Dusted Olive vs Empire Gold
Both are Sherwin-Williams colors. Both sit in the beige family, which is useful context if you're narrowing within a single hue direction. At LRV 40 vs 37, Dusted Olive will read as the brighter of the two — a 3-point gap that matters most in north-facing or low-light rooms. They share a warm quality — useful to know if you're layering them in the same space. At ΔE 5.3, the difference is perceptible but not dramatic — the two can work harmoniously in the same space. Below you'll find 10 real-room photo comparisons where both colors appear side by side, plus 5 simulated room previews.
Dusted Olive vs Empire Gold in Real Spaces
10 real rooms side by side. Dusted Olive and Empire Gold are close enough that the difference can be hard to judge from a chip alone — these photos show how each reads at scale, across different spaces and lighting conditions.
Living Room
Living rooms test a color across a full range of conditions — morning sun, afternoon shade, and evening lamp light all shift how both of these read. At this scale, the choice between them becomes clear in a way that a swatch alone can't communicate.
Bedroom
Bedroom walls are often seen under warm artificial light, a context that shifts both colors from how they look on a chip. Side by side like this, the difference is easy to read — which is exactly why seeing them in a real space is more useful than comparing chips.
Kitchen
Kitchen lighting tends to be bright and directional, which sharpens contrast and makes undertone differences more apparent. Side by side like this, the difference is easy to read — which is exactly why seeing them in a real space is more useful than comparing chips.
Dining Room
Dining room light is typically the warmest in the house, which shifts both colors toward the red end of the spectrum compared to daylight. The distinction reads clearly at room scale, making the choice between them concrete.
Bathroom
Bathrooms amplify color — the enclosed space and reflective surfaces make what reads subtle elsewhere feel more present here. Side by side like this, the difference is easy to read — which is exactly why seeing them in a real space is more useful than comparing chips.
Home Office
In a home office, wall color sits in your peripheral vision for hours at a time, so temperature and undertone matter more than you might expect. Side by side like this, the difference is easy to read — which is exactly why seeing them in a real space is more useful than comparing chips.
Mudroom
A mudroom color needs to hold up under the most casual scrutiny: a glance as you're coming and going, often in mixed or artificial light. The distinction reads clearly at room scale, making the choice between them concrete.
Patio
Patio colors are seen under changing outdoor light throughout the day — morning, midday, and golden hour each reveal different qualities. The distinction reads clearly at room scale, making the choice between them concrete.
House
At full exterior scale, the difference between these two colors becomes much easier to judge than from a small chip. Side by side like this, the difference is easy to read — which is exactly why seeing them in a real space is more useful than comparing chips.
Front Door
Front doors are seen in isolation against the rest of the facade, which makes them a high-stakes surface where even subtle differences matter. At this scale, the choice between them becomes clear in a way that a swatch alone can't communicate.
Color Details
Dusted Olive vs Empire Gold Simulated Comparison
5 simulated room previews — drag the slider on each to see Dusted Olive on one side and Empire Gold on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More Dusted Olive comparisons
See how Dusted Olive stacks up against other well-photographed colors across different brands and tones.
At LRV 69 vs 40, Ammonite is decisively the brighter choice.
White Dove reflects far more light (LRV 83 vs 40), opening up a space where Dusted Olive encloses it.
Dusted Olive reflects far more light (LRV 40 vs 6), opening up a space where Iron Ore encloses it.
A 12-point LRV gap (52 vs 40) makes Purbeck Stone the marginally brighter of the two.
A 10-point LRV gap (40 vs 30) makes Dusted Olive the marginally brighter of the two.
Mizzle reads slightly lighter (LRV 52 vs 40), a gap that shows most in low-lit rooms.
At LRV 60 vs 40, Agreeable Gray is decisively the brighter choice.
Accessible Beige reflects far more light (LRV 58 vs 40), opening up a space where Dusted Olive encloses it.
Dusted Olive reflects far more light (LRV 40 vs 27), opening up a space where Denim Drift encloses it.
A 3-point LRV gap (43 vs 40) makes French Gray the marginally brighter of the two.
At LRV 40 vs 4, Dusted Olive is decisively the brighter choice.
Tranquil Dawn reflects far more light (LRV 55 vs 40), opening up a space where Dusted Olive encloses it.
Dusted Olive reflects far more light (LRV 40 vs 13), opening up a space where Bancha encloses it.
Hardwick White reads slightly lighter (LRV 44 vs 40), a gap that shows most in low-lit rooms.
At LRV 84 vs 40, Pure White is decisively the brighter choice.
At LRV 40 vs 21, Dusted Olive is decisively the brighter choice.
Balboa Mist reflects far more light (LRV 66 vs 40), opening up a space where Dusted Olive encloses it.
Shoji White reflects far more light (LRV 74 vs 40), opening up a space where Dusted Olive encloses it.
Snowbound reflects far more light (LRV 83 vs 40), opening up a space where Dusted Olive encloses it.
A 11-point LRV gap (51 vs 40) makes Pigeon the marginally brighter of the two.
Dusted Olive reflects far more light (LRV 40 vs 12), opening up a space where Pewter Green encloses it.
Dusted Olive reflects far more light (LRV 40 vs 8), opening up a space where Duck Green encloses it.
Skimming Stone reflects far more light (LRV 68 vs 40), opening up a space where Dusted Olive encloses it.
Their light reflectance is nearly identical (LRV 41 vs 40), so neither reads brighter in a room.
Dusted Olive reflects far more light (LRV 40 vs 12), opening up a space where Vintage Vogue encloses it.
Saybrook Sage reads slightly lighter (LRV 45 vs 40), a gap that shows most in low-lit rooms.
A 9-point LRV gap (40 vs 31) makes Dusted Olive the marginally brighter of the two.