June Day vs They call it Mellow
June Day and They call it Mellow come from the same Sherwin-Williams collection. These are both beiges, so the question isn't which hue to choose — it's where within beige to land. The 16-point LRV gap — 79 for They call it Mellow vs 63 for June Day — means They call it Mellow will open up a space more effectively. Both share a warm character, which means they'll respond to light and surrounding materials in similar ways. A ΔE of 23.8 puts these firmly in different territory — two distinct design choices rather than close alternatives. Below you'll find 3 real-room photo comparisons where both colors appear side by side, plus 5 simulated room previews.
June Day vs They call it Mellow in Real Spaces
3 real rooms side by side. Seeing June Day and They call it Mellow in actual rooms makes the difference concrete; browse the spaces below to get a feel for how each color lives on a wall.
Kitchen
Kitchens often have the harshest, most revealing light in the house — under-cabinet LEDs and overhead fixtures that strip away subtlety. They call it Mellow returns significantly more light to the room — in a smaller or darker space, that difference in perceived brightness is hard to miss.
Dining Room
Dining rooms often rely on warm incandescent or candlelight, which flatters warm undertones and mutes cool ones. The LRV gap is large enough that They call it Mellow will make the room feel meaningfully brighter than June Day would.
House
A full exterior is the most demanding test for a paint color — scale and outdoor light both amplify differences that seem small on a swatch. They call it Mellow returns significantly more light to the room — in a smaller or darker space, that difference in perceived brightness is hard to miss.
Color Details
June Day vs They call it Mellow Simulated Comparison
5 simulated room previews — drag the slider on each to see June Day on one side and They call it Mellow on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More June Day comparisons
See how June Day stacks up against other well-photographed colors across different brands and tones.
White Dove reflects far more light (LRV 83 vs 63), opening up a space where June Day encloses it.
A 11-point LRV gap (63 vs 52) makes June Day the marginally brighter of the two.
At LRV 63 vs 30, June Day is decisively the brighter choice.
Their light reflectance is nearly identical (LRV 63 vs 60), so neither reads brighter in a room.
June Day reads slightly lighter (LRV 63 vs 58), a gap that shows most in low-lit rooms.
June Day reflects far more light (LRV 63 vs 27), opening up a space where Denim Drift encloses it.
At LRV 63 vs 43, June Day is decisively the brighter choice.
June Day reads slightly lighter (LRV 63 vs 55), a gap that shows most in low-lit rooms.
June Day reflects far more light (LRV 63 vs 44), opening up a space where Hardwick White encloses it.
At LRV 84 vs 63, Pure White is decisively the brighter choice.
With LRVs of 66 and 63, the two reflect almost the same amount of light.
Shoji White reads slightly lighter (LRV 74 vs 63), a gap that shows most in low-lit rooms.
June Day reflects far more light (LRV 63 vs 12), opening up a space where Pewter Green encloses it.
Skimming Stone reads slightly lighter (LRV 68 vs 63), a gap that shows most in low-lit rooms.
June Day reflects far more light (LRV 63 vs 12), opening up a space where Vintage Vogue encloses it.
June Day reflects far more light (LRV 63 vs 45), opening up a space where Saybrook Sage encloses it.
At LRV 63 vs 31, June Day is decisively the brighter choice.
At LRV 63 vs 7, June Day is decisively the brighter choice.
At LRV 63 vs 24, June Day is decisively the brighter choice.
A 6-point LRV gap (63 vs 57) makes June Day the marginally brighter of the two.