
Fiery Brown vs Roycroft Adobe
Both from Sherwin-Williams's palette. These are both pink-reds, so the question isn't which hue to choose — it's where within pink-red to land. Roycroft Adobe (LRV 18) reflects noticeably more light than Fiery Brown (LRV 5), a difference of 12 points that becomes especially apparent in rooms with limited natural light. Both lean warm, so they'll behave similarly in mixed or changing light conditions. With a ΔE of 25.8, the contrast is hard to miss. These aren't variations on a theme — they're two different answers to the same question. Below you'll find 1 real-room photo comparison where both colors appear side by side, plus 5 simulated room previews.
Fiery Brown vs Roycroft Adobe in Real Spaces
1 real room side by side. Seeing Fiery Brown and Roycroft Adobe in actual rooms makes the difference concrete; browse the spaces below to get a feel for how each color lives on a wall.
Bathroom
Bathrooms are one of the few spaces where you're genuinely enclosed by the paint color, which makes the choice between these two more consequential. Roycroft Adobe reflects noticeably more light off the walls, making the space read more open than Fiery Brown.
Color Details
Fiery Brown vs Roycroft Adobe Simulated Comparison
5 simulated room previews — drag the slider on each to see Fiery Brown on one side and Roycroft Adobe on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More Fiery Brown comparisons
See how Fiery Brown stacks up against other well-photographed colors across different brands and tones.


Ammonite reflects far more light (LRV 69 vs 5), opening up a space where Fiery Brown encloses it.


At LRV 83 vs 5, White Dove is decisively the brighter choice.


Their light reflectance is nearly identical (LRV 6 vs 5), so neither reads brighter in a room.


Purbeck Stone reflects far more light (LRV 52 vs 5), opening up a space where Fiery Brown encloses it.


Evergreen Fog reflects far more light (LRV 30 vs 5), opening up a space where Fiery Brown encloses it.


At LRV 52 vs 5, Mizzle is decisively the brighter choice.


Agreeable Gray reflects far more light (LRV 60 vs 5), opening up a space where Fiery Brown encloses it.


At LRV 58 vs 5, Accessible Beige is decisively the brighter choice.


At LRV 27 vs 5, Denim Drift is decisively the brighter choice.


French Gray reflects far more light (LRV 43 vs 5), opening up a space where Fiery Brown encloses it.


With LRVs of 5 and 4, the two reflect almost the same amount of light.


At LRV 55 vs 5, Tranquil Dawn is decisively the brighter choice.


A 8-point LRV gap (13 vs 5) makes Bancha the marginally brighter of the two.


At LRV 44 vs 5, Hardwick White is decisively the brighter choice.


Pure White reflects far more light (LRV 84 vs 5), opening up a space where Fiery Brown encloses it.


Artichoke reflects far more light (LRV 21 vs 5), opening up a space where Fiery Brown encloses it.


At LRV 66 vs 5, Balboa Mist is decisively the brighter choice.


At LRV 74 vs 5, Shoji White is decisively the brighter choice.


At LRV 83 vs 5, Snowbound is decisively the brighter choice.


Pigeon reflects far more light (LRV 51 vs 5), opening up a space where Fiery Brown encloses it.


A 6-point LRV gap (12 vs 5) makes Pewter Green the marginally brighter of the two.


Their light reflectance is nearly identical (LRV 8 vs 5), so neither reads brighter in a room.


At LRV 68 vs 5, Skimming Stone is decisively the brighter choice.


Dix Blue reflects far more light (LRV 41 vs 5), opening up a space where Fiery Brown encloses it.


A 6-point LRV gap (12 vs 5) makes Vintage Vogue the marginally brighter of the two.


At LRV 45 vs 5, Saybrook Sage is decisively the brighter choice.


Pale Green reflects far more light (LRV 31 vs 5), opening up a space where Fiery Brown encloses it.















