Software vs Storm Cloud
Both are Sherwin-Williams colors. Software reads as grey, while Storm Cloud reads as blue-grey — two distinct hue families, not close cousins. With LRVs of 23 and 23, they'll behave almost identically in terms of how much light they reflect back into a room. They share a neutral quality — useful to know if you're layering them in the same space. At ΔE 4.4, the difference is perceptible but not dramatic — the two can work harmoniously in the same space. Below you'll find 3 real-room photo comparisons where both colors appear side by side, plus 5 simulated room previews.
Software vs Storm Cloud in Real Spaces
3 real rooms side by side. Software and Storm Cloud are close enough that the difference can be hard to judge from a chip alone — these photos show how each reads at scale, across different spaces and lighting conditions.
Living Room
Living rooms test a color across a full range of conditions — morning sun, afternoon shade, and evening lamp light all shift how both of these read. At this scale, the choice between them becomes clear in a way that a swatch alone can't communicate.
Bathroom
Bathrooms amplify color — the enclosed space and reflective surfaces make what reads subtle elsewhere feel more present here. Side by side like this, the difference is easy to read — which is exactly why seeing them in a real space is more useful than comparing chips.
House
At full exterior scale, the difference between these two colors becomes much easier to judge than from a small chip. Side by side like this, the difference is easy to read — which is exactly why seeing them in a real space is more useful than comparing chips.
Color Details
Software vs Storm Cloud Simulated Comparison
5 simulated room previews — drag the slider on each to see Software on one side and Storm Cloud on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More Software comparisons
See how Software stacks up against other well-photographed colors across different brands and tones.
White Dove reflects far more light (LRV 83 vs 23), opening up a space where Software encloses it.
At LRV 52 vs 23, Purbeck Stone is decisively the brighter choice.
A 8-point LRV gap (30 vs 23) makes Evergreen Fog the marginally brighter of the two.
At LRV 60 vs 23, Agreeable Gray is decisively the brighter choice.
Accessible Beige reflects far more light (LRV 58 vs 23), opening up a space where Software encloses it.
Denim Drift reads slightly lighter (LRV 27 vs 23), a gap that shows most in low-lit rooms.
At LRV 43 vs 23, French Gray is decisively the brighter choice.
Tranquil Dawn reflects far more light (LRV 55 vs 23), opening up a space where Software encloses it.
Hardwick White reflects far more light (LRV 44 vs 23), opening up a space where Software encloses it.
At LRV 84 vs 23, Pure White is decisively the brighter choice.
Balboa Mist reflects far more light (LRV 66 vs 23), opening up a space where Software encloses it.
Shoji White reflects far more light (LRV 74 vs 23), opening up a space where Software encloses it.
Software reads slightly lighter (LRV 23 vs 12), a gap that shows most in low-lit rooms.
Skimming Stone reflects far more light (LRV 68 vs 23), opening up a space where Software encloses it.
Software reads slightly lighter (LRV 23 vs 12), a gap that shows most in low-lit rooms.
Saybrook Sage reflects far more light (LRV 45 vs 23), opening up a space where Software encloses it.
A 9-point LRV gap (31 vs 23) makes Pale Green the marginally brighter of the two.
At LRV 23 vs 7, Software is decisively the brighter choice.
Their light reflectance is nearly identical (LRV 24 vs 23), so neither reads brighter in a room.
At LRV 57 vs 23, Guilford Green is decisively the brighter choice.