Match Approaching Autumn

Benjamin Moore Approaching Autumn is a mid-tone shade, warm in character with an LRV of 46. The matches below are the closest equivalents available across every brand on Pontata, ranked by ΔE — a perceptual color difference score. A ΔE under 3 is subtle; under 10 is noticeable but harmonious; above 25 means genuinely different colors.

View full Approaching Autumn color page →
Approaching Autumn
Benjamin Moore
Approaching Autumn
CSP-1090#DAAE85LRV 46Warm

Closest matches across every brand

One match per brand, ranked by ΔE — a perceptual color difference score calculated from Lab color space values. Lower is closer. Click any card to compare side by side in simulated rooms.

Approaching Autumn
Approaching Autumn
Sienna
Sienna
Approaching Autumn vs Sienna
Benjamin Moore
Approaching Autumn
CSP-1090 · LRV 46
Cloverdale Paint
Sienna
CA120 · LRV 45

Their light reflectance is nearly identical (LRV 46 vs 45), so neither reads brighter in a room. A ΔE of 2.1 means the difference barely reads in a finished room.

Compare ↔ΔE 2.1Subtle
Approaching Autumn
Approaching Autumn
Creamy Custard
Approaching Autumn vs Creamy Custard
Benjamin Moore
Approaching Autumn
CSP-1090 · LRV 46
Benjamin Moore
Creamy Custard
1145 · LRV 45

Their light reflectance is nearly identical (LRV 46 vs 45), so neither reads brighter in a room. A ΔE of 2.3 means the difference barely reads in a finished room.

Compare ↔ΔE 2.3Subtle
Approaching Autumn
Approaching Autumn
Cheddar Biscuit
Approaching Autumn vs Cheddar Biscuit
Benjamin Moore
Approaching Autumn
CSP-1090 · LRV 46
PPG
Cheddar Biscuit
PPG1083-5 · LRV 44

With LRVs of 46 and 44, the two reflect almost the same amount of light. At ΔE 3.6 they're clearly different, yet close enough to share a room.

Compare ↔ΔE 3.6Noticeable
Approaching Autumn
Approaching Autumn
Soft Apricot
Approaching Autumn vs Soft Apricot
Benjamin Moore
Approaching Autumn
CSP-1090 · LRV 46
Sherwin-Williams
Soft Apricot
6352 · LRV 50

A 4-point LRV gap (50 vs 46) makes Soft Apricot the marginally brighter of the two. The ΔE 4.7 gap is real but not dramatic — distinct as a choice, harmonious together.

Compare ↔ΔE 4.7Noticeable
Approaching Autumn
Approaching Autumn
RAL 780-4
RAL 780-4
Approaching Autumn vs RAL 780-4
Benjamin Moore
Approaching Autumn
CSP-1090 · LRV 46
RAL EffectEffect
RAL 780-4
RAL 780-4 · LRV 47

Their light reflectance is nearly identical (LRV 47 vs 46), so neither reads brighter in a room. The ΔE 5.1 gap is real but not dramatic — distinct as a choice, harmonious together.

Compare ↔ΔE 5.1Noticeable
Approaching Autumn
Approaching Autumn
Beige
Beige
Approaching Autumn vs Beige
Benjamin Moore
Approaching Autumn
CSP-1090 · LRV 46
RAL ClassicClassic
Beige
RAL 1001 · LRV 48

Their light reflectance is nearly identical (LRV 48 vs 46), so neither reads brighter in a room. The ΔE 5.2 gap is real but not dramatic — distinct as a choice, harmonious together.

Compare ↔ΔE 5.2Noticeable
Cellini Gold
Approaching Autumn
Approaching Autumn
Cellini Gold vs Approaching Autumn
Behr
Cellini Gold
HDC-CL-18 · LRV 50
Benjamin Moore
Approaching Autumn
CSP-1090 · LRV 46

Cellini Gold reads slightly lighter (LRV 50 vs 46), a gap that shows most in low-lit rooms. At ΔE 5.5 they're clearly different, yet close enough to share a room.

Compare ↔ΔE 5.5Noticeable
Approaching Autumn
Approaching Autumn
Sunbaked Terracotta
Sunbaked Terracotta
Approaching Autumn vs Sunbaked Terracotta
Benjamin Moore
Approaching Autumn
CSP-1090 · LRV 46
Dulux
Sunbaked Terracotta
90YR 53/238 · LRV 53

A 7-point LRV gap (53 vs 46) makes Sunbaked Terracotta the marginally brighter of the two. The ΔE 5.6 gap is real but not dramatic — distinct as a choice, harmonious together.

Compare ↔ΔE 5.6Noticeable
Approaching Autumn
Approaching Autumn
Antique Yellow
Antique Yellow
Approaching Autumn vs Antique Yellow
Benjamin Moore
Approaching Autumn
CSP-1090 · LRV 46
Jotun
Antique Yellow
1392 · LRV 49

Antique Yellow reads slightly lighter (LRV 49 vs 46), a gap that shows most in low-lit rooms. At ΔE 5.8 they're clearly different, yet close enough to share a room.

Compare ↔ΔE 5.8Noticeable
Approaching Autumn
Approaching Autumn
Faded Terracotta
Faded Terracotta
Approaching Autumn vs Faded Terracotta
Benjamin Moore
Approaching Autumn
CSP-1090 · LRV 46
Farrow & Ball
Faded Terracotta
CC8 · LRV 52

Faded Terracotta reads slightly lighter (LRV 52 vs 46), a gap that shows most in low-lit rooms. At ΔE 6.3 they're clearly different, yet close enough to share a room.

Compare ↔ΔE 6.3Noticeable
Approaching Autumn
Approaching Autumn
Siesta
Approaching Autumn vs Siesta
Benjamin Moore
Approaching Autumn
CSP-1090 · LRV 46
Tikkurila
Siesta
J407 · LRV 51

A 5-point LRV gap (51 vs 46) makes Siesta the marginally brighter of the two. The ΔE 6.9 gap is real but not dramatic — distinct as a choice, harmonious together.

Compare ↔ΔE 6.9Noticeable
Approaching Autumn
Approaching Autumn
Bath Stone
Bath Stone
Approaching Autumn vs Bath Stone
Benjamin Moore
Approaching Autumn
CSP-1090 · LRV 46
Little Greene
Bath Stone
64 · LRV 48

With LRVs of 48 and 46, the two reflect almost the same amount of light. At ΔE 9.7 they're clearly different, yet close enough to share a room.

Compare ↔ΔE 9.7Noticeable
Approaching Autumn
Approaching Autumn
S 3030-Y30R
S 3030-Y30R
Approaching Autumn vs S 3030-Y30R
Benjamin Moore
Approaching Autumn
CSP-1090 · LRV 46
NCS
S 3030-Y30R
S 3030-Y30R · LRV 33

At LRV 46 vs 33, Approaching Autumn is decisively the brighter choice. A ΔE of 11.7 puts them firmly in different territory — a strong contrast if combined.

Compare ↔ΔE 11.7Distinct
Approaching Autumn
Approaching Autumn
Cinnamon Foam
Cinnamon Foam
Approaching Autumn vs Cinnamon Foam
Benjamin Moore
Approaching Autumn
CSP-1090 · LRV 46
Valspar
Cinnamon Foam
V085-2 · LRV 65

Cinnamon Foam reflects far more light (LRV 65 vs 46), opening up a space where Approaching Autumn encloses it. At ΔE 12.4 these are two genuinely different directions, not variations on a theme.

Compare ↔ΔE 12.4Distinct