Dark Night vs Moscow Midnight
Both from Sherwin-Williams's palette. These are both blues, so the question isn't which hue to choose — it's where within blue to land. They have nearly identical light reflectance values (4 vs 5), so they'll read as similarly Dark in most lighting conditions. Both lean cool, so they'll behave similarly in mixed or changing light conditions. The ΔE 7.7 gap is real but not dramatic — close enough to use together, distinct enough to matter as a choice. Below you'll find 4 real-room photo comparisons where both colors appear side by side, plus 5 simulated room previews.
Dark Night vs Moscow Midnight in Real Spaces
4 real rooms side by side. Dark Night and Moscow Midnight are close enough that the difference can be hard to judge from a chip alone — these photos show how each reads at scale, across different spaces and lighting conditions.
Living Room
In a living room, color works across both daylight and evening light — the same wall can read very differently at noon and at 8pm. Side by side like this, the difference is easy to read — which is exactly why seeing them in a real space is more useful than comparing chips.
Bedroom
The context that matters most in a bedroom is how a color reads under a bedside lamp at night, not under noon daylight. The distinction reads clearly at room scale, making the choice between them concrete.
House
Seen across an entire facade, subtle tonal differences become pronounced. What reads as nearly the same on a chip often reads as clearly different at scale. The distinction reads clearly at room scale, making the choice between them concrete.
Front Door
A front door is a focal point — small color differences read clearly at this concentrated scale. Side by side like this, the difference is easy to read — which is exactly why seeing them in a real space is more useful than comparing chips.
Color Details
Dark Night vs Moscow Midnight Simulated Comparison
5 simulated room previews — drag the slider on each to see Dark Night on one side and Moscow Midnight on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More Dark Night comparisons
See how Dark Night stacks up against other well-photographed colors across different brands and tones.
White Dove reflects far more light (LRV 83 vs 4), opening up a space where Dark Night encloses it.
At LRV 69 vs 4, Ammonite is decisively the brighter choice.
With LRVs of 6 and 4, the two reflect almost the same amount of light.
At LRV 52 vs 4, Purbeck Stone is decisively the brighter choice.
At LRV 30 vs 4, Evergreen Fog is decisively the brighter choice.
Mizzle reflects far more light (LRV 52 vs 4), opening up a space where Dark Night encloses it.
At LRV 60 vs 4, Agreeable Gray is decisively the brighter choice.
Accessible Beige reflects far more light (LRV 58 vs 4), opening up a space where Dark Night encloses it.
Denim Drift reflects far more light (LRV 27 vs 4), opening up a space where Dark Night encloses it.
At LRV 43 vs 4, French Gray is decisively the brighter choice.
Their light reflectance is nearly identical (LRV 4 vs 4), so neither reads brighter in a room.
Tranquil Dawn reflects far more light (LRV 55 vs 4), opening up a space where Dark Night encloses it.
Bancha reads slightly lighter (LRV 13 vs 4), a gap that shows most in low-lit rooms.
Hardwick White reflects far more light (LRV 44 vs 4), opening up a space where Dark Night encloses it.
At LRV 84 vs 4, Pure White is decisively the brighter choice.
At LRV 21 vs 4, Artichoke is decisively the brighter choice.
Balboa Mist reflects far more light (LRV 66 vs 4), opening up a space where Dark Night encloses it.
Shoji White reflects far more light (LRV 74 vs 4), opening up a space where Dark Night encloses it.
Snowbound reflects far more light (LRV 83 vs 4), opening up a space where Dark Night encloses it.
Pewter Green reads slightly lighter (LRV 12 vs 4), a gap that shows most in low-lit rooms.
Skimming Stone reflects far more light (LRV 68 vs 4), opening up a space where Dark Night encloses it.
At LRV 41 vs 4, Dix Blue is decisively the brighter choice.
At LRV 68 vs 4, Calamine is decisively the brighter choice.
At LRV 25 vs 4, Treron is decisively the brighter choice.
Vintage Vogue reads slightly lighter (LRV 12 vs 4), a gap that shows most in low-lit rooms.
Saybrook Sage reflects far more light (LRV 45 vs 4), opening up a space where Dark Night encloses it.
At LRV 31 vs 4, Pale Green is decisively the brighter choice.
A 3-point LRV gap (7 vs 4) makes Pine Needle the marginally brighter of the two.
At LRV 24 vs 4, Cement grey is decisively the brighter choice.
At LRV 57 vs 4, Guilford Green is decisively the brighter choice.