
Jute Brown vs Wheat Penny
Both from Sherwin-Williams's palette. These are both beiges, so the question isn't which hue to choose — it's where within beige to land. Wheat Penny (LRV 18) reflects noticeably more light than Jute Brown (LRV 13), a difference of 5 points that becomes especially apparent in rooms with limited natural light. Both lean warm, so they'll behave similarly in mixed or changing light conditions. The ΔE 7.7 gap is real but not dramatic — close enough to use together, distinct enough to matter as a choice. Below you'll find 3 real-room photo comparisons where both colors appear side by side, plus 5 simulated room previews.
Jute Brown vs Wheat Penny in Real Spaces
3 real rooms side by side. Jute Brown and Wheat Penny are close enough that the difference can be hard to judge from a chip alone — these photos show how each reads at scale, across different spaces and lighting conditions.
Living Room
In a living room, color works across both daylight and evening light — the same wall can read very differently at noon and at 8pm. The brightness difference is modest but present — Wheat Penny gives the walls a little more lift.
House
Seen across an entire facade, subtle tonal differences become pronounced. What reads as nearly the same on a chip often reads as clearly different at scale. Wheat Penny reads slightly lighter here — a subtle but real difference in how open the space feels.
Front Door
A front door is a focal point — small color differences read clearly at this concentrated scale. The brightness difference is modest but present — Wheat Penny gives the walls a little more lift.
Color Details
Jute Brown vs Wheat Penny Simulated Comparison
5 simulated room previews — drag the slider on each to see Jute Brown on one side and Wheat Penny on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More Jute Brown comparisons
See how Jute Brown stacks up against other well-photographed colors across different brands and tones.


At LRV 69 vs 13, Ammonite is decisively the brighter choice.


White Dove reflects far more light (LRV 83 vs 13), opening up a space where Jute Brown encloses it.


Jute Brown reads slightly lighter (LRV 13 vs 6), a gap that shows most in low-lit rooms.


At LRV 52 vs 13, Purbeck Stone is decisively the brighter choice.


At LRV 30 vs 13, Evergreen Fog is decisively the brighter choice.


Mizzle reflects far more light (LRV 52 vs 13), opening up a space where Jute Brown encloses it.


At LRV 60 vs 13, Agreeable Gray is decisively the brighter choice.


Accessible Beige reflects far more light (LRV 58 vs 13), opening up a space where Jute Brown encloses it.


Denim Drift reflects far more light (LRV 27 vs 13), opening up a space where Jute Brown encloses it.


At LRV 43 vs 13, French Gray is decisively the brighter choice.


A 8-point LRV gap (13 vs 4) makes Jute Brown the marginally brighter of the two.


Tranquil Dawn reflects far more light (LRV 55 vs 13), opening up a space where Jute Brown encloses it.


With LRVs of 13 and 13, the two reflect almost the same amount of light.


Hardwick White reflects far more light (LRV 44 vs 13), opening up a space where Jute Brown encloses it.


At LRV 84 vs 13, Pure White is decisively the brighter choice.


A 9-point LRV gap (21 vs 13) makes Artichoke the marginally brighter of the two.


Balboa Mist reflects far more light (LRV 66 vs 13), opening up a space where Jute Brown encloses it.


Shoji White reflects far more light (LRV 74 vs 13), opening up a space where Jute Brown encloses it.


Snowbound reflects far more light (LRV 83 vs 13), opening up a space where Jute Brown encloses it.


At LRV 51 vs 13, Pigeon is decisively the brighter choice.


With LRVs of 13 and 12, the two reflect almost the same amount of light.


Jute Brown reads slightly lighter (LRV 13 vs 8), a gap that shows most in low-lit rooms.


Skimming Stone reflects far more light (LRV 68 vs 13), opening up a space where Jute Brown encloses it.


At LRV 41 vs 13, Dix Blue is decisively the brighter choice.


With LRVs of 13 and 12, the two reflect almost the same amount of light.


Saybrook Sage reflects far more light (LRV 45 vs 13), opening up a space where Jute Brown encloses it.


At LRV 31 vs 13, Pale Green is decisively the brighter choice.



















