Redend Point vs Roycroft Rose
Redend Point and Roycroft Rose come from the same Sherwin-Williams collection. Hue-wise, Redend Point belongs to the beige-greige family and Roycroft Rose to the pink-red family. The 3-point LRV gap — 32 for Roycroft Rose vs 30 for Redend Point — means Roycroft Rose will open up a space more effectively. Both share a warm character, which means they'll respond to light and surrounding materials in similar ways. ΔE 7.5 means they're clearly different, but not dramatically so — they'd pair well in the same room. Below you'll find 5 real-room photo comparisons where both colors appear side by side, plus 5 simulated room previews.
Redend Point vs Roycroft Rose in Real Spaces
5 real rooms side by side. Redend Point and Roycroft Rose are close enough that the difference can be hard to judge from a chip alone — these photos show how each reads at scale, across different spaces and lighting conditions.
Bedroom
Bedrooms are typically lit with warmer, lower light than the rest of the house — a condition that flatters warm tones and deepens cool ones. At this scale, the choice between them becomes clear in a way that a swatch alone can't communicate.
Kitchen
Kitchens often have the harshest, most revealing light in the house — under-cabinet LEDs and overhead fixtures that strip away subtlety. At this scale, the choice between them becomes clear in a way that a swatch alone can't communicate.
Dining Room
Dining rooms often rely on warm incandescent or candlelight, which flatters warm undertones and mutes cool ones. Side by side like this, the difference is easy to read — which is exactly why seeing them in a real space is more useful than comparing chips.
House
A full exterior is the most demanding test for a paint color — scale and outdoor light both amplify differences that seem small on a swatch. At this scale, the choice between them becomes clear in a way that a swatch alone can't communicate.
Front Door
On a front door, the color is both the first and last thing you see — a context where even a modest tonal difference reads clearly. The distinction reads clearly at room scale, making the choice between them concrete.
Color Details
Redend Point vs Roycroft Rose Simulated Comparison
5 simulated room previews — drag the slider on each to see Redend Point on one side and Roycroft Rose on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More Redend Point comparisons
See how Redend Point stacks up against other well-photographed colors across different brands and tones.
White Dove reflects far more light (LRV 83 vs 30), opening up a space where Redend Point encloses it.
At LRV 69 vs 30, Ammonite is decisively the brighter choice.
Redend Point reflects far more light (LRV 30 vs 6), opening up a space where Iron Ore encloses it.
At LRV 52 vs 30, Purbeck Stone is decisively the brighter choice.
Their light reflectance is nearly identical (LRV 30 vs 30), so neither reads brighter in a room.
Mizzle reflects far more light (LRV 52 vs 30), opening up a space where Redend Point encloses it.
At LRV 60 vs 30, Agreeable Gray is decisively the brighter choice.
Accessible Beige reflects far more light (LRV 58 vs 30), opening up a space where Redend Point encloses it.
With LRVs of 30 and 27, the two reflect almost the same amount of light.
At LRV 43 vs 30, French Gray is decisively the brighter choice.
At LRV 30 vs 4, Redend Point is decisively the brighter choice.
Tranquil Dawn reflects far more light (LRV 55 vs 30), opening up a space where Redend Point encloses it.
Redend Point reflects far more light (LRV 30 vs 13), opening up a space where Bancha encloses it.
Hardwick White reflects far more light (LRV 44 vs 30), opening up a space where Redend Point encloses it.
At LRV 84 vs 30, Pure White is decisively the brighter choice.
A 8-point LRV gap (30 vs 21) makes Redend Point the marginally brighter of the two.
Balboa Mist reflects far more light (LRV 66 vs 30), opening up a space where Redend Point encloses it.
Shoji White reflects far more light (LRV 74 vs 30), opening up a space where Redend Point encloses it.
Snowbound reflects far more light (LRV 83 vs 30), opening up a space where Redend Point encloses it.
Redend Point reflects far more light (LRV 30 vs 12), opening up a space where Pewter Green encloses it.
Skimming Stone reflects far more light (LRV 68 vs 30), opening up a space where Redend Point encloses it.
A 11-point LRV gap (41 vs 30) makes Dix Blue the marginally brighter of the two.
At LRV 68 vs 30, Calamine is decisively the brighter choice.
A 5-point LRV gap (30 vs 25) makes Redend Point the marginally brighter of the two.
Redend Point reflects far more light (LRV 30 vs 12), opening up a space where Vintage Vogue encloses it.
Saybrook Sage reflects far more light (LRV 45 vs 30), opening up a space where Redend Point encloses it.
Their light reflectance is nearly identical (LRV 31 vs 30), so neither reads brighter in a room.
At LRV 30 vs 7, Redend Point is decisively the brighter choice.
A 6-point LRV gap (30 vs 24) makes Redend Point the marginally brighter of the two.
At LRV 57 vs 30, Guilford Green is decisively the brighter choice.