Match Amaryllis
Benjamin Moore Amaryllis is a mid-tone shade, warm in character with an LRV of 37. The matches below are ranked by ΔE, a perceptual color-difference score.
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Closest matches across every brand
One match per brand, ranked by ΔE — a perceptual color difference score calculated from Lab color space values. Lower is closer. Click any card to compare side by side in simulated rooms.



With LRVs of 37 and 35, the two reflect almost the same amount of light. At ΔE 2.1 you'd need them side by side to tell them apart.



With LRVs of 39 and 37, the two reflect almost the same amount of light. At ΔE 2.2 you'd need them side by side to tell them apart.


Their light reflectance is nearly identical (LRV 39 vs 37), so neither reads brighter in a room. A ΔE of 2.7 means the difference barely reads in a finished room.



Amaryllis reads slightly lighter (LRV 37 vs 33), a gap that shows most in low-lit rooms. At ΔE 2.7 you'd need them side by side to tell them apart.



Their light reflectance is nearly identical (LRV 37 vs 37), so neither reads brighter in a room. The ΔE 4.8 gap is real but not dramatic — distinct as a choice, harmonious together.



With LRVs of 39 and 37, the two reflect almost the same amount of light. At ΔE 5.5 they're clearly different, yet close enough to share a room.



A 7-point LRV gap (44 vs 37) makes Light pink the marginally brighter of the two. The ΔE 6.4 gap is real but not dramatic — distinct as a choice, harmonious together.



A 6-point LRV gap (43 vs 37) makes Cinder Rose the marginally brighter of the two. The ΔE 7.0 gap is real but not dramatic — distinct as a choice, harmonious together.



Amaryllis reads slightly lighter (LRV 37 vs 33), a gap that shows most in low-lit rooms. At ΔE 10.2 these are two genuinely different directions, not variations on a theme.



A 8-point LRV gap (45 vs 37) makes Delightful Pink the marginally brighter of the two. A ΔE of 10.3 puts them firmly in different territory — a strong contrast if combined.



Amaryllis reads slightly lighter (LRV 37 vs 30), a gap that shows most in low-lit rooms. At ΔE 12.8 these are two genuinely different directions, not variations on a theme.






