Dirty Martini vs Pure White
Both from Sherwin-Williams's palette. Hue-wise, Dirty Martini belongs to the beige family and Pure White to the beige-greige family. Pure White (LRV 84) reflects noticeably more light than Dirty Martini (LRV 64), a difference of 20 points that becomes especially apparent in rooms with limited natural light. Both lean warm, so they'll behave similarly in mixed or changing light conditions. With a ΔE of 14.9, the contrast is hard to miss. These aren't variations on a theme — they're two different answers to the same question. Below you'll find 7 real-room photo comparisons where both colors appear side by side, plus 5 simulated room previews.
Dirty Martini vs Pure White in Real Spaces
7 real rooms side by side. Seeing Dirty Martini and Pure White in actual rooms makes the difference concrete; browse the spaces below to get a feel for how each color lives on a wall.
Living Room
In a living room, color works across both daylight and evening light — the same wall can read very differently at noon and at 8pm. The LRV gap is large enough that Pure White will make the room feel meaningfully brighter than Dirty Martini would.
Bedroom
The context that matters most in a bedroom is how a color reads under a bedside lamp at night, not under noon daylight. Pure White reflects noticeably more light off the walls, making the space read more open than Dirty Martini.
Kitchen
In a kitchen, colors are seen under bright task lighting that amplifies undertones — what reads neutral elsewhere can show its hand here. Pure White reflects noticeably more light off the walls, making the space read more open than Dirty Martini.
Bathroom
Bathrooms are one of the few spaces where you're genuinely enclosed by the paint color, which makes the choice between these two more consequential. Pure White reflects noticeably more light off the walls, making the space read more open than Dirty Martini.
Home Office
The test for a home office color isn't how it looks in a quick glance — it's whether it still feels right after a full day of work. Pure White reflects noticeably more light off the walls, making the space read more open than Dirty Martini.
House
Seen across an entire facade, subtle tonal differences become pronounced. What reads as nearly the same on a chip often reads as clearly different at scale. Pure White reflects noticeably more light off the walls, making the space read more open than Dirty Martini.
Front Door
A front door is a focal point — small color differences read clearly at this concentrated scale. The LRV gap is large enough that Pure White will make the room feel meaningfully brighter than Dirty Martini would.
Color Details
Dirty Martini vs Pure White Simulated Comparison
5 simulated room previews — drag the slider on each to see Dirty Martini on one side and Pure White on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More Dirty Martini comparisons
See how Dirty Martini stacks up against other well-photographed colors across different brands and tones.
White Dove reflects far more light (LRV 83 vs 64), opening up a space where Dirty Martini encloses it.
A 5-point LRV gap (69 vs 64) makes Ammonite the marginally brighter of the two.
Dirty Martini reflects far more light (LRV 64 vs 6), opening up a space where Iron Ore encloses it.
At LRV 64 vs 52, Dirty Martini is decisively the brighter choice.
At LRV 64 vs 30, Dirty Martini is decisively the brighter choice.
Dirty Martini reflects far more light (LRV 64 vs 52), opening up a space where Mizzle encloses it.
A 4-point LRV gap (64 vs 60) makes Dirty Martini the marginally brighter of the two.
Dirty Martini reads slightly lighter (LRV 64 vs 58), a gap that shows most in low-lit rooms.
Dirty Martini reflects far more light (LRV 64 vs 27), opening up a space where Denim Drift encloses it.
At LRV 64 vs 43, Dirty Martini is decisively the brighter choice.
At LRV 64 vs 4, Dirty Martini is decisively the brighter choice.
Dirty Martini reads slightly lighter (LRV 64 vs 55), a gap that shows most in low-lit rooms.
Dirty Martini reflects far more light (LRV 64 vs 13), opening up a space where Bancha encloses it.
Dirty Martini reflects far more light (LRV 64 vs 44), opening up a space where Hardwick White encloses it.
At LRV 64 vs 21, Dirty Martini is decisively the brighter choice.
With LRVs of 66 and 64, the two reflect almost the same amount of light.
Shoji White reads slightly lighter (LRV 74 vs 64), a gap that shows most in low-lit rooms.
Snowbound reflects far more light (LRV 83 vs 64), opening up a space where Dirty Martini encloses it.
Dirty Martini reflects far more light (LRV 64 vs 12), opening up a space where Pewter Green encloses it.
Skimming Stone reads slightly lighter (LRV 68 vs 64), a gap that shows most in low-lit rooms.
At LRV 64 vs 41, Dirty Martini is decisively the brighter choice.
A 3-point LRV gap (68 vs 64) makes Calamine the marginally brighter of the two.
At LRV 64 vs 25, Dirty Martini is decisively the brighter choice.
Dirty Martini reflects far more light (LRV 64 vs 12), opening up a space where Vintage Vogue encloses it.
Dirty Martini reflects far more light (LRV 64 vs 45), opening up a space where Saybrook Sage encloses it.
At LRV 64 vs 31, Dirty Martini is decisively the brighter choice.
At LRV 64 vs 7, Dirty Martini is decisively the brighter choice.
At LRV 64 vs 24, Dirty Martini is decisively the brighter choice.
A 7-point LRV gap (64 vs 57) makes Dirty Martini the marginally brighter of the two.
A 8-point LRV gap (72 vs 64) makes Just Walnut the marginally brighter of the two.