space where Evergreen Fog encloses it.
At LRV 77 vs 52, Crystalline is decisively the brighter choice.
Crystalline reflects far more light (LRV 77 vs 60), opening up a space where Agreeable Gray encloses it.
At LRV 77 vs 58, Crystalline is decisively the brighter choice.
At LRV 77 vs 27, Crystalline is decisively the brighter choice.
Crystalline reflects far more light (LRV 77 vs 43), opening up a space where French Gray encloses it.
Crystalline reflects far more light (LRV 77 vs 4), opening up a space where Naval encloses it.
At LRV 77 vs 55, Crystalline is decisively the brighter choice.
At LRV 77 vs 13, Crystalline is decisively the brighter choice.
At LRV 77 vs 44, Crystalline is decisively the brighter choice.
Pure White reads slightly lighter (LRV 84 vs 77), a gap that shows most in low-lit rooms.
Crystalline reflects far more light (LRV 77 vs 21), opening up a space where Artichoke encloses it.
A 12-point LRV gap (77 vs 66) makes Crystalline the marginally brighter of the two.
A 3-point LRV gap (77 vs 74) makes Crystalline the marginally brighter of the two.
A 5-point LRV gap (83 vs 77) makes Snowbound the marginally brighter of the two.
Crystalline reflects far more light (LRV 77 vs 51), opening up a space where Pigeon encloses it.
At LRV 77 vs 12, Crystalline is decisively the brighter choice.
At LRV 77 vs 8, Crystalline is decisively the brighter choice.
A 9-point LRV gap (77 vs 68) makes Crystalline the marginally brighter of the two.
Crystalline reflects far more light (LRV 77 vs 41), opening up a space where Dix Blue encloses it.
At LRV 77 vs 12, Crystalline is decisively the brighter choice.
At LRV 77 vs 45, Crystalline is decisively the brighter choice.
Crystalline reflects far more light (LRV 77 vs 31), opening up a space where Pale Green encloses it.