Greens vs In The Pink
Both from Sherwin-Williams's palette. Greens reads as green, while In The Pink reads as pink-red — two distinct hue families, not close cousins. In The Pink (LRV 59) reflects noticeably more light than Greens (LRV 10), a difference of 49 points that becomes especially apparent in rooms with limited natural light. Greens runs cool while In The Pink is decidedly warm, which means they'll respond very differently to warm vs cool light sources. With a ΔE of 71.6, the contrast is hard to miss. These aren't variations on a theme — they're two different answers to the same question. Below you'll find 10 real-room photo comparisons where both colors appear side by side, plus 5 simulated room previews.
Greens vs In The Pink in Real Spaces
10 real rooms side by side. Seeing Greens and In The Pink in actual rooms makes the difference concrete; browse the spaces below to get a feel for how each color lives on a wall.
Living Room
In a living room, color works across both daylight and evening light — the same wall can read very differently at noon and at 8pm. The LRV gap is large enough that In The Pink will make the room feel meaningfully brighter than Greens would.
Bedroom
The context that matters most in a bedroom is how a color reads under a bedside lamp at night, not under noon daylight. In The Pink reflects noticeably more light off the walls, making the space read more open than Greens.
Kitchen
In a kitchen, colors are seen under bright task lighting that amplifies undertones — what reads neutral elsewhere can show its hand here. In The Pink reflects noticeably more light off the walls, making the space read more open than Greens.
Dining Room
A dining room lit by a dimmed pendant or candles is one of the most forgiving environments for paint — warm light softens almost everything. In The Pink returns significantly more light to the room — in a smaller or darker space, that difference in perceived brightness is hard to miss.
Bathroom
Bathrooms are one of the few spaces where you're genuinely enclosed by the paint color, which makes the choice between these two more consequential. In The Pink reflects noticeably more light off the walls, making the space read more open than Greens.
Home Office
The test for a home office color isn't how it looks in a quick glance — it's whether it still feels right after a full day of work. In The Pink reflects noticeably more light off the walls, making the space read more open than Greens.
Mudroom
Mudrooms are seen in passing, often under whatever light comes through the door — a context that favors colors with some depth. In The Pink returns significantly more light to the room — in a smaller or darker space, that difference in perceived brightness is hard to miss.
Patio
Outside, paint color competes with sky, landscaping, and direct sun — all of which shift how both of these read compared to an indoor chip. In The Pink returns significantly more light to the room — in a smaller or darker space, that difference in perceived brightness is hard to miss.
House
Seen across an entire facade, subtle tonal differences become pronounced. What reads as nearly the same on a chip often reads as clearly different at scale. In The Pink reflects noticeably more light off the walls, making the space read more open than Greens.
Front Door
A front door is a focal point — small color differences read clearly at this concentrated scale. The LRV gap is large enough that In The Pink will make the room feel meaningfully brighter than Greens would.
Color Details
Greens vs In The Pink Simulated Comparison
5 simulated room previews — drag the slider on each to see Greens on one side and In The Pink on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More Greens comparisons
See how Greens stacks up against other well-photographed colors across different brands and tones.
At LRV 83 vs 10, White Dove is decisively the brighter choice.
Purbeck Stone reflects far more light (LRV 52 vs 10), opening up a space where Greens encloses it.
Evergreen Fog reflects far more light (LRV 30 vs 10), opening up a space where Greens encloses it.
Agreeable Gray reflects far more light (LRV 60 vs 10), opening up a space where Greens encloses it.
At LRV 58 vs 10, Accessible Beige is decisively the brighter choice.
At LRV 27 vs 10, Denim Drift is decisively the brighter choice.
French Gray reflects far more light (LRV 43 vs 10), opening up a space where Greens encloses it.
At LRV 55 vs 10, Tranquil Dawn is decisively the brighter choice.
At LRV 44 vs 10, Hardwick White is decisively the brighter choice.
Pure White reflects far more light (LRV 84 vs 10), opening up a space where Greens encloses it.
At LRV 66 vs 10, Balboa Mist is decisively the brighter choice.
At LRV 74 vs 10, Shoji White is decisively the brighter choice.
Their light reflectance is nearly identical (LRV 12 vs 10), so neither reads brighter in a room.
At LRV 68 vs 10, Skimming Stone is decisively the brighter choice.
Their light reflectance is nearly identical (LRV 12 vs 10), so neither reads brighter in a room.
At LRV 45 vs 10, Saybrook Sage is decisively the brighter choice.
Pale Green reflects far more light (LRV 31 vs 10), opening up a space where Greens encloses it.
Greens reads slightly lighter (LRV 10 vs 7), a gap that shows most in low-lit rooms.
Cement grey reflects far more light (LRV 24 vs 10), opening up a space where Greens encloses it.
Guilford Green reflects far more light (LRV 57 vs 10), opening up a space where Greens encloses it.