Roycroft Rose vs Silver Lake
Roycroft Rose and Silver Lake come from the same Sherwin-Williams collection. Hue-wise, Roycroft Rose belongs to the pink-red family and Silver Lake to the blue-grey family. The 20-point LRV gap — 53 for Silver Lake vs 32 for Roycroft Rose — means Silver Lake will open up a space more effectively. Where Roycroft Rose leans warm, Silver Lake reads cool — a distinction that shifts noticeably depending on the light source and surrounding finishes. A ΔE of 30.5 puts these firmly in different territory — two distinct design choices rather than close alternatives. Below you'll find 1 real-room photo comparison where both colors appear side by side, plus 5 simulated room previews.
Roycroft Rose vs Silver Lake in Real Spaces
1 real room side by side. Seeing Roycroft Rose and Silver Lake in actual rooms makes the difference concrete; browse the spaces below to get a feel for how each color lives on a wall.
Front Door
On a front door, the color is both the first and last thing you see — a context where even a modest tonal difference reads clearly. Silver Lake reflects noticeably more light off the walls, making the space read more open than Roycroft Rose.
Color Details
Roycroft Rose vs Silver Lake Simulated Comparison
5 simulated room previews — drag the slider on each to see Roycroft Rose on one side and Silver Lake on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More Roycroft Rose comparisons
See how Roycroft Rose stacks up against other well-photographed colors across different brands and tones.
Ammonite reflects far more light (LRV 69 vs 32), opening up a space where Roycroft Rose encloses it.
At LRV 83 vs 32, White Dove is decisively the brighter choice.
At LRV 32 vs 6, Roycroft Rose is decisively the brighter choice.
Purbeck Stone reflects far more light (LRV 52 vs 32), opening up a space where Roycroft Rose encloses it.
With LRVs of 32 and 30, the two reflect almost the same amount of light.
At LRV 52 vs 32, Mizzle is decisively the brighter choice.
Agreeable Gray reflects far more light (LRV 60 vs 32), opening up a space where Roycroft Rose encloses it.
At LRV 58 vs 32, Accessible Beige is decisively the brighter choice.
A 5-point LRV gap (32 vs 27) makes Roycroft Rose the marginally brighter of the two.
French Gray reads slightly lighter (LRV 43 vs 32), a gap that shows most in low-lit rooms.
Roycroft Rose reflects far more light (LRV 32 vs 4), opening up a space where Naval encloses it.
At LRV 55 vs 32, Tranquil Dawn is decisively the brighter choice.
At LRV 32 vs 13, Roycroft Rose is decisively the brighter choice.
A 11-point LRV gap (44 vs 32) makes Hardwick White the marginally brighter of the two.
Pure White reflects far more light (LRV 84 vs 32), opening up a space where Roycroft Rose encloses it.
Roycroft Rose reads slightly lighter (LRV 32 vs 21), a gap that shows most in low-lit rooms.
At LRV 66 vs 32, Balboa Mist is decisively the brighter choice.
At LRV 74 vs 32, Shoji White is decisively the brighter choice.
At LRV 83 vs 32, Snowbound is decisively the brighter choice.
Pigeon reflects far more light (LRV 51 vs 32), opening up a space where Roycroft Rose encloses it.
At LRV 32 vs 12, Roycroft Rose is decisively the brighter choice.
At LRV 32 vs 8, Roycroft Rose is decisively the brighter choice.
At LRV 68 vs 32, Skimming Stone is decisively the brighter choice.
Dix Blue reads slightly lighter (LRV 41 vs 32), a gap that shows most in low-lit rooms.
At LRV 32 vs 12, Roycroft Rose is decisively the brighter choice.
At LRV 45 vs 32, Saybrook Sage is decisively the brighter choice.
With LRVs of 32 and 31, the two reflect almost the same amount of light.