Earl Grey vs Perle Noir
Both are Sherwin-Williams colors. Both sit in the grey family, which is useful context if you're narrowing within a single hue direction. At LRV 32 vs 8, Earl Grey will read as the brighter of the two — a 24-point gap that matters most in north-facing or low-light rooms. They share a neutral quality — useful to know if you're layering them in the same space. At ΔE 30.6, these are genuinely distinct colors — a strong contrast if used together, or a meaningful choice between two different directions. Below you'll find 3 real-room photo comparisons where both colors appear side by side, plus 5 simulated room previews.
Earl Grey vs Perle Noir in Real Spaces
3 real rooms side by side. Seeing Earl Grey and Perle Noir in actual rooms makes the difference concrete; browse the spaces below to get a feel for how each color lives on a wall.
Bedroom
Bedroom walls are often seen under warm artificial light, a context that shifts both colors from how they look on a chip. The LRV gap is large enough that Earl Grey will make the room feel meaningfully brighter than Perle Noir would.
Bathroom
Bathrooms amplify color — the enclosed space and reflective surfaces make what reads subtle elsewhere feel more present here. The LRV gap is large enough that Earl Grey will make the room feel meaningfully brighter than Perle Noir would.
Front Door
Front doors are seen in isolation against the rest of the facade, which makes them a high-stakes surface where even subtle differences matter. Earl Grey returns significantly more light to the room — in a smaller or darker space, that difference in perceived brightness is hard to miss.
Color Details
Earl Grey vs Perle Noir Simulated Comparison
5 simulated room previews — drag the slider on each to see Earl Grey on one side and Perle Noir on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More Earl Grey comparisons
See how Earl Grey stacks up against other well-photographed colors across different brands and tones.
At LRV 83 vs 32, White Dove is decisively the brighter choice.
Purbeck Stone reflects far more light (LRV 52 vs 32), opening up a space where Earl Grey encloses it.
With LRVs of 32 and 30, the two reflect almost the same amount of light.
Agreeable Gray reflects far more light (LRV 60 vs 32), opening up a space where Earl Grey encloses it.
At LRV 58 vs 32, Accessible Beige is decisively the brighter choice.
A 5-point LRV gap (32 vs 27) makes Earl Grey the marginally brighter of the two.
French Gray reads slightly lighter (LRV 43 vs 32), a gap that shows most in low-lit rooms.
At LRV 55 vs 32, Tranquil Dawn is decisively the brighter choice.
A 12-point LRV gap (44 vs 32) makes Hardwick White the marginally brighter of the two.
Pure White reflects far more light (LRV 84 vs 32), opening up a space where Earl Grey encloses it.
At LRV 66 vs 32, Balboa Mist is decisively the brighter choice.
At LRV 74 vs 32, Shoji White is decisively the brighter choice.
At LRV 32 vs 12, Earl Grey is decisively the brighter choice.
At LRV 68 vs 32, Skimming Stone is decisively the brighter choice.
At LRV 32 vs 12, Earl Grey is decisively the brighter choice.
At LRV 45 vs 32, Saybrook Sage is decisively the brighter choice.
With LRVs of 32 and 31, the two reflect almost the same amount of light.
Earl Grey reflects far more light (LRV 32 vs 7), opening up a space where Pine Needle encloses it.
Earl Grey reads slightly lighter (LRV 32 vs 24), a gap that shows most in low-lit rooms.
Guilford Green reflects far more light (LRV 57 vs 32), opening up a space where Earl Grey encloses it.