Cut The Mustard vs Golden Gate paint color comparison

Cut The Mustard vs Golden Gate

Cut The Mustard and Golden Gate come from the same Sherwin-Williams collection. These are both beiges, so the question isn't which hue to choose — it's where within beige to land. The 20-point LRV gap — 46 for Golden Gate vs 26 for Cut The Mustard — means Golden Gate will open up a space more effectively. Both share a warm character, which means they'll respond to light and surrounding materials in similar ways. A ΔE of 23.8 puts these firmly in different territory — two distinct design choices rather than close alternatives. Below you'll find 10 real-room photo comparisons where both colors appear side by side, plus 5 simulated room previews.

Cut The Mustard vs Golden Gate in Real Spaces

10 real rooms side by side. Seeing Cut The Mustard and Golden Gate in actual rooms makes the difference concrete; browse the spaces below to get a feel for how each color lives on a wall.

Living Room

A living room wall sees more varied light than almost any other surface in the house, which makes the choice between these two more nuanced than a chip suggests. Golden Gate reflects noticeably more light off the walls, making the space read more open than Cut The Mustard.

Cut The MustardA industrial living room painted in Cut The Mustard

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Golden GateA contemporary living room painted in Golden Gate

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Bedroom

Bedrooms are typically lit with warmer, lower light than the rest of the house — a condition that flatters warm tones and deepens cool ones. Golden Gate returns significantly more light to the room — in a smaller or darker space, that difference in perceived brightness is hard to miss.

Cut The MustardA minimalist bedroom painted in Cut The Mustard

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Golden GateA scandinavian bedroom painted in Golden Gate

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Kitchen

Kitchens often have the harshest, most revealing light in the house — under-cabinet LEDs and overhead fixtures that strip away subtlety. Golden Gate returns significantly more light to the room — in a smaller or darker space, that difference in perceived brightness is hard to miss.

Cut The MustardCut The Mustard — scandinavian kitchen

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Golden GateGolden Gate — industrial kitchen

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Dining Room

Dining rooms often rely on warm incandescent or candlelight, which flatters warm undertones and mutes cool ones. The LRV gap is large enough that Golden Gate will make the room feel meaningfully brighter than Cut The Mustard would.

Cut The MustardCut The Mustard paint in a art deco dining room

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Golden GateGolden Gate paint in a parisian dining room

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Bathroom

Small bathrooms intensify color. A shade that seems quiet in a larger room can feel immersive when you're surrounded by it on four walls. Golden Gate returns significantly more light to the room — in a smaller or darker space, that difference in perceived brightness is hard to miss.

Cut The MustardCut The Mustard — japandi bathroom

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Golden GateGolden Gate — japandi bathroom

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Home Office

Home office walls matter more than most — you're looking at them all day, and a color that reads fine at first can become tiring over time. Golden Gate returns significantly more light to the room — in a smaller or darker space, that difference in perceived brightness is hard to miss.

Cut The MustardSherwin-Williams Cut The Mustard in a industrial home office

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Golden GateSherwin-Williams Golden Gate in a art deco home office

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Mudroom

In a hardworking space like a mudroom, the depth and warmth of a color reads differently than in a quieter room. The LRV gap is large enough that Golden Gate will make the room feel meaningfully brighter than Cut The Mustard would.

Cut The MustardCut The Mustard paint in a tiny mudroom

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Golden GateGolden Gate paint in a classy mudroom

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Patio

Exterior colors look different in open light — both tend to read lighter outside than on an interior swatch, and shadows read more strongly. The LRV gap is large enough that Golden Gate will make the room feel meaningfully brighter than Cut The Mustard would.

Cut The Mustardmediterranean patio featuring Cut The Mustard by Sherwin-Williams

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Golden Gatewarm patio featuring Golden Gate by Sherwin-Williams

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House

A full exterior is the most demanding test for a paint color — scale and outdoor light both amplify differences that seem small on a swatch. Golden Gate returns significantly more light to the room — in a smaller or darker space, that difference in perceived brightness is hard to miss.

Cut The MustardCut The Mustard color — eclectic house inspiration

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Golden GateGolden Gate color — eclectic house inspiration

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Front Door

On a front door, the color is both the first and last thing you see — a context where even a modest tonal difference reads clearly. Golden Gate reflects noticeably more light off the walls, making the space read more open than Cut The Mustard.

