Frostwork vs Opaline
Both are Sherwin-Williams colors. Both sit in the green-grey family, which is useful context if you're narrowing within a single hue direction. At LRV 73 vs 62, Opaline will read as the brighter of the two — a 11-point gap that matters most in north-facing or low-light rooms. They share a neutral quality — useful to know if you're layering them in the same space. At ΔE 6.5, the difference is perceptible but not dramatic — the two can work harmoniously in the same space. Below you'll find 2 real-room photo comparisons where both colors appear side by side, plus 5 simulated room previews.
Frostwork vs Opaline in Real Spaces
2 real rooms side by side. Frostwork and Opaline are close enough that the difference can be hard to judge from a chip alone — these photos show how each reads at scale, across different spaces and lighting conditions.
Living Room
Living rooms test a color across a full range of conditions — morning sun, afternoon shade, and evening lamp light all shift how both of these read. Opaline returns significantly more light to the room — in a smaller or darker space, that difference in perceived brightness is hard to miss.
Color Details
Frostwork vs Opaline Simulated Comparison
5 simulated room previews — drag the slider on each to see Frostwork on one side and Opaline on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More Frostwork comparisons
See how Frostwork stacks up against other well-photographed colors across different brands and tones.
White Dove reflects far more light (LRV 83 vs 62), opening up a space where Frostwork encloses it.
A 10-point LRV gap (62 vs 52) makes Frostwork the marginally brighter of the two.
At LRV 62 vs 30, Frostwork is decisively the brighter choice.
Their light reflectance is nearly identical (LRV 62 vs 60), so neither reads brighter in a room.
Frostwork reads slightly lighter (LRV 62 vs 58), a gap that shows most in low-lit rooms.
Frostwork reflects far more light (LRV 62 vs 27), opening up a space where Denim Drift encloses it.
At LRV 62 vs 43, Frostwork is decisively the brighter choice.
Frostwork reads slightly lighter (LRV 62 vs 55), a gap that shows most in low-lit rooms.
Frostwork reflects far more light (LRV 62 vs 44), opening up a space where Hardwick White encloses it.
At LRV 84 vs 62, Pure White is decisively the brighter choice.
Balboa Mist reads slightly lighter (LRV 66 vs 62), a gap that shows most in low-lit rooms.
Shoji White reflects far more light (LRV 74 vs 62), opening up a space where Frostwork encloses it.
Frostwork reflects far more light (LRV 62 vs 12), opening up a space where Pewter Green encloses it.
Skimming Stone reads slightly lighter (LRV 68 vs 62), a gap that shows most in low-lit rooms.
Frostwork reflects far more light (LRV 62 vs 12), opening up a space where Vintage Vogue encloses it.
Frostwork reflects far more light (LRV 62 vs 45), opening up a space where Saybrook Sage encloses it.
At LRV 62 vs 31, Frostwork is decisively the brighter choice.
At LRV 62 vs 7, Frostwork is decisively the brighter choice.
At LRV 62 vs 24, Frostwork is decisively the brighter choice.
A 4-point LRV gap (62 vs 57) makes Frostwork the marginally brighter of the two.