Earl Grey vs Rapture Blue
Both are Sherwin-Williams colors. Earl Grey reads as grey, while Rapture Blue reads as blue — two distinct hue families, not close cousins. At LRV 47 vs 32, Rapture Blue will read as the brighter of the two — a 15-point gap that matters most in north-facing or low-light rooms. The tonal difference — Earl Grey's neutral character against Rapture Blue's cool — becomes most visible against white trim or in morning light. At ΔE 24.0, these are genuinely distinct colors — a strong contrast if used together, or a meaningful choice between two different directions. Below you'll find 3 real-room photo comparisons where both colors appear side by side, plus 5 simulated room previews.
Earl Grey vs Rapture Blue in Real Spaces
3 real rooms side by side. Seeing Earl Grey and Rapture Blue in actual rooms makes the difference concrete; browse the spaces below to get a feel for how each color lives on a wall.
Bathroom
Bathrooms amplify color — the enclosed space and reflective surfaces make what reads subtle elsewhere feel more present here. The LRV gap is large enough that Rapture Blue will make the room feel meaningfully brighter than Earl Grey would.
House
At full exterior scale, the difference between these two colors becomes much easier to judge than from a small chip. The LRV gap is large enough that Rapture Blue will make the room feel meaningfully brighter than Earl Grey would.
Front Door
Front doors are seen in isolation against the rest of the facade, which makes them a high-stakes surface where even subtle differences matter. Rapture Blue returns significantly more light to the room — in a smaller or darker space, that difference in perceived brightness is hard to miss.
Color Details
Earl Grey vs Rapture Blue Simulated Comparison
5 simulated room previews — drag the slider on each to see Earl Grey on one side and Rapture Blue on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More Earl Grey comparisons
See how Earl Grey stacks up against other well-photographed colors across different brands and tones.
At LRV 83 vs 32, White Dove is decisively the brighter choice.
Purbeck Stone reflects far more light (LRV 52 vs 32), opening up a space where Earl Grey encloses it.
With LRVs of 32 and 30, the two reflect almost the same amount of light.
Agreeable Gray reflects far more light (LRV 60 vs 32), opening up a space where Earl Grey encloses it.
At LRV 58 vs 32, Accessible Beige is decisively the brighter choice.
A 5-point LRV gap (32 vs 27) makes Earl Grey the marginally brighter of the two.
French Gray reads slightly lighter (LRV 43 vs 32), a gap that shows most in low-lit rooms.
At LRV 55 vs 32, Tranquil Dawn is decisively the brighter choice.
A 12-point LRV gap (44 vs 32) makes Hardwick White the marginally brighter of the two.
Pure White reflects far more light (LRV 84 vs 32), opening up a space where Earl Grey encloses it.
At LRV 66 vs 32, Balboa Mist is decisively the brighter choice.
At LRV 74 vs 32, Shoji White is decisively the brighter choice.
At LRV 32 vs 12, Earl Grey is decisively the brighter choice.
At LRV 68 vs 32, Skimming Stone is decisively the brighter choice.
At LRV 32 vs 12, Earl Grey is decisively the brighter choice.
At LRV 45 vs 32, Saybrook Sage is decisively the brighter choice.
With LRVs of 32 and 31, the two reflect almost the same amount of light.
Earl Grey reflects far more light (LRV 32 vs 7), opening up a space where Pine Needle encloses it.
Earl Grey reads slightly lighter (LRV 32 vs 24), a gap that shows most in low-lit rooms.
Guilford Green reflects far more light (LRV 57 vs 32), opening up a space where Earl Grey encloses it.