Fallen Leaves vs Sea Mariner paint color comparison

Fallen Leaves vs Sea Mariner

Fallen Leaves and Sea Mariner come from the same Sherwin-Williams collection. Fallen Leaves reads as beige-greige, while Sea Mariner reads as blue-grey — two distinct hue families, not close cousins. The 13-point LRV gap — 19 for Fallen Leaves vs 7 for Sea Mariner — means Fallen Leaves will open up a space more effectively. Where Fallen Leaves leans warm, Sea Mariner reads cool — a distinction that shifts noticeably depending on the light source and surrounding finishes. A ΔE of 33.8 puts these firmly in different territory — two distinct design choices rather than close alternatives. Below you'll find 1 real-room photo comparison where both colors appear side by side, plus 5 simulated room previews.

Fallen Leaves vs Sea Mariner in Real Spaces

1 real room side by side. Seeing Fallen Leaves and Sea Mariner in actual rooms makes the difference concrete; browse the spaces below to get a feel for how each color lives on a wall.

Mudroom

In a hardworking space like a mudroom, the depth and warmth of a color reads differently than in a quieter room. The LRV gap is large enough that Fallen Leaves will make the room feel meaningfully brighter than Sea Mariner would.

Fallen LeavesFallen Leaves paint in a industrial mudroom

@mybudgetrecipes

Sea MarinerSherwin Williams Sea Mariner Laundry Room

@dutchhausfurniture

Color Details

Fallen Leaves
Sherwin-Williams · 9114
LRV19.5
BrandSherwin-Williams
Number9114
Undertone
TemperatureWarm
BrightnessMedium
Sea Mariner
Sherwin-Williams · 9640
LRV6.7
BrandSherwin-Williams
Number9640
Undertone
TemperatureCool
BrightnessDark

Fallen Leaves vs Sea Mariner Simulated Comparison

5 simulated room previews — drag the slider on each to see Fallen Leaves on one side and Sea Mariner on the other.

Bathroom
Bedroom
House
Kitchen Cabinets
Living Room

Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.

More Fallen Leaves comparisons

See how Fallen Leaves stacks up against other well-photographed colors across different brands and tones.

Ammonite
Fallen Leaves
Ammonite
Fallen Leaves
Farrow & Ball
Ammonite
LRV 69
Sherwin-Williams
Fallen Leaves
9114 · LRV 19

At LRV 69 vs 19, Ammonite is decisively the brighter choice.

White Dove
Fallen Leaves
White Dove
Fallen Leaves
Sherwin-Williams
Fallen Leaves
9114 · LRV 19

White Dove reflects far more light (LRV 83 vs 19), opening up a space where Fallen Leaves encloses it.

Fallen Leaves
Iron Ore
Fallen Leaves
Iron Ore
Sherwin-Williams
Fallen Leaves
9114 · LRV 19

Fallen Leaves reflects far more light (LRV 19 vs 6), opening up a space where Iron Ore encloses it.

Purbeck Stone
Fallen Leaves
Purbeck Stone
Fallen Leaves
Sherwin-Williams
Fallen Leaves
9114 · LRV 19

At LRV 52 vs 19, Purbeck Stone is decisively the brighter choice.

Evergreen Fog
Fallen Leaves
Evergreen Fog
Fallen Leaves
Sherwin-Williams
Fallen Leaves
9114 · LRV 19

A 11-point LRV gap (30 vs 19) makes Evergreen Fog the marginally brighter of the two.

Mizzle
Fallen Leaves
Mizzle
Fallen Leaves
Farrow & Ball
Mizzle
LRV 52
Sherwin-Williams
Fallen Leaves
9114 · LRV 19

Mizzle reflects far more light (LRV 52 vs 19), opening up a space where Fallen Leaves encloses it.

Agreeable Gray
Fallen Leaves
Agreeable Gray
Fallen Leaves
Sherwin-Williams
Fallen Leaves
9114 · LRV 19

At LRV 60 vs 19, Agreeable Gray is decisively the brighter choice.

Accessible Beige
Fallen Leaves
Accessible Beige
Fallen Leaves
Sherwin-Williams
Fallen Leaves
9114 · LRV 19

Accessible Beige reflects far more light (LRV 58 vs 19), opening up a space where Fallen Leaves encloses it.

Denim Drift
Fallen Leaves
Denim Drift
Fallen Leaves
Sherwin-Williams
Fallen Leaves
9114 · LRV 19

Denim Drift reads slightly lighter (LRV 27 vs 19), a gap that shows most in low-lit rooms.

French Gray
Fallen Leaves
French Gray
Fallen Leaves
Sherwin-Williams
Fallen Leaves
9114 · LRV 19

At LRV 43 vs 19, French Gray is decisively the brighter choice.

Fallen Leaves
Naval
Fallen Leaves
Naval
Sherwin-Williams
Fallen Leaves
9114 · LRV 19
Sherwin-Williams
Naval
LRV 4

At LRV 19 vs 4, Fallen Leaves is decisively the brighter choice.

