Down Home vs Fallen Leaves
Both are Sherwin-Williams colors. These are both beige-greiges, so the question isn't which hue to choose — it's where within beige-greige to land. With LRVs of 20 and 19, they'll behave almost identically in terms of how much light they reflect back into a room. They share a warm quality — useful to know if you're layering them in the same space. At ΔE 5.9, the difference is perceptible but not dramatic — the two can work harmoniously in the same space. Below you'll find 10 real-room photo comparisons where both colors appear side by side, plus 5 simulated room previews.
Down Home vs Fallen Leaves in Real Spaces
10 real rooms side by side. Down Home and Fallen Leaves are close enough that the difference can be hard to judge from a chip alone — these photos show how each reads at scale, across different spaces and lighting conditions.
Living Room
Living rooms test a color across a full range of conditions — morning sun, afternoon shade, and evening lamp light all shift how both of these read. At this scale, the choice between them becomes clear in a way that a swatch alone can't communicate.
Bedroom
Bedroom walls are often seen under warm artificial light, a context that shifts both colors from how they look on a chip. Side by side like this, the difference is easy to read — which is exactly why seeing them in a real space is more useful than comparing chips.
Kitchen
Kitchen lighting tends to be bright and directional, which sharpens contrast and makes undertone differences more apparent. Side by side like this, the difference is easy to read — which is exactly why seeing them in a real space is more useful than comparing chips.
Dining Room
Dining room light is typically the warmest in the house, which shifts both colors toward the red end of the spectrum compared to daylight. The distinction reads clearly at room scale, making the choice between them concrete.
Bathroom
Bathrooms amplify color — the enclosed space and reflective surfaces make what reads subtle elsewhere feel more present here. Side by side like this, the difference is easy to read — which is exactly why seeing them in a real space is more useful than comparing chips.
Home Office
In a home office, wall color sits in your peripheral vision for hours at a time, so temperature and undertone matter more than you might expect. Side by side like this, the difference is easy to read — which is exactly why seeing them in a real space is more useful than comparing chips.
Mudroom
A mudroom color needs to hold up under the most casual scrutiny: a glance as you're coming and going, often in mixed or artificial light. The distinction reads clearly at room scale, making the choice between them concrete.
Patio
Patio colors are seen under changing outdoor light throughout the day — morning, midday, and golden hour each reveal different qualities. The distinction reads clearly at room scale, making the choice between them concrete.
House
At full exterior scale, the difference between these two colors becomes much easier to judge than from a small chip. Side by side like this, the difference is easy to read — which is exactly why seeing them in a real space is more useful than comparing chips.
Front Door
Front doors are seen in isolation against the rest of the facade, which makes them a high-stakes surface where even subtle differences matter. At this scale, the choice between them becomes clear in a way that a swatch alone can't communicate.
Color Details
Down Home vs Fallen Leaves Simulated Comparison
5 simulated room previews — drag the slider on each to see Down Home on one side and Fallen Leaves on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More Down Home comparisons
See how Down Home stacks up against other well-photographed colors across different brands and tones.
At LRV 83 vs 20, White Dove is decisively the brighter choice.
Purbeck Stone reflects far more light (LRV 52 vs 20), opening up a space where Down Home encloses it.
Evergreen Fog reads slightly lighter (LRV 30 vs 20), a gap that shows most in low-lit rooms.
Agreeable Gray reflects far more light (LRV 60 vs 20), opening up a space where Down Home encloses it.
At LRV 58 vs 20, Accessible Beige is decisively the brighter choice.
A 7-point LRV gap (27 vs 20) makes Denim Drift the marginally brighter of the two.
French Gray reflects far more light (LRV 43 vs 20), opening up a space where Down Home encloses it.
At LRV 55 vs 20, Tranquil Dawn is decisively the brighter choice.
At LRV 44 vs 20, Hardwick White is decisively the brighter choice.
Pure White reflects far more light (LRV 84 vs 20), opening up a space where Down Home encloses it.
At LRV 66 vs 20, Balboa Mist is decisively the brighter choice.
At LRV 74 vs 20, Shoji White is decisively the brighter choice.
A 8-point LRV gap (20 vs 12) makes Down Home the marginally brighter of the two.
At LRV 20 vs 8, Down Home is decisively the brighter choice.
At LRV 68 vs 20, Skimming Stone is decisively the brighter choice.
A 8-point LRV gap (20 vs 12) makes Down Home the marginally brighter of the two.
At LRV 45 vs 20, Saybrook Sage is decisively the brighter choice.
Pale Green reads slightly lighter (LRV 31 vs 20), a gap that shows most in low-lit rooms.