Down Pour vs Endless Sea paint color comparison

Down Pour vs Endless Sea

Both are Sherwin-Williams colors. Both sit in the blue family, which is useful context if you're narrowing within a single hue direction. At LRV 15 vs 9, Down Pour will read as the brighter of the two — a 6-point gap that matters most in north-facing or low-light rooms. They share a cool quality — useful to know if you're layering them in the same space. At ΔE 10.3, these are genuinely distinct colors — a strong contrast if used together, or a meaningful choice between two different directions. Below you'll find 4 real-room photo comparisons where both colors appear side by side, plus 5 simulated room previews.

Down Pour vs Endless Sea in Real Spaces

4 real rooms side by side. Seeing Down Pour and Endless Sea in actual rooms makes the difference concrete; browse the spaces below to get a feel for how each color lives on a wall.

Living Room

Living rooms test a color across a full range of conditions — morning sun, afternoon shade, and evening lamp light all shift how both of these read. Down Pour has the edge in reflectance, which shows as a quiet sense of added space rather than an obvious contrast.

Down PourDown Pour Living Room

@dkranz_

Endless SeaEndless Sea Living Room

@sda_paint

Bedroom

Bedroom walls are often seen under warm artificial light, a context that shifts both colors from how they look on a chip. The brightness difference is modest but present — Down Pour gives the walls a little more lift.

Down PourSherwin Williams Down Pour bedroom accent wall

@taggeboxlane

Endless SeaSherwin Williams Endless Sea Bedroom

@aglae_conception

House

At full exterior scale, the difference between these two colors becomes much easier to judge than from a small chip. The brightness difference is modest but present — Down Pour gives the walls a little more lift.

Down PourDown Pour House Exterior

@mandepainting

Endless SeaSherwin Williams Endless Sea Exterior

@jilligan74

Kitchen Cabinets

On cabinetry, undertone and temperature become more pronounced against countertops and hardware. The brightness difference is modest but present — Down Pour gives the walls a little more lift.

Down PourSw 6516 Kitchen Cabinets

@kandbdesigner

Endless SeaSw Endless Sea Kitchen Cabinets

@glenbrookcabinetry

Color Details

Down Pour
Sherwin-Williams · 6516
Hex#43718B
LRV14.9
BrandSherwin-Williams
Number6516
Undertone
TemperatureCool
BrightnessDark
Endless Sea
Sherwin-Williams · 9150
Hex#32586E
LRV8.7
BrandSherwin-Williams
Number9150
Undertone
TemperatureCool
BrightnessDark

Down Pour vs Endless Sea Simulated Comparison

5 simulated room previews — drag the slider on each to see Down Pour on one side and Endless Sea on the other.

Bathroom
Bedroom
House
Kitchen Cabinets
Living Room

Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.

More Down Pour comparisons

See how Down Pour stacks up against other well-photographed colors across different brands and tones.

White Dove
Down Pour
White Dove
Down Pour
Sherwin-Williams
Down Pour
6516 · LRV 15

White Dove reflects far more light (LRV 83 vs 15), opening up a space where Down Pour encloses it.

Ammonite
Down Pour
Ammonite
Down Pour
Farrow & Ball
Ammonite
LRV 69
Sherwin-Williams
Down Pour
6516 · LRV 15

At LRV 69 vs 15, Ammonite is decisively the brighter choice.

Down Pour
Iron Ore
Down Pour
Iron Ore
Sherwin-Williams
Down Pour
6516 · LRV 15

Down Pour reads slightly lighter (LRV 15 vs 6), a gap that shows most in low-lit rooms.

Purbeck Stone
Down Pour
Purbeck Stone
Down Pour
Sherwin-Williams
Down Pour
6516 · LRV 15

At LRV 52 vs 15, Purbeck Stone is decisively the brighter choice.

Down Pour
Evergreen Fog
Down Pour
Evergreen Fog
Sherwin-Williams
Down Pour
6516 · LRV 15

At LRV 30 vs 15, Evergreen Fog is decisively the brighter choice.

Mizzle
Down Pour
Mizzle
Down Pour
Farrow & Ball
Mizzle
LRV 52
Sherwin-Williams
Down Pour
6516 · LRV 15

Mizzle reflects far more light (LRV 52 vs 15), opening up a space where Down Pour encloses it.

Agreeable Gray
Down Pour
Agreeable Gray
Down Pour
Sherwin-Williams
Down Pour
6516 · LRV 15

At LRV 60 vs 15, Agreeable Gray is decisively the brighter choice.

Accessible Beige
Down Pour
Accessible Beige
Down Pour
Sherwin-Williams
Down Pour
6516 · LRV 15

Accessible Beige reflects far more light (LRV 58 vs 15), opening up a space where Down Pour encloses it.

Denim Drift
Down Pour
Denim Drift
Down Pour
Sherwin-Williams
Down Pour
6516 · LRV 15

Denim Drift reflects far more light (LRV 27 vs 15), opening up a space where Down Pour encloses it.

