Laurel Pink vs Shoji White
Both from Sherwin-Williams's palette. Hue-wise, Laurel Pink belongs to the pink-red family and Shoji White to the beige-greige family. Laurel Pink (LRV 79) reflects noticeably more light than Shoji White (LRV 74), a difference of 4 points that becomes especially apparent in rooms with limited natural light. Both lean warm, so they'll behave similarly in mixed or changing light conditions. The ΔE 6.9 gap is real but not dramatic — close enough to use together, distinct enough to matter as a choice. Below, 5 simulated room previews show how each color reads at scale — real-room photos will be added as they become available.
Color Details
Laurel Pink vs Shoji White Simulated Comparison
5 simulated room previews — drag the slider on each to see Laurel Pink on one side and Shoji White on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More Laurel Pink comparisons
See how Laurel Pink stacks up against other well-photographed colors across different brands and tones.
A 5-point LRV gap (83 vs 79) makes White Dove the marginally brighter of the two.
Laurel Pink reads slightly lighter (LRV 79 vs 69), a gap that shows most in low-lit rooms.
At LRV 79 vs 6, Laurel Pink is decisively the brighter choice.
Laurel Pink reflects far more light (LRV 79 vs 52), opening up a space where Purbeck Stone encloses it.
Laurel Pink reflects far more light (LRV 79 vs 30), opening up a space where Evergreen Fog encloses it.
At LRV 79 vs 52, Laurel Pink is decisively the brighter choice.
Laurel Pink reflects far more light (LRV 79 vs 60), opening up a space where Agreeable Gray encloses it.
At LRV 79 vs 58, Laurel Pink is decisively the brighter choice.
At LRV 79 vs 27, Laurel Pink is decisively the brighter choice.
Laurel Pink reflects far more light (LRV 79 vs 43), opening up a space where French Gray encloses it.
Laurel Pink reflects far more light (LRV 79 vs 4), opening up a space where Naval encloses it.
At LRV 79 vs 55, Laurel Pink is decisively the brighter choice.
At LRV 79 vs 13, Laurel Pink is decisively the brighter choice.
At LRV 79 vs 44, Laurel Pink is decisively the brighter choice.
Pure White reads slightly lighter (LRV 84 vs 79), a gap that shows most in low-lit rooms.
Laurel Pink reflects far more light (LRV 79 vs 21), opening up a space where Artichoke encloses it.
At LRV 79 vs 66, Laurel Pink is decisively the brighter choice.
A 4-point LRV gap (83 vs 79) makes Snowbound the marginally brighter of the two.
At LRV 79 vs 12, Laurel Pink is decisively the brighter choice.
A 10-point LRV gap (79 vs 68) makes Laurel Pink the marginally brighter of the two.
Laurel Pink reflects far more light (LRV 79 vs 41), opening up a space where Dix Blue encloses it.
Laurel Pink reads slightly lighter (LRV 79 vs 68), a gap that shows most in low-lit rooms.
Laurel Pink reflects far more light (LRV 79 vs 25), opening up a space where Treron encloses it.
At LRV 79 vs 12, Laurel Pink is decisively the brighter choice.
At LRV 79 vs 45, Laurel Pink is decisively the brighter choice.
Laurel Pink reflects far more light (LRV 79 vs 31), opening up a space where Pale Green encloses it.
Laurel Pink reflects far more light (LRV 79 vs 7), opening up a space where Pine Needle encloses it.
Laurel Pink reflects far more light (LRV 79 vs 24), opening up a space where Cement grey encloses it.
Laurel Pink reflects far more light (LRV 79 vs 57), opening up a space where Guilford Green encloses it.
Laurel Pink reads slightly lighter (LRV 79 vs 72), a gap that shows most in low-lit rooms.