Cut The Mustardstylish front door featuring Cut The Mustard by Sherwin-Williams

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Golden Gatebold front door featuring Golden Gate by Sherwin-Williams

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Color Details

Cut The Mustard
Sherwin-Williams · 6384
Hex#BA7F38
LRV25.9
BrandSherwin-Williams
Number6384
Undertone
TemperatureWarm
BrightnessMedium
Golden Gate
Sherwin-Williams · 7679
Hex#D9AD7F
LRV46.2
BrandSherwin-Williams
Number7679
Undertone
TemperatureWarm
BrightnessMedium

Cut The Mustard vs Golden Gate Simulated Comparison

5 simulated room previews — drag the slider on each to see Cut The Mustard on one side and Golden Gate on the other.

Bathroom
Bedroom
House
Kitchen Cabinets
Living Room

Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.

More Cut The Mustard comparisons

See how Cut The Mustard stacks up against other well-photographed colors across different brands and tones.

White Dove
Cut The Mustard
White Dove
Cut The Mustard
Sherwin-Williams
Cut The Mustard
6384 · LRV 26

White Dove reflects far more light (LRV 83 vs 26), opening up a space where Cut The Mustard encloses it.

Ammonite
Cut The Mustard
Ammonite
Cut The Mustard
Farrow & Ball
Ammonite
LRV 69
Sherwin-Williams
Cut The Mustard
6384 · LRV 26

At LRV 69 vs 26, Ammonite is decisively the brighter choice.

Cut The Mustard
Iron Ore
Cut The Mustard
Iron Ore
Sherwin-Williams
Cut The Mustard
6384 · LRV 26

Cut The Mustard reflects far more light (LRV 26 vs 6), opening up a space where Iron Ore encloses it.

Purbeck Stone
Cut The Mustard
Purbeck Stone
Cut The Mustard
Sherwin-Williams
Cut The Mustard
6384 · LRV 26

At LRV 52 vs 26, Purbeck Stone is decisively the brighter choice.

Cut The Mustard
Evergreen Fog
Cut The Mustard
Evergreen Fog
Sherwin-Williams
Cut The Mustard
6384 · LRV 26

A 4-point LRV gap (30 vs 26) makes Evergreen Fog the marginally brighter of the two.

Mizzle
Cut The Mustard
Mizzle
Cut The Mustard
Farrow & Ball
Mizzle
LRV 52
Sherwin-Williams
Cut The Mustard
6384 · LRV 26

Mizzle reflects far more light (LRV 52 vs 26), opening up a space where Cut The Mustard encloses it.

Agreeable Gray
Cut The Mustard
Agreeable Gray
Cut The Mustard
Sherwin-Williams
Cut The Mustard
6384 · LRV 26

At LRV 60 vs 26, Agreeable Gray is decisively the brighter choice.

Accessible Beige
Cut The Mustard
Accessible Beige
Cut The Mustard
Sherwin-Williams
Cut The Mustard
6384 · LRV 26

Accessible Beige reflects far more light (LRV 58 vs 26), opening up a space where Cut The Mustard encloses it.

Denim Drift
Cut The Mustard
Denim Drift
Cut The Mustard
Sherwin-Williams
Cut The Mustard
6384 · LRV 26

With LRVs of 27 and 26, the two reflect almost the same amount of light.

French Gray
Cut The Mustard
French Gray
Cut The Mustard
Sherwin-Williams
Cut The Mustard
6384 · LRV 26

At LRV 43 vs 26, French Gray is decisively the brighter choice.

Cut The Mustard
Naval
Cut The Mustard
Naval
Sherwin-Williams
Cut The Mustard
6384 · LRV 26
Sherwin-Williams
Naval
LRV 4

At LRV 26 vs 4, Cut The Mustard is decisively the brighter choice.

Tranquil Dawn
Cut The Mustard
Tranquil Dawn
Cut The Mustard
Sherwin-Williams
Cut The Mustard
6384 · LRV 26

Tranquil Dawn reflects far more light (LRV 55 vs 26), opening up a space where Cut The Mustard encloses it.

Bancha
Cut The Mustard
Bancha
Cut The Mustard
Farrow & Ball
Bancha
LRV 13
Sherwin-Williams
Cut The Mustard
6384 · LRV 26

Cut The Mustard reflects far more light (LRV 26 vs 13), opening up a space where Bancha encloses it.

Hardwick White
Cut The Mustard
Hardwick White
Cut The Mustard
Sherwin-Williams
Cut The Mustard
6384 · LRV 26

Hardwick White reflects far more light (LRV 44 vs 26), opening up a space where Cut The Mustard encloses it.