Tranquil Dawn
Fallen Leaves
Tranquil Dawn
Fallen Leaves
Sherwin-Williams
Fallen Leaves
9114 · LRV 19

Tranquil Dawn reflects far more light (LRV 55 vs 19), opening up a space where Fallen Leaves encloses it.

Bancha
Fallen Leaves
Bancha
Fallen Leaves
Farrow & Ball
Bancha
LRV 13
Sherwin-Williams
Fallen Leaves
9114 · LRV 19

Fallen Leaves reads slightly lighter (LRV 19 vs 13), a gap that shows most in low-lit rooms.

Hardwick White
Fallen Leaves
Hardwick White
Fallen Leaves
Sherwin-Williams
Fallen Leaves
9114 · LRV 19

Hardwick White reflects far more light (LRV 44 vs 19), opening up a space where Fallen Leaves encloses it.

Fallen Leaves
Pure White
Fallen Leaves
Pure White
Sherwin-Williams
Fallen Leaves
9114 · LRV 19

At LRV 84 vs 19, Pure White is decisively the brighter choice.

Artichoke
Fallen Leaves
Artichoke
Fallen Leaves
Sherwin-Williams
Artichoke
LRV 21
Sherwin-Williams
Fallen Leaves
9114 · LRV 19

Their light reflectance is nearly identical (LRV 21 vs 19), so neither reads brighter in a room.

Balboa Mist
Fallen Leaves
Balboa Mist
Fallen Leaves
Sherwin-Williams
Fallen Leaves
9114 · LRV 19

Balboa Mist reflects far more light (LRV 66 vs 19), opening up a space where Fallen Leaves encloses it.

Fallen Leaves
Shoji White
Fallen Leaves
Shoji White
Sherwin-Williams
Fallen Leaves
9114 · LRV 19

Shoji White reflects far more light (LRV 74 vs 19), opening up a space where Fallen Leaves encloses it.

Fallen Leaves
Snowbound
Fallen Leaves
Snowbound
Sherwin-Williams
Fallen Leaves
9114 · LRV 19
Sherwin-Williams
Snowbound
LRV 83

Snowbound reflects far more light (LRV 83 vs 19), opening up a space where Fallen Leaves encloses it.

Pigeon
Fallen Leaves
Pigeon
Fallen Leaves
Farrow & Ball
Pigeon
LRV 51
Sherwin-Williams
Fallen Leaves
9114 · LRV 19

At LRV 51 vs 19, Pigeon is decisively the brighter choice.

Fallen Leaves
Pewter Green
Fallen Leaves
Pewter Green
Sherwin-Williams
Fallen Leaves
9114 · LRV 19

Fallen Leaves reads slightly lighter (LRV 19 vs 12), a gap that shows most in low-lit rooms.

Duck Green
Fallen Leaves
Duck Green
Fallen Leaves
Sherwin-Williams
Fallen Leaves
9114 · LRV 19

Fallen Leaves reads slightly lighter (LRV 19 vs 8), a gap that shows most in low-lit rooms.

Skimming Stone
Fallen Leaves
Skimming Stone
Fallen Leaves
Sherwin-Williams
Fallen Leaves
9114 · LRV 19

Skimming Stone reflects far more light (LRV 68 vs 19), opening up a space where Fallen Leaves encloses it.

Dix Blue
Fallen Leaves
Dix Blue
Fallen Leaves
Farrow & Ball
Dix Blue
LRV 41
Sherwin-Williams
Fallen Leaves
9114 · LRV 19

At LRV 41 vs 19, Dix Blue is decisively the brighter choice.

Hicks' Blue
Fallen Leaves
Hicks' Blue
Fallen Leaves
Sherwin-Williams
Fallen Leaves
9114 · LRV 19

Hicks' Blue vs Fallen Leaves

Slaked Lime Deep
Fallen Leaves
Slaked Lime Deep
Fallen Leaves

Slaked Lime Deep vs Fallen Leaves

Vintage Vogue
Fallen Leaves
Vintage Vogue
Fallen Leaves
Sherwin-Williams
Fallen Leaves
9114 · LRV 19

Fallen Leaves reads slightly lighter (LRV 19 vs 12), a gap that shows most in low-lit rooms.

Livid
Fallen Leaves
Livid
Fallen Leaves
Sherwin-Williams
Fallen Leaves
9114 · LRV 19

Livid vs Fallen Leaves

Saybrook Sage
Fallen Leaves
Saybrook Sage
Fallen Leaves
Sherwin-Williams
Fallen Leaves
9114 · LRV 19

Saybrook Sage reflects far more light (LRV 45 vs 19), opening up a space where Fallen Leaves encloses it.

Pale Green
Fallen Leaves
Pale Green
Fallen Leaves
RAL ClassicClassic
Pale Green
LRV 31
Sherwin-Williams
Fallen Leaves
9114 · LRV 19

A 12-point LRV gap (31 vs 19) makes Pale Green the marginally brighter of the two.