Match '50s Pink

Benjamin Moore '50s Pink is a light-reflective shade, warm in character with an LRV of 78. The matches below are the closest equivalents available across every brand on Pontata, ranked by ΔE — a perceptual color difference score. A ΔE under 3 is subtle; under 10 is noticeable but harmonious; above 25 means genuinely different colors.

View full '50s Pink color page →
'50s Pink
Benjamin Moore
'50s Pink
2086-70#FBE3EALRV 78Warm

Closest matches across every brand

One match per brand, ranked by ΔE — a perceptual color difference score calculated from Lab color space values. Lower is closer. Click any card to compare side by side in simulated rooms.

'50s Pink
'50s Pink
Aztec Lily
'50s Pink vs Aztec Lily
Benjamin Moore
'50s Pink
2086-70 · LRV 78
Benjamin Moore
Aztec Lily
2080-70 · LRV 78

Their light reflectance is nearly identical (LRV 78 vs 78), so neither reads brighter in a room. A ΔE of 1.0 means the difference barely reads in a finished room.

Compare ↔ΔE 1.0Subtle
'50s Pink
'50s Pink
Hepatica
Hepatica
'50s Pink vs Hepatica
Benjamin Moore
'50s Pink
2086-70 · LRV 78
Cloverdale Paint
Hepatica
1125 · LRV 79

Their light reflectance is nearly identical (LRV 79 vs 78), so neither reads brighter in a room. A ΔE of 2.6 means the difference barely reads in a finished room.

Compare ↔ΔE 2.6Subtle
'50s Pink
'50s Pink
Candy Mix
'50s Pink vs Candy Mix
Benjamin Moore
'50s Pink
2086-70 · LRV 78
PPG
Candy Mix
PPG1181-1 · LRV 77

With LRVs of 78 and 77, the two reflect almost the same amount of light. At ΔE 2.8 you'd need them side by side to tell them apart.

Compare ↔ΔE 2.8Subtle
'50s Pink
'50s Pink
Rose Trellis 6
'50s Pink vs Rose Trellis 6
Benjamin Moore
'50s Pink
2086-70 · LRV 78
Dulux
Rose Trellis 6
64RR 80/073 · LRV 80

Their light reflectance is nearly identical (LRV 80 vs 78), so neither reads brighter in a room. The ΔE 3.7 gap is real but not dramatic — distinct as a choice, harmonious together.

Compare ↔ΔE 3.7Noticeable
'50s Pink
'50s Pink
Young At Heart
'50s Pink vs Young At Heart
Benjamin Moore
'50s Pink
2086-70 · LRV 78
Sherwin-Williams
Young At Heart
7109 · LRV 80

With LRVs of 80 and 78, the two reflect almost the same amount of light. At ΔE 3.8 they're clearly different, yet close enough to share a room.

Compare ↔ΔE 3.8Noticeable
'50s Pink
'50s Pink
Middleton Pink
Middleton Pink
'50s Pink vs Middleton Pink
Benjamin Moore
'50s Pink
2086-70 · LRV 78
Farrow & Ball
Middleton Pink
245 · LRV 85

Middleton Pink reads slightly lighter (LRV 85 vs 78), a gap that shows most in low-lit rooms. At ΔE 4.8 they're clearly different, yet close enough to share a room.

Compare ↔ΔE 4.8Noticeable
'50s Pink
'50s Pink
RAL 160-4
RAL 160-4
'50s Pink vs RAL 160-4
Benjamin Moore
'50s Pink
2086-70 · LRV 78
RAL EffectEffect
RAL 160-4
RAL 160-4 · LRV 78

With LRVs of 78 and 78, the two reflect almost the same amount of light. At ΔE 5.3 they're clearly different, yet close enough to share a room.

Compare ↔ΔE 5.3Noticeable
'50s Pink
'50s Pink
Chemise
Chemise
'50s Pink vs Chemise
Benjamin Moore
'50s Pink
2086-70 · LRV 78
Little Greene
Chemise
139 · LRV 83

Chemise reads slightly lighter (LRV 83 vs 78), a gap that shows most in low-lit rooms. At ΔE 6.1 they're clearly different, yet close enough to share a room.

Compare ↔ΔE 6.1Noticeable
'50s Pink
'50s Pink
S 0804-Y90R
'50s Pink vs S 0804-Y90R
Benjamin Moore
'50s Pink
2086-70 · LRV 78
NCS
S 0804-Y90R
S 0804-Y90R · LRV 76

With LRVs of 78 and 76, the two reflect almost the same amount of light. At ΔE 7.7 they're clearly different, yet close enough to share a room.

Compare ↔ΔE 7.7Noticeable
'50s Pink
'50s Pink
Orchid
'50s Pink vs Orchid
Benjamin Moore
'50s Pink
2086-70 · LRV 78
Tikkurila
Orchid
Y421 · LRV 67

'50s Pink reads slightly lighter (LRV 78 vs 67), a gap that shows most in low-lit rooms. At ΔE 8.3 they're clearly different, yet close enough to share a room.

Compare ↔ΔE 8.3Noticeable
Stolen Kiss
Stolen Kiss
'50s Pink
'50s Pink
Stolen Kiss vs '50s Pink
Behr
Stolen Kiss
MQ3-34 · LRV 75
Benjamin Moore
'50s Pink
2086-70 · LRV 78

'50s Pink reads slightly lighter (LRV 78 vs 75), a gap that shows most in low-lit rooms. At ΔE 9.0 they're clearly different, yet close enough to share a room.

Compare ↔ΔE 9.0Noticeable
'50s Pink
'50s Pink
Dusky Sand
Dusky Sand
'50s Pink vs Dusky Sand
Benjamin Moore
'50s Pink
2086-70 · LRV 78
Valspar
Dusky Sand
T533 · LRV 69

A 9-point LRV gap (78 vs 69) makes '50s Pink the marginally brighter of the two. The ΔE 9.7 gap is real but not dramatic — distinct as a choice, harmonious together.

Compare ↔ΔE 9.7Noticeable
'50s Pink
'50s Pink
Bliss
'50s Pink vs Bliss
Benjamin Moore
'50s Pink
2086-70 · LRV 78
Jotun
Bliss
2374 · LRV 78

With LRVs of 78 and 78, the two reflect almost the same amount of light. At ΔE 10.0 they're clearly different, yet close enough to share a room.

Compare ↔ΔE 10.0Noticeable
'50s Pink
'50s Pink
Signal White
Signal White
'50s Pink vs Signal White
Benjamin Moore
'50s Pink
2086-70 · LRV 78
RAL ClassicClassic
Signal White
RAL 9003 · LRV 85

Signal White reads slightly lighter (LRV 85 vs 78), a gap that shows most in low-lit rooms. At ΔE 10.0 they're clearly different, yet close enough to share a room.

Compare ↔ΔE 10.0Noticeable