
Gray Screen vs Secret Cove
Both from Sherwin-Williams's palette. Gray Screen reads as grey, while Secret Cove reads as blue — two distinct hue families, not close cousins. Gray Screen (LRV 59) reflects noticeably more light than Secret Cove (LRV 25), a difference of 33 points that becomes especially apparent in rooms with limited natural light. Gray Screen runs neutral while Secret Cove is decidedly cool, which means they'll respond very differently to warm vs cool light sources. With a ΔE of 27.5, the contrast is hard to miss. These aren't variations on a theme — they're two different answers to the same question. Below you'll find 1 real-room photo comparison where both colors appear side by side, plus 5 simulated room previews.
Gray Screen vs Secret Cove in Real Spaces
1 real room side by side. Seeing Gray Screen and Secret Cove in actual rooms makes the difference concrete; browse the spaces below to get a feel for how each color lives on a wall.
Kitchen Cabinets
Kitchen cabinets are constantly compared against adjacent materials, which means subtle differences between these two become much more visible. Gray Screen reflects noticeably more light off the walls, making the space read more open than Secret Cove.
Color Details
Gray Screen vs Secret Cove Simulated Comparison
5 simulated room previews — drag the slider on each to see Gray Screen on one side and Secret Cove on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More Gray Screen comparisons
See how Gray Screen stacks up against other well-photographed colors across different brands and tones.


Ammonite reads slightly lighter (LRV 69 vs 59), a gap that shows most in low-lit rooms.


At LRV 83 vs 59, White Dove is decisively the brighter choice.


At LRV 59 vs 6, Gray Screen is decisively the brighter choice.


Gray Screen reads slightly lighter (LRV 59 vs 52), a gap that shows most in low-lit rooms.


Gray Screen reflects far more light (LRV 59 vs 30), opening up a space where Evergreen Fog encloses it.


A 7-point LRV gap (59 vs 52) makes Gray Screen the marginally brighter of the two.


With LRVs of 60 and 59, the two reflect almost the same amount of light.


Their light reflectance is nearly identical (LRV 59 vs 58), so neither reads brighter in a room.


At LRV 59 vs 27, Gray Screen is decisively the brighter choice.


Gray Screen reflects far more light (LRV 59 vs 43), opening up a space where French Gray encloses it.


Gray Screen reflects far more light (LRV 59 vs 4), opening up a space where Naval encloses it.


A 4-point LRV gap (59 vs 55) makes Gray Screen the marginally brighter of the two.


At LRV 59 vs 13, Gray Screen is decisively the brighter choice.


At LRV 59 vs 44, Gray Screen is decisively the brighter choice.


Pure White reflects far more light (LRV 84 vs 59), opening up a space where Gray Screen encloses it.


Gray Screen reflects far more light (LRV 59 vs 21), opening up a space where Artichoke encloses it.


A 7-point LRV gap (66 vs 59) makes Balboa Mist the marginally brighter of the two.


At LRV 74 vs 59, Shoji White is decisively the brighter choice.


At LRV 83 vs 59, Snowbound is decisively the brighter choice.


Gray Screen reads slightly lighter (LRV 59 vs 51), a gap that shows most in low-lit rooms.


At LRV 59 vs 12, Gray Screen is decisively the brighter choice.


At LRV 59 vs 8, Gray Screen is decisively the brighter choice.


A 10-point LRV gap (68 vs 59) makes Skimming Stone the marginally brighter of the two.


Gray Screen reflects far more light (LRV 59 vs 41), opening up a space where Dix Blue encloses it.


At LRV 59 vs 12, Gray Screen is decisively the brighter choice.


At LRV 59 vs 45, Gray Screen is decisively the brighter choice.


Gray Screen reflects far more light (LRV 59 vs 31), opening up a space where Pale Green encloses it.















