Iron Ore vs Roycroft Adobe
Both from Sherwin-Williams's palette. Iron Ore reads as grey, while Roycroft Adobe reads as pink-red — two distinct hue families, not close cousins. Roycroft Adobe (LRV 18) reflects noticeably more light than Iron Ore (LRV 6), a difference of 12 points that becomes especially apparent in rooms with limited natural light. Iron Ore runs neutral while Roycroft Adobe is decidedly warm, which means they'll respond very differently to warm vs cool light sources. With a ΔE of 39.3, the contrast is hard to miss. These aren't variations on a theme — they're two different answers to the same question. Below you'll find 1 real-room photo comparison where both colors appear side by side, plus 5 simulated room previews.
Iron Ore vs Roycroft Adobe in Real Spaces
1 real room side by side. Seeing Iron Ore and Roycroft Adobe in actual rooms makes the difference concrete; browse the spaces below to get a feel for how each color lives on a wall.
Bathroom
Bathrooms are one of the few spaces where you're genuinely enclosed by the paint color, which makes the choice between these two more consequential. Roycroft Adobe reflects noticeably more light off the walls, making the space read more open than Iron Ore.
Color Details
Iron Ore vs Roycroft Adobe Simulated Comparison
5 simulated room previews — drag the slider on each to see Iron Ore on one side and Roycroft Adobe on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More Iron Ore comparisons
See how Iron Ore stacks up against other well-photographed colors across different brands and tones.
White Dove reflects far more light (LRV 83 vs 6), opening up a space where Iron Ore encloses it.
At LRV 52 vs 6, Purbeck Stone is decisively the brighter choice.
At LRV 30 vs 6, Evergreen Fog is decisively the brighter choice.
At LRV 60 vs 6, Agreeable Gray is decisively the brighter choice.
Accessible Beige reflects far more light (LRV 58 vs 6), opening up a space where Iron Ore encloses it.
Denim Drift reflects far more light (LRV 27 vs 6), opening up a space where Iron Ore encloses it.
At LRV 43 vs 6, French Gray is decisively the brighter choice.
Tranquil Dawn reflects far more light (LRV 55 vs 6), opening up a space where Iron Ore encloses it.
Hardwick White reflects far more light (LRV 44 vs 6), opening up a space where Iron Ore encloses it.
At LRV 84 vs 6, Pure White is decisively the brighter choice.
Balboa Mist reflects far more light (LRV 66 vs 6), opening up a space where Iron Ore encloses it.
Shoji White reflects far more light (LRV 74 vs 6), opening up a space where Iron Ore encloses it.
Pewter Green reads slightly lighter (LRV 12 vs 6), a gap that shows most in low-lit rooms.
With LRVs of 8 and 6, the two reflect almost the same amount of light.
Skimming Stone reflects far more light (LRV 68 vs 6), opening up a space where Iron Ore encloses it.
Vintage Vogue reads slightly lighter (LRV 12 vs 6), a gap that shows most in low-lit rooms.
Saybrook Sage reflects far more light (LRV 45 vs 6), opening up a space where Iron Ore encloses it.
At LRV 31 vs 6, Pale Green is decisively the brighter choice.
Their light reflectance is nearly identical (LRV 7 vs 6), so neither reads brighter in a room.