Match Dusk to Dawn
Benjamin Moore Dusk to Dawn is a mid-tone shade, neutral in character with an LRV of 42. The matches below are ranked by ΔE, a perceptual color-difference score.
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Closest matches across every brand
One match per brand, ranked by ΔE — a perceptual color difference score calculated from Lab color space values. Lower is closer. Click any card to compare side by side in simulated rooms.
Their light reflectance is nearly identical (LRV 42 vs 42), so neither reads brighter in a room. A ΔE of 0.0 means the difference barely reads in a finished room.
With LRVs of 42 and 40, the two reflect almost the same amount of light. At ΔE 1.6 you'd need them side by side to tell them apart.
Their light reflectance is nearly identical (LRV 42 vs 41), so neither reads brighter in a room. The ΔE 3.5 gap is real but not dramatic — distinct as a choice, harmonious together.
Their light reflectance is nearly identical (LRV 42 vs 41), so neither reads brighter in a room. The ΔE 3.8 gap is real but not dramatic — distinct as a choice, harmonious together.
A 4-point LRV gap (46 vs 42) makes Heather Hill the marginally brighter of the two. The ΔE 3.9 gap is real but not dramatic — distinct as a choice, harmonious together.
A 3-point LRV gap (45 vs 42) makes Shantung the marginally brighter of the two. The ΔE 4.4 gap is real but not dramatic — distinct as a choice, harmonious together.
Their light reflectance is nearly identical (LRV 42 vs 40), so neither reads brighter in a room. The ΔE 5.3 gap is real but not dramatic — distinct as a choice, harmonious together.
Ganymede reads slightly lighter (LRV 46 vs 42), a gap that shows most in low-lit rooms. At ΔE 5.4 they're clearly different, yet close enough to share a room.
Dusk to Dawn reads slightly lighter (LRV 42 vs 36), a gap that shows most in low-lit rooms. At ΔE 5.5 they're clearly different, yet close enough to share a room.
Their light reflectance is nearly identical (LRV 44 vs 42), so neither reads brighter in a room. The ΔE 6.0 gap is real but not dramatic — distinct as a choice, harmonious together.
White aluminium reads slightly lighter (LRV 46 vs 42), a gap that shows most in low-lit rooms. At ΔE 7.0 they're clearly different, yet close enough to share a room.
Dove Tale reads slightly lighter (LRV 45 vs 42), a gap that shows most in low-lit rooms. At ΔE 7.0 they're clearly different, yet close enough to share a room.
A 7-point LRV gap (42 vs 35) makes Dusk to Dawn the marginally brighter of the two. The ΔE 7.1 gap is real but not dramatic — distinct as a choice, harmonious together.
Dusk to Dawn reads slightly lighter (LRV 42 vs 38), a gap that shows most in low-lit rooms. At ΔE 8.0 they're clearly different, yet close enough to share a room.