Match After the Rain

Benjamin Moore After the Rain is a mid-tone shade, neutral in character with an LRV of 50. The matches below are ranked by ΔE, a perceptual color-difference score.

View full After the Rain color page →
After the Rain
Benjamin Moore
After the Rain
1452#C1B9BDLRV 50Neutral

Closest matches across every brand

One match per brand, ranked by ΔE — a perceptual color difference score calculated from Lab color space values. Lower is closer. Click any card to compare side by side in simulated rooms.

After the Rain
After the Rain
Iced Mauve
After the Rain vs Iced Mauve
Benjamin Moore
After the Rain
1452 · LRV 50
Benjamin Moore
Iced Mauve
2115-50 · LRV 51

With LRVs of 51 and 50, the two reflect almost the same amount of light. At ΔE 1.1 you'd need them side by side to tell them apart.

Compare ↔ΔE 1.1Subtle
After the Rain
After the Rain
Veiled Violet
Veiled Violet
After the Rain vs Veiled Violet
Benjamin Moore
After the Rain
1452 · LRV 50
Sherwin-Williams
Veiled Violet
6268 · LRV 47

With LRVs of 50 and 47, the two reflect almost the same amount of light. At ΔE 1.5 you'd need them side by side to tell them apart.

Compare ↔ΔE 1.5Subtle
After the Rain
After the Rain
Silver Bells
Silver Bells
After the Rain vs Silver Bells
Benjamin Moore
After the Rain
1452 · LRV 50
PPG
Silver Bells
PPG1003-3 · LRV 46

After the Rain reads slightly lighter (LRV 50 vs 46), a gap that shows most in low-lit rooms. At ΔE 2.9 you'd need them side by side to tell them apart.

Compare ↔ΔE 2.9Subtle
After the Rain
After the Rain
Potters Clay 2
Potters Clay 2
After the Rain vs Potters Clay 2
Benjamin Moore
After the Rain
1452 · LRV 50
Dulux
Potters Clay 2
50RR 54/018 · LRV 54

A 4-point LRV gap (54 vs 50) makes Potters Clay 2 the marginally brighter of the two. The ΔE 3.4 gap is real but not dramatic — distinct as a choice, harmonious together.

Compare ↔ΔE 3.4Noticeable
After the Rain
After the Rain
North Island
North Island
After the Rain vs North Island
Benjamin Moore
After the Rain
1452 · LRV 50
Cloverdale Paint
North Island
0552 · LRV 50

Their light reflectance is nearly identical (LRV 50 vs 50), so neither reads brighter in a room. The ΔE 3.4 gap is real but not dramatic — distinct as a choice, harmonious together.

Compare ↔ΔE 3.4Noticeable
After the Rain
After the Rain
Ganymede
After the Rain vs Ganymede
Benjamin Moore
After the Rain
1452 · LRV 50
Valspar
Ganymede
8006-12C · LRV 46

After the Rain reads slightly lighter (LRV 50 vs 46), a gap that shows most in low-lit rooms. At ΔE 3.5 they're clearly different, yet close enough to share a room.

Compare ↔ΔE 3.5Noticeable
After the Rain
After the Rain
RAL 860-3
RAL 860-3
After the Rain vs RAL 860-3
Benjamin Moore
After the Rain
1452 · LRV 50
RAL EffectEffect
RAL 860-3
RAL 860-3 · LRV 54

RAL 860-3 reads slightly lighter (LRV 54 vs 50), a gap that shows most in low-lit rooms. At ΔE 4.3 they're clearly different, yet close enough to share a room.

Compare ↔ΔE 4.3Noticeable
After the Rain
After the Rain
H481
After the Rain vs H481
Benjamin Moore
After the Rain
1452 · LRV 50
Tikkurila
H481
H481 · LRV 52

With LRVs of 52 and 50, the two reflect almost the same amount of light. At ΔE 4.5 they're clearly different, yet close enough to share a room.

Compare ↔ΔE 4.5Noticeable
French Silver
French Silver
After the Rain
After the Rain
French Silver vs After the Rain
Behr
French Silver
PPU18-05 · LRV 50
Benjamin Moore
After the Rain
1452 · LRV 50

With LRVs of 50 and 50, the two reflect almost the same amount of light. At ΔE 5.0 they're clearly different, yet close enough to share a room.

Compare ↔ΔE 5.0Noticeable
After the Rain
After the Rain
Silver Moon
Silver Moon
After the Rain vs Silver Moon
Benjamin Moore
After the Rain
1452 · LRV 50
Jotun
Silver Moon
5081 · LRV 52

With LRVs of 52 and 50, the two reflect almost the same amount of light. At ΔE 5.5 they're clearly different, yet close enough to share a room.

Compare ↔ΔE 5.5Noticeable
After the Rain
After the Rain
Calluna
Calluna
After the Rain vs Calluna
Benjamin Moore
After the Rain
1452 · LRV 50
Farrow & Ball
Calluna
270 · LRV 57

A 7-point LRV gap (57 vs 50) makes Calluna the marginally brighter of the two. The ΔE 5.5 gap is real but not dramatic — distinct as a choice, harmonious together.

Compare ↔ΔE 5.5Noticeable
After the Rain
After the Rain
S 2002-Y50R
S 2002-Y50R
After the Rain vs S 2002-Y50R
Benjamin Moore
After the Rain
1452 · LRV 50
NCS
S 2002-Y50R
S 2002-Y50R · LRV 54

S 2002-Y50R reads slightly lighter (LRV 54 vs 50), a gap that shows most in low-lit rooms. At ΔE 5.6 they're clearly different, yet close enough to share a room.

Compare ↔ΔE 5.6Noticeable
After the Rain
After the Rain
Silk Grey
Silk Grey
After the Rain vs Silk Grey
Benjamin Moore
After the Rain
1452 · LRV 50
RAL ClassicClassic
Silk Grey
RAL 7044 · LRV 47

With LRVs of 50 and 47, the two reflect almost the same amount of light. At ΔE 5.7 they're clearly different, yet close enough to share a room.

Compare ↔ΔE 5.7Noticeable
After the Rain
After the Rain
Dash of Soot
Dash of Soot
After the Rain vs Dash of Soot
Benjamin Moore
After the Rain
1452 · LRV 50
Little Greene
Dash of Soot
244 · LRV 54

Dash of Soot reads slightly lighter (LRV 54 vs 50), a gap that shows most in low-lit rooms. At ΔE 5.9 they're clearly different, yet close enough to share a room.

Compare ↔ΔE 5.9Noticeable