Kingston vs Opaline
Both are Sherwin-Williams colors. Both sit in the green-grey family, which is useful context if you're narrowing within a single hue direction. At LRV 73 vs 70, Opaline will read as the brighter of the two — a 3-point gap that matters most in north-facing or low-light rooms. The tonal difference — Kingston's cool character against Opaline's neutral — becomes most visible against white trim or in morning light. With a ΔE of 2.4, the difference is subtle — you'd need them side by side to reliably tell them apart. Below you'll find 3 real-room photo comparisons where both colors appear side by side, plus 5 simulated room previews.
Kingston vs Opaline in Real Spaces
3 real rooms side by side. Kingston and Opaline are close enough that the difference can be hard to judge from a chip alone — these photos show how each reads at scale, across different spaces and lighting conditions.
Living Room
Living rooms test a color across a full range of conditions — morning sun, afternoon shade, and evening lamp light all shift how both of these read. Kingston reads more restrained here, while Opaline adds a sense of enclosure and warmth.
Bedroom
Bedroom walls are often seen under warm artificial light, a context that shifts both colors from how they look on a chip. The temperature contrast between Opaline and Kingston is what sets these apart most in this context.
Color Details
Kingston vs Opaline Simulated Comparison
5 simulated room previews — drag the slider on each to see Kingston on one side and Opaline on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More Kingston comparisons
See how Kingston stacks up against other well-photographed colors across different brands and tones.
White Dove reflects far more light (LRV 83 vs 70), opening up a space where Kingston encloses it.
At LRV 70 vs 52, Kingston is decisively the brighter choice.
At LRV 70 vs 30, Kingston is decisively the brighter choice.
A 10-point LRV gap (70 vs 60) makes Kingston the marginally brighter of the two.
Kingston reflects far more light (LRV 70 vs 58), opening up a space where Accessible Beige encloses it.
Kingston reflects far more light (LRV 70 vs 27), opening up a space where Denim Drift encloses it.
At LRV 70 vs 43, Kingston is decisively the brighter choice.
Kingston reflects far more light (LRV 70 vs 55), opening up a space where Tranquil Dawn encloses it.
Kingston reflects far more light (LRV 70 vs 44), opening up a space where Hardwick White encloses it.
At LRV 84 vs 70, Pure White is decisively the brighter choice.
Kingston reads slightly lighter (LRV 70 vs 66), a gap that shows most in low-lit rooms.
Shoji White reads slightly lighter (LRV 74 vs 70), a gap that shows most in low-lit rooms.
Kingston reflects far more light (LRV 70 vs 12), opening up a space where Pewter Green encloses it.
Kingston reflects far more light (LRV 70 vs 8), opening up a space where Duck Green encloses it.
With LRVs of 70 and 68, the two reflect almost the same amount of light.
Kingston reflects far more light (LRV 70 vs 12), opening up a space where Vintage Vogue encloses it.
Kingston reflects far more light (LRV 70 vs 45), opening up a space where Saybrook Sage encloses it.
At LRV 70 vs 31, Kingston is decisively the brighter choice.