Cut The Mustard
Pure White
Cut The Mustard
Pure White
Sherwin-Williams
Cut The Mustard
6384 · LRV 26

At LRV 84 vs 26, Pure White is decisively the brighter choice.

Artichoke
Cut The Mustard
Artichoke
Cut The Mustard
Sherwin-Williams
Artichoke
LRV 21
Sherwin-Williams
Cut The Mustard
6384 · LRV 26

A 4-point LRV gap (26 vs 21) makes Cut The Mustard the marginally brighter of the two.

Balboa Mist
Cut The Mustard
Balboa Mist
Cut The Mustard
Sherwin-Williams
Cut The Mustard
6384 · LRV 26

Balboa Mist reflects far more light (LRV 66 vs 26), opening up a space where Cut The Mustard encloses it.

Cut The Mustard
Shoji White
Cut The Mustard
Shoji White
Sherwin-Williams
Cut The Mustard
6384 · LRV 26

Shoji White reflects far more light (LRV 74 vs 26), opening up a space where Cut The Mustard encloses it.

Cut The Mustard
Snowbound
Cut The Mustard
Snowbound
Sherwin-Williams
Cut The Mustard
6384 · LRV 26
Sherwin-Williams
Snowbound
LRV 83

Snowbound reflects far more light (LRV 83 vs 26), opening up a space where Cut The Mustard encloses it.

Cut The Mustard
Pewter Green
Cut The Mustard
Pewter Green
Sherwin-Williams
Cut The Mustard
6384 · LRV 26

Cut The Mustard reflects far more light (LRV 26 vs 12), opening up a space where Pewter Green encloses it.

Skimming Stone
Cut The Mustard
Skimming Stone
Cut The Mustard
Sherwin-Williams
Cut The Mustard
6384 · LRV 26

Skimming Stone reflects far more light (LRV 68 vs 26), opening up a space where Cut The Mustard encloses it.

Dix Blue
Cut The Mustard
Dix Blue
Cut The Mustard
Farrow & Ball
Dix Blue
LRV 41
Sherwin-Williams
Cut The Mustard
6384 · LRV 26

At LRV 41 vs 26, Dix Blue is decisively the brighter choice.

Calamine
Cut The Mustard
Calamine
Cut The Mustard
Farrow & Ball
Calamine
LRV 68
Sherwin-Williams
Cut The Mustard
6384 · LRV 26

At LRV 68 vs 26, Calamine is decisively the brighter choice.

Treron
Cut The Mustard
Treron
Cut The Mustard
Farrow & Ball
Treron
LRV 25
Sherwin-Williams
Cut The Mustard
6384 · LRV 26

Their light reflectance is nearly identical (LRV 26 vs 25), so neither reads brighter in a room.

Vintage Vogue
Cut The Mustard
Vintage Vogue
Cut The Mustard
Sherwin-Williams
Cut The Mustard
6384 · LRV 26

Cut The Mustard reflects far more light (LRV 26 vs 12), opening up a space where Vintage Vogue encloses it.

Saybrook Sage
Cut The Mustard
Saybrook Sage
Cut The Mustard
Sherwin-Williams
Cut The Mustard
6384 · LRV 26

Saybrook Sage reflects far more light (LRV 45 vs 26), opening up a space where Cut The Mustard encloses it.

Pale Green
Cut The Mustard
Pale Green
Cut The Mustard
RAL ClassicClassic
Pale Green
LRV 31
Sherwin-Williams
Cut The Mustard
6384 · LRV 26

A 5-point LRV gap (31 vs 26) makes Pale Green the marginally brighter of the two.

Pine Needle
Cut The Mustard
Pine Needle
Cut The Mustard
Sherwin-Williams
Cut The Mustard
6384 · LRV 26

At LRV 26 vs 7, Cut The Mustard is decisively the brighter choice.

Cement grey
Cut The Mustard
Cement grey
Cut The Mustard
RAL ClassicClassic
Cement grey
LRV 24
Sherwin-Williams
Cut The Mustard
6384 · LRV 26

Their light reflectance is nearly identical (LRV 26 vs 24), so neither reads brighter in a room.

Guilford Green
Cut The Mustard
Guilford Green
Cut The Mustard
Sherwin-Williams
Cut The Mustard
6384 · LRV 26

At LRV 57 vs 26, Guilford Green is decisively the brighter choice.