Misty vs Olympus White
Both are Sherwin-Williams colors. Hue-wise, Misty belongs to the blue-grey family and Olympus White to the grey-white family. At LRV 68 vs 64, Olympus White will read as the brighter of the two — a 4-point gap that matters most in north-facing or low-light rooms. They share a neutral quality — useful to know if you're layering them in the same space. With a ΔE of 2.3, the difference is subtle — you'd need them side by side to reliably tell them apart. Below you'll find 2 real-room photo comparisons where both colors appear side by side, plus 5 simulated room previews.
Misty vs Olympus White in Real Spaces
2 real rooms side by side. Misty and Olympus White are close enough that the difference can be hard to judge from a chip alone — these photos show how each reads at scale, across different spaces and lighting conditions.
Living Room
Living rooms test a color across a full range of conditions — morning sun, afternoon shade, and evening lamp light all shift how both of these read. Olympus White has the edge in reflectance, which shows as a quiet sense of added space rather than an obvious contrast.
Bedroom
Bedroom walls are often seen under warm artificial light, a context that shifts both colors from how they look on a chip. The brightness difference is modest but present — Olympus White gives the walls a little more lift.
Color Details
Misty vs Olympus White Simulated Comparison
5 simulated room previews — drag the slider on each to see Misty on one side and Olympus White on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More Misty comparisons
See how Misty stacks up against other well-photographed colors across different brands and tones.
At LRV 83 vs 64, White Dove is decisively the brighter choice.
Misty reads slightly lighter (LRV 64 vs 52), a gap that shows most in low-lit rooms.
Misty reflects far more light (LRV 64 vs 30), opening up a space where Evergreen Fog encloses it.
Misty reads slightly lighter (LRV 64 vs 60), a gap that shows most in low-lit rooms.
A 6-point LRV gap (64 vs 58) makes Misty the marginally brighter of the two.
At LRV 64 vs 27, Misty is decisively the brighter choice.
Misty reflects far more light (LRV 64 vs 43), opening up a space where French Gray encloses it.
A 9-point LRV gap (64 vs 55) makes Misty the marginally brighter of the two.
At LRV 64 vs 44, Misty is decisively the brighter choice.
Pure White reflects far more light (LRV 84 vs 64), opening up a space where Misty encloses it.
Their light reflectance is nearly identical (LRV 66 vs 64), so neither reads brighter in a room.
A 11-point LRV gap (74 vs 64) makes Shoji White the marginally brighter of the two.
At LRV 64 vs 12, Misty is decisively the brighter choice.
A 4-point LRV gap (68 vs 64) makes Skimming Stone the marginally brighter of the two.
At LRV 64 vs 12, Misty is decisively the brighter choice.
At LRV 64 vs 45, Misty is decisively the brighter choice.
Misty reflects far more light (LRV 64 vs 31), opening up a space where Pale Green encloses it.
Misty reflects far more light (LRV 64 vs 7), opening up a space where Pine Needle encloses it.
Misty reflects far more light (LRV 64 vs 24), opening up a space where Cement grey encloses it.
Misty reads slightly lighter (LRV 64 vs 57), a gap that shows most in low-lit rooms.