Down Pour vs Silken Peacock
Down Pour and Silken Peacock come from the same Sherwin-Williams collection. These are both blues, so the question isn't which hue to choose — it's where within blue to land. Their light reflectance values are nearly the same — 15 vs 15 — so neither will read significantly brighter or darker than the other. Both share a cool character, which means they'll respond to light and surrounding materials in similar ways. ΔE 7.3 means they're clearly different, but not dramatically so — they'd pair well in the same room. Below you'll find 3 real-room photo comparisons where both colors appear side by side, plus 5 simulated room previews.
Down Pour vs Silken Peacock in Real Spaces
3 real rooms side by side. Down Pour and Silken Peacock are close enough that the difference can be hard to judge from a chip alone — these photos show how each reads at scale, across different spaces and lighting conditions.
Living Room
A living room wall sees more varied light than almost any other surface in the house, which makes the choice between these two more nuanced than a chip suggests. The distinction reads clearly at room scale, making the choice between them concrete.
Bedroom
Bedrooms are typically lit with warmer, lower light than the rest of the house — a condition that flatters warm tones and deepens cool ones. At this scale, the choice between them becomes clear in a way that a swatch alone can't communicate.
House
A full exterior is the most demanding test for a paint color — scale and outdoor light both amplify differences that seem small on a swatch. At this scale, the choice between them becomes clear in a way that a swatch alone can't communicate.
Color Details
Down Pour vs Silken Peacock Simulated Comparison
5 simulated room previews — drag the slider on each to see Down Pour on one side and Silken Peacock on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More Down Pour comparisons
See how Down Pour stacks up against other well-photographed colors across different brands and tones.
White Dove reflects far more light (LRV 83 vs 15), opening up a space where Down Pour encloses it.
At LRV 52 vs 15, Purbeck Stone is decisively the brighter choice.
At LRV 30 vs 15, Evergreen Fog is decisively the brighter choice.
At LRV 60 vs 15, Agreeable Gray is decisively the brighter choice.
Accessible Beige reflects far more light (LRV 58 vs 15), opening up a space where Down Pour encloses it.
Denim Drift reflects far more light (LRV 27 vs 15), opening up a space where Down Pour encloses it.
At LRV 43 vs 15, French Gray is decisively the brighter choice.
Tranquil Dawn reflects far more light (LRV 55 vs 15), opening up a space where Down Pour encloses it.
Hardwick White reflects far more light (LRV 44 vs 15), opening up a space where Down Pour encloses it.
At LRV 84 vs 15, Pure White is decisively the brighter choice.
Balboa Mist reflects far more light (LRV 66 vs 15), opening up a space where Down Pour encloses it.
Shoji White reflects far more light (LRV 74 vs 15), opening up a space where Down Pour encloses it.
Down Pour reads slightly lighter (LRV 15 vs 12), a gap that shows most in low-lit rooms.
Skimming Stone reflects far more light (LRV 68 vs 15), opening up a space where Down Pour encloses it.
Down Pour reads slightly lighter (LRV 15 vs 12), a gap that shows most in low-lit rooms.
Saybrook Sage reflects far more light (LRV 45 vs 15), opening up a space where Down Pour encloses it.
At LRV 31 vs 15, Pale Green is decisively the brighter choice.
A 8-point LRV gap (15 vs 7) makes Down Pour the marginally brighter of the two.
A 9-point LRV gap (24 vs 15) makes Cement grey the marginally brighter of the two.
At LRV 57 vs 15, Guilford Green is decisively the brighter choice.