Roycroft Adobe vs Silver Lake
Roycroft Adobe and Silver Lake come from the same Sherwin-Williams collection. Hue-wise, Roycroft Adobe belongs to the pink-red family and Silver Lake to the blue-grey family. The 35-point LRV gap — 53 for Silver Lake vs 18 for Roycroft Adobe — means Silver Lake will open up a space more effectively. Where Roycroft Adobe leans warm, Silver Lake reads cool — a distinction that shifts noticeably depending on the light source and surrounding finishes. A ΔE of 48.2 puts these firmly in different territory — two distinct design choices rather than close alternatives. Below, 5 simulated room previews show how each color reads at scale — real-room photos will be added as they become available.
Color Details
Roycroft Adobe vs Silver Lake Simulated Comparison
5 simulated room previews — drag the slider on each to see Roycroft Adobe on one side and Silver Lake on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More Roycroft Adobe comparisons
See how Roycroft Adobe stacks up against other well-photographed colors across different brands and tones.
