Fallen Leaves vs Iron Ore
Both from Sherwin-Williams's palette. Fallen Leaves reads as beige-greige, while Iron Ore reads as grey — two distinct hue families, not close cousins. Fallen Leaves (LRV 19) reflects noticeably more light than Iron Ore (LRV 6), a difference of 14 points that becomes especially apparent in rooms with limited natural light. Fallen Leaves runs warm while Iron Ore is decidedly neutral, which means they'll respond very differently to warm vs cool light sources. With a ΔE of 30.0, the contrast is hard to miss. These aren't variations on a theme — they're two different answers to the same question. Below you'll find 10 real-room photo comparisons where both colors appear side by side, plus 5 simulated room previews.
Fallen Leaves vs Iron Ore in Real Spaces
10 real rooms side by side. Seeing Fallen Leaves and Iron Ore in actual rooms makes the difference concrete; browse the spaces below to get a feel for how each color lives on a wall.
Living Room
In a living room, color works across both daylight and evening light — the same wall can read very differently at noon and at 8pm. The LRV gap is large enough that Fallen Leaves will make the room feel meaningfully brighter than Iron Ore would.
Bedroom
The context that matters most in a bedroom is how a color reads under a bedside lamp at night, not under noon daylight. Fallen Leaves reflects noticeably more light off the walls, making the space read more open than Iron Ore.
Kitchen
In a kitchen, colors are seen under bright task lighting that amplifies undertones — what reads neutral elsewhere can show its hand here. Fallen Leaves reflects noticeably more light off the walls, making the space read more open than Iron Ore.
Dining Room
A dining room lit by a dimmed pendant or candles is one of the most forgiving environments for paint — warm light softens almost everything. Fallen Leaves returns significantly more light to the room — in a smaller or darker space, that difference in perceived brightness is hard to miss.
Bathroom
Bathrooms are one of the few spaces where you're genuinely enclosed by the paint color, which makes the choice between these two more consequential. Fallen Leaves reflects noticeably more light off the walls, making the space read more open than Iron Ore.
Home Office
The test for a home office color isn't how it looks in a quick glance — it's whether it still feels right after a full day of work. Fallen Leaves reflects noticeably more light off the walls, making the space read more open than Iron Ore.
Mudroom
Mudrooms are seen in passing, often under whatever light comes through the door — a context that favors colors with some depth. Fallen Leaves returns significantly more light to the room — in a smaller or darker space, that difference in perceived brightness is hard to miss.
Patio
Outside, paint color competes with sky, landscaping, and direct sun — all of which shift how both of these read compared to an indoor chip. Fallen Leaves returns significantly more light to the room — in a smaller or darker space, that difference in perceived brightness is hard to miss.
House
Seen across an entire facade, subtle tonal differences become pronounced. What reads as nearly the same on a chip often reads as clearly different at scale. Fallen Leaves reflects noticeably more light off the walls, making the space read more open than Iron Ore.
Front Door
A front door is a focal point — small color differences read clearly at this concentrated scale. The LRV gap is large enough that Fallen Leaves will make the room feel meaningfully brighter than Iron Ore would.
Color Details
Fallen Leaves vs Iron Ore Simulated Comparison
5 simulated room previews — drag the slider on each to see Fallen Leaves on one side and Iron Ore on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More Fallen Leaves comparisons
See how Fallen Leaves stacks up against other well-photographed colors across different brands and tones.
White Dove reflects far more light (LRV 83 vs 19), opening up a space where Fallen Leaves encloses it.
At LRV 69 vs 19, Ammonite is decisively the brighter choice.
At LRV 52 vs 19, Purbeck Stone is decisively the brighter choice.
A 11-point LRV gap (30 vs 19) makes Evergreen Fog the marginally brighter of the two.
Mizzle reflects far more light (LRV 52 vs 19), opening up a space where Fallen Leaves encloses it.
At LRV 60 vs 19, Agreeable Gray is decisively the brighter choice.
Accessible Beige reflects far more light (LRV 58 vs 19), opening up a space where Fallen Leaves encloses it.
Denim Drift reads slightly lighter (LRV 27 vs 19), a gap that shows most in low-lit rooms.
At LRV 43 vs 19, French Gray is decisively the brighter choice.
At LRV 19 vs 4, Fallen Leaves is decisively the brighter choice.
Tranquil Dawn reflects far more light (LRV 55 vs 19), opening up a space where Fallen Leaves encloses it.
Fallen Leaves reads slightly lighter (LRV 19 vs 13), a gap that shows most in low-lit rooms.
Hardwick White reflects far more light (LRV 44 vs 19), opening up a space where Fallen Leaves encloses it.
At LRV 84 vs 19, Pure White is decisively the brighter choice.
Their light reflectance is nearly identical (LRV 21 vs 19), so neither reads brighter in a room.
Balboa Mist reflects far more light (LRV 66 vs 19), opening up a space where Fallen Leaves encloses it.
Shoji White reflects far more light (LRV 74 vs 19), opening up a space where Fallen Leaves encloses it.
Snowbound reflects far more light (LRV 83 vs 19), opening up a space where Fallen Leaves encloses it.
Fallen Leaves reads slightly lighter (LRV 19 vs 12), a gap that shows most in low-lit rooms.
Skimming Stone reflects far more light (LRV 68 vs 19), opening up a space where Fallen Leaves encloses it.
At LRV 41 vs 19, Dix Blue is decisively the brighter choice.
At LRV 68 vs 19, Calamine is decisively the brighter choice.
A 5-point LRV gap (25 vs 19) makes Treron the marginally brighter of the two.
Fallen Leaves reads slightly lighter (LRV 19 vs 12), a gap that shows most in low-lit rooms.
Saybrook Sage reflects far more light (LRV 45 vs 19), opening up a space where Fallen Leaves encloses it.
A 12-point LRV gap (31 vs 19) makes Pale Green the marginally brighter of the two.
At LRV 19 vs 7, Fallen Leaves is decisively the brighter choice.
A 5-point LRV gap (24 vs 19) makes Cement grey the marginally brighter of the two.
At LRV 57 vs 19, Guilford Green is decisively the brighter choice.
At LRV 72 vs 19, Just Walnut is decisively the brighter choice.