French Gray
Down Pour
French Gray
Down Pour
Sherwin-Williams
Down Pour
6516 · LRV 15

At LRV 43 vs 15, French Gray is decisively the brighter choice.

Down Pour
Naval
Down Pour
Naval
Sherwin-Williams
Down Pour
6516 · LRV 15
Sherwin-Williams
Naval
LRV 4

A 10-point LRV gap (15 vs 4) makes Down Pour the marginally brighter of the two.

Tranquil Dawn
Down Pour
Tranquil Dawn
Down Pour
Sherwin-Williams
Down Pour
6516 · LRV 15

Tranquil Dawn reflects far more light (LRV 55 vs 15), opening up a space where Down Pour encloses it.

Bancha
Down Pour
Bancha
Down Pour
Farrow & Ball
Bancha
LRV 13
Sherwin-Williams
Down Pour
6516 · LRV 15

With LRVs of 15 and 13, the two reflect almost the same amount of light.

Hardwick White
Down Pour
Hardwick White
Down Pour
Sherwin-Williams
Down Pour
6516 · LRV 15

Hardwick White reflects far more light (LRV 44 vs 15), opening up a space where Down Pour encloses it.

Down Pour
Pure White
Down Pour
Pure White
Sherwin-Williams
Down Pour
6516 · LRV 15

At LRV 84 vs 15, Pure White is decisively the brighter choice.

Artichoke
Down Pour
Artichoke
Down Pour
Sherwin-Williams
Artichoke
LRV 21
Sherwin-Williams
Down Pour
6516 · LRV 15

A 6-point LRV gap (21 vs 15) makes Artichoke the marginally brighter of the two.

Balboa Mist
Down Pour
Balboa Mist
Down Pour
Sherwin-Williams
Down Pour
6516 · LRV 15

Balboa Mist reflects far more light (LRV 66 vs 15), opening up a space where Down Pour encloses it.

Down Pour
Shoji White
Down Pour
Shoji White
Sherwin-Williams
Down Pour
6516 · LRV 15

Shoji White reflects far more light (LRV 74 vs 15), opening up a space where Down Pour encloses it.

Down Pour
Snowbound
Down Pour
Snowbound
Sherwin-Williams
Down Pour
6516 · LRV 15
Sherwin-Williams
Snowbound
LRV 83

Snowbound reflects far more light (LRV 83 vs 15), opening up a space where Down Pour encloses it.

Down Pour
Pewter Green
Down Pour
Pewter Green
Sherwin-Williams
Down Pour
6516 · LRV 15

Down Pour reads slightly lighter (LRV 15 vs 12), a gap that shows most in low-lit rooms.

Skimming Stone
Down Pour
Skimming Stone
Down Pour
Sherwin-Williams
Down Pour
6516 · LRV 15

Skimming Stone reflects far more light (LRV 68 vs 15), opening up a space where Down Pour encloses it.

Dix Blue
Down Pour
Dix Blue
Down Pour
Farrow & Ball
Dix Blue
LRV 41
Sherwin-Williams
Down Pour
6516 · LRV 15

At LRV 41 vs 15, Dix Blue is decisively the brighter choice.

Calamine
Down Pour
Calamine
Down Pour
Farrow & Ball
Calamine
LRV 68
Sherwin-Williams
Down Pour
6516 · LRV 15

At LRV 68 vs 15, Calamine is decisively the brighter choice.

Treron
Down Pour
Treron
Down Pour
Farrow & Ball
Treron
LRV 25
Sherwin-Williams
Down Pour
6516 · LRV 15

A 10-point LRV gap (25 vs 15) makes Treron the marginally brighter of the two.

Vintage Vogue
Down Pour
Vintage Vogue
Down Pour
Sherwin-Williams
Down Pour
6516 · LRV 15

Down Pour reads slightly lighter (LRV 15 vs 12), a gap that shows most in low-lit rooms.

Saybrook Sage
Down Pour
Saybrook Sage
Down Pour
Sherwin-Williams
Down Pour
6516 · LRV 15

Saybrook Sage reflects far more light (LRV 45 vs 15), opening up a space where Down Pour encloses it.

Pale Green
Down Pour
Pale Green
Down Pour
RAL ClassicClassic
Pale Green
LRV 31
Sherwin-Williams
Down Pour
6516 · LRV 15

At LRV 31 vs 15, Pale Green is decisively the brighter choice.

Pine Needle
Down Pour
Pine Needle
Down Pour
Sherwin-Williams
Down Pour
6516 · LRV 15

A 8-point LRV gap (15 vs 7) makes Down Pour the marginally brighter of the two.

Cement grey
Down Pour
Cement grey
Down Pour
RAL ClassicClassic
Cement grey
LRV 24
Sherwin-Williams
Down Pour
6516 · LRV 15

A 9-point LRV gap (24 vs 15) makes Cement grey the marginally brighter of the two.

Guilford Green
Down Pour
Guilford Green
Down Pour
Sherwin-Williams
Down Pour
6516 · LRV 15

At LRV 57 vs 15, Guilford Green is decisively the brighter choice.