Mountain Pass vs Still Water
Mountain Pass and Still Water come from the same Sherwin-Williams collection. Both sit in the blue-grey family, which is useful context if you're narrowing within a single hue direction. The 3-point LRV gap — 14 for Mountain Pass vs 10 for Still Water — means Mountain Pass will open up a space more effectively. Where Mountain Pass leans neutral, Still Water reads cool — a distinction that shifts noticeably depending on the light source and surrounding finishes. ΔE 6.1 means they're clearly different, but not dramatically so — they'd pair well in the same room. Below you'll find 2 real-room photo comparisons where both colors appear side by side, plus 5 simulated room previews.
Mountain Pass vs Still Water in Real Spaces
2 real rooms side by side. Mountain Pass and Still Water are close enough that the difference can be hard to judge from a chip alone — these photos show how each reads at scale, across different spaces and lighting conditions.
Living Room
A living room wall sees more varied light than almost any other surface in the house, which makes the choice between these two more nuanced than a chip suggests. Mountain Pass reads slightly lighter here — a subtle but real difference in how open the space feels.
Home Office
Home office walls matter more than most — you're looking at them all day, and a color that reads fine at first can become tiring over time. Mountain Pass has the edge in reflectance, which shows as a quiet sense of added space rather than an obvious contrast.
Color Details
Mountain Pass vs Still Water Simulated Comparison
5 simulated room previews — drag the slider on each to see Mountain Pass on one side and Still Water on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More Mountain Pass comparisons
See how Mountain Pass stacks up against other well-photographed colors across different brands and tones.
White Dove reflects far more light (LRV 83 vs 14), opening up a space where Mountain Pass encloses it.
At LRV 69 vs 14, Ammonite is decisively the brighter choice.
Mountain Pass reads slightly lighter (LRV 14 vs 6), a gap that shows most in low-lit rooms.
At LRV 52 vs 14, Purbeck Stone is decisively the brighter choice.
At LRV 30 vs 14, Evergreen Fog is decisively the brighter choice.
Mizzle reflects far more light (LRV 52 vs 14), opening up a space where Mountain Pass encloses it.
At LRV 60 vs 14, Agreeable Gray is decisively the brighter choice.
Accessible Beige reflects far more light (LRV 58 vs 14), opening up a space where Mountain Pass encloses it.
Denim Drift reflects far more light (LRV 27 vs 14), opening up a space where Mountain Pass encloses it.
At LRV 43 vs 14, French Gray is decisively the brighter choice.
A 9-point LRV gap (14 vs 4) makes Mountain Pass the marginally brighter of the two.
Tranquil Dawn reflects far more light (LRV 55 vs 14), opening up a space where Mountain Pass encloses it.
With LRVs of 14 and 13, the two reflect almost the same amount of light.
Hardwick White reflects far more light (LRV 44 vs 14), opening up a space where Mountain Pass encloses it.
At LRV 84 vs 14, Pure White is decisively the brighter choice.
A 8-point LRV gap (21 vs 14) makes Artichoke the marginally brighter of the two.
Balboa Mist reflects far more light (LRV 66 vs 14), opening up a space where Mountain Pass encloses it.
Shoji White reflects far more light (LRV 74 vs 14), opening up a space where Mountain Pass encloses it.
Snowbound reflects far more light (LRV 83 vs 14), opening up a space where Mountain Pass encloses it.
With LRVs of 14 and 12, the two reflect almost the same amount of light.
Skimming Stone reflects far more light (LRV 68 vs 14), opening up a space where Mountain Pass encloses it.
At LRV 41 vs 14, Dix Blue is decisively the brighter choice.
At LRV 68 vs 14, Calamine is decisively the brighter choice.
A 11-point LRV gap (25 vs 14) makes Treron the marginally brighter of the two.
With LRVs of 14 and 12, the two reflect almost the same amount of light.
Saybrook Sage reflects far more light (LRV 45 vs 14), opening up a space where Mountain Pass encloses it.
At LRV 31 vs 14, Pale Green is decisively the brighter choice.
A 7-point LRV gap (14 vs 7) makes Mountain Pass the marginally brighter of the two.
A 11-point LRV gap (24 vs 14) makes Cement grey the marginally brighter of the two.
At LRV 57 vs 14, Guilford Green is decisively the brighter